Saturday, August 11, 2018

Expanding the Borders

I've decided to make a change in how I choose anthologies to list in my postings.

As you might know, these lists started out as a list on my hard drive, for my own reference. It included anthologies I thought might be interesting to write for; I noted down the vital info, so I could find it easily. I eventually started sharing the lists each month.

The list has grown from its origin in some ways -- I post anthos with all genres of fiction, rather than just genres I write in myself -- but not in others. I don't post poetry anthologies because I haven't written poetry in decades and know nothing about current markets. I don't post flash fiction anthologies because I don't write flash, and besides there are a bajillion flash anthos and they'd be better off collected in a place of their own, by someone who's into flash.

But I've also posted only books that I qualified to write for, unless specifically asked. I've had a few editors write to ask if I'd post some limited-demographic books, and if they otherwise qualified, I've been happy to do so, but I haven't gone looking for those books on my own.
I do come across them, though. And so I've decided that as I find anthologies open only to a limited demographic, if they otherwise qualify, I'll go ahead and post them. The complete post that $5 patrons get has one of these this month, with a December deadline, and I'm sure there'll be more in the future.

To clarify, I'll post info for books that are limited by the age, gender, race, ethnicity, religion, sexual orientation, or ability status of the writer.

I still won't post books limited to writers who are members of a particular organization, or students of a particular school. I figure if you're a member of an organization or a student at a school that's putting an anthology together, you'll hear about it through your org/school's web site or newsletter or whatever.

I'm considering geographical limitations. On the one hand, I can see the utility in posting anthologies only open to Canadians, for example. There are a lot of Canadian writers who wander around the English-speaking writerverse online where my Patreon and my blogs are found. And there are a number of Canadian publishers who receive subsidies from their government, and who are partially or completely limited to publishing Canadian writers because of that, so the question does come up at least once or twice a year. I'm pretty sure there are at least a few Canadians reading this, so those posts would be useful to at least some people.

Would it be useful, though, to post anthologies only open to, say, current citizens or current/past residents of a non-English-speaking country? I see those very occasionally, so they're out there, and they advertise in English. I'm thinking they must have their own places they hang out online, though, where they'd get that kind of news, so there wouldn't be much point in my posting them. On the other hand, there are minority populations who could probably use the signal boost. What do you all think?

And just looking at numbers, I'm wondering whether it'd be worthwhile to post calls for anthologies open only to residents of a particular state of the US. I've seen a few of those around over the years, they do exist, but would it be useful to post those? Would you all like to see them?

I'd love to hear what you think about the geographically limited books in particular, and anything else you'd like to comment on.

Thanks,

Angie

Friday, August 3, 2018

Birthday Muffins

So, today was my birthday. I'm 55, and finally eligible for some senior discounts, yay. :)

We didn't do anything really special, but I had a good day, which is the whole point, right? I didn't want to make a cake that'd sit there taunting me as leftovers for a week, so I made a batch of muffins. I've made them a bunch of times, and they turned out pretty good.


They're chocolate banana chocolate chip coconut muffins. They're very dark (from all the chocolate) and don't take a great picture, but they're seriously delicious. :) They're easy to make, too.

Chocolate Banana Chocolate Chip Coconut Muffins

3 brown bananas
1/2 stick of butter or margarine
1-2 tbs butter or margarine to grease muffin pan
1/2 cup sugar
1 egg
1 tsp vanilla extract
1 1/4 cup AP flour
1/4 cup unsweetened baking cocoa
1 tsp salt
1 tsp baking soda
1 bag (12 oz.) chocolate chips
1/2 bag (14 oz. bag, so 7 oz.) shredded coconut (flaked will work too)

Preheat the oven to 325 degrees F.

Melt the 1/2 stick of butter. I put it in a mug, cover it with a saucer, then microwave it for one minute on 30% power. Your microwave might be different, so be careful.

Grease the muffin tin. I like using margarine; it's softer and you get a thicker layer of stuff on the muffin cups, which makes them easier to remove once they've baked and cooled. Note that you can use either the 12-medium-muffin tin or the 6-large-muffin tin; I've used both, and they work fine, even the baking time is the same.

Mash the bananas thoroughly in a large mixing bowl.

Add the melted butter or margarine, the 1/2 cup sugar, the egg, and the vanilla extract. Mix thoroughly.

Add shredded coconut. Mix thoroughly.

In another mixing bowl (this one can be a bit smaller) put the 1 1/4 cup AP flour, the 1/4 cup unsweetened baking cocoa, the salt, and the baking soda. (I sift my baking soda in a small strainer to get the lumps out of it. If you're the kind of person who thinks baking soda toothpaste makes an awesome ice cream topping, go ahead and just dump your spoonful of soda into the bowl with the flour, etc. No, seriously, there are few "Yuck!" experiences in baking like biting into a muffin and finding that there's a little rock of baking soda in it. :P ) Mix thoroughly.

Add the chocolate chips to the flour mixture. Mix thoroughly.

Dump the flour mixture into the banana mixture.

Mix carefully, with a large wooden spoon or rubber spatula. The trick here is to thoroughly moisten all the dry ingredients, without over-mixing the batter. I find a folding motion, like when you're folding whipped egg whites into something, alternated with scraping the dry mixture off the sides of the bowl, works best.

Portion the batter out into the muffin tin. I like to use a disher -- one of those half-sphere ice cream scoop things, with a sweeper-arm in it -- but a regular spoon will work. Two spoons, or a spoon and a fork, will work even better. Once all the muffin cups are full, I use a fork to make sure the batter is distributed as evenly as possible.

Bake for 40 minutes.

Let the muffins cool for at least half an hour. If you used a good layer of margarine to grease the muffin tin, you should be able to get them out by hand, with a slow and gentle twisting motion. If they're stubborn, use a butter knife straight down the sides of each cup, all the way down to the bottom, then make a gentle prying motion. Do that 2-4 times in each cup, evenly spaced around the cup, depending on how stubborn the muffins are being.

Variations:

Regular Banana Muffins -- use 1 1/2 cups of flour, 1 cup sugar, and eliminate the baking cocoa, the chocolate chips and the coconut. This is basically banana bread batter; you can use it for either muffins or a loaf of banana bread. (The baking cocoa subbed for 1/4 cup of flour, and the shredded coconut is sweetened, and subs for 1/2 cup of the sugar.)

Chocolate Chip Banana Muffins -- make Regular Banana Muffins, but toss a bag of chocolate chips into the flour (and mix) before combining the wet and dry ingredients.

Other Fruit Muffins -- pretty much any fruit sauce/compote will work in place of the mashed bananas. Eyeball how much "stuff" you end up with in the bowl after you mash your bananas, and use about the same amount of other fruit. Chunky applesauce works well, although the apple muffins will be a bit moister. Other fruit compote (fruit seeded/pitted/hulled/chunked as needed, and cooked down with about half a cup of sugar) makes good muffins too. I've made great strawberry, peach, plum, and bing cherry muffins this way, taking advantage of summer fruits. If you use fruit compote/sauce, use 1/2 cup sugar when you make the muffins, to allow for the 1/2 cup of sugar in the compote/sauce. I've never added coconut to fruit compote muffins; I'd probably try them with no added sugar, because the 1/2 cup of sugar in the compote, plus the sweetened coconut, would probably be plenty of sugar.

Seriously, this isn't rocket science, or rocket fuel chemistry -- play with the recipe and see what you get. :)

Angie

Wednesday, July 18, 2018

Anthology Markets

If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one. If you want to get an e-mail notification when the listing is posted, get the list a week early, or get a full listing of everything I've found (as opposed to the two months' worth I post here) a week early, you can support my Patreon.

Markets with specific deadlines are listed first, with "Always Open" and "Until Filled" markets (if any) at the bottom.

There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

***

31 July 2018 -- Innsmouthbreathers -- Martian Migraine Press

There are folks for whom the question of whether Cthulhu has two eyes or six is a vitally important one. Individuals that believe, somehow, that a dinner of tinned spaghetti and ice cream with a reanimated H. P. Lovecraft would be the height of both culinary and intellectual pleasure. Scholars who feel that The Horror at Red Hook is a timely warning about, well, you know… those other people. Esteemed biographers of weird fiction luminaries who reveal their foaming insecurity at the changing of the guard, or the form of a literary award. Entities who dissolve with glee at the slapping of some tentacles on a meme, thus rendering it "Lovecraftian".

Yes, they're out there, in their seeming thousands, trolling social media, fawning over the dead, podcasting their paranoia. Yes, they are slouching roughly towards Arkham and Providence and fabled Y’ha-nthlei, to dwell in fossilized canon and geeky glory, forever.

INNSMOUTHBREATHERS.

Martian Migraine Press announces an open call for submissions to our latest anthology project, INNSMOUTHBREATHERS: Cautionary Fables of Mythos Fandom! We are looking for humourous stories of a certain kind of Cthulhu Mythos fan: the rabid Lovecraft worshipper, the defender of the outmoded and outclassed, the pulp reader for whom Weird Fiction peaked somewhere in the middle of the last century. (The 20th, for those keeping track of such things!) We’re looking for tales that pit Innsmouthbreathers against all manner of real and imagined horrors: shoggoths with Social Justice agendas, politically active Deep Ones, enlightened Mi-Go, and Nick Mamatas*. Make them lovable, make them loathsome, make us feel their triumphs and defeats! Put us in their basements, their garrets, their comic shops and conventions and pop-culture covens, and put us in their Cthulhu parody t-shirts while you’re at it. Mmm, is that a cotton/poly blend? Only in black, you say? SOLD.

INNSMOUTHBREATHERS will be a mostly funny book. We’re going for light-hearted ribbing here, a send-up, a roast. Stories that are outright mean and nasty won’t play well within these pages. Remember, let they who have not geeked out over Lovecraft, even a little, even once, throw the first Shining Trapezohedron into the bay! And sure, we’re asking for yuks, but please don’t feel you need to dial back the weird horror. Mix it up, thrill us, chill us, make us laugh at ourselves.

Submission period closes 31 JULY 2018. The anthology will be released in early October 2018.

SUBMITTING

Please use Standard Manuscript format when submitting. That’s double spaced, left justified, Times New Roman or Courier or something at least readable, a header on the first page (at least) with your author info and word count and… well, you know the drill. RTF or DOC files preferred, but DOCx and text files also accepted. Obviously, you could send us something that’s not in Standard Manuscript format, but it will lower your chances of it being looked at seriously.

We will look at both original work and REPRINTS.

To submit a story to INNSMOUTHBREATHERS send an e-mail (with the story file attached, not in the body of the email) to: submissions@martianmigrainepress.com, with subject line: INNSMOUTH, title of your story, and your name.

LENGTH

For short fiction, we’d like to see anything from 1,500 to 5,000 words. If your story goes over 5k, please inquire first. Honestly, we’d prefer to see shorter, punchier stories.

FLASH FICTION: got something under 1500 words? Send it in. However, the following still applies…

NO POETRY.

PAYMENT

All accepted submissions will be paid .03CAD per word, via Paypal, as well as a contributor copy (paperback) of the anthology, and copies in all electronic formats (mobi, EPUB, and PDF). Authors are also entitled to complete access to all titles in the MMP ebook catalogue.

REPLIES AND QUERIES

We will try to acknowledge receipt of your submission within a week of its arrival in our inbox. The submission period itself will close on 31 JULY 2018 and we should be responding to all submissions, yay or nay, by early August 2018. If you haven’t heard from us by 15 September 2018, please query.

* We use Mr Mamatas here as a stand-in for any writer who dares to push weird and horror fiction into new, interesting places. Sorry, Nick, but you made your bed, sir.

***

31 July 2018 -- Life After All -- Less Than Three Press

Life After All — an apocalyptic/post-apocalyptic/pastoral apocalyptic LGBTQIA+ romance anthology — The end of the world is a dark, bleak place. Life is full of grit, misery, and barely scraping by. But if humans excel at anything, it’s making the best of a bad situation, and the end of the world would be no different.

Less Than Three Press invites you to submit stories about life after the end of the world being far from bleak and hopeless. We want to see stories of hardened apocalypse survivors building new lives and homes with their found families; gentle robots terraforming the ruined remains of the Earth; your post-Earth space settlers slice-of-life.

THE DETAILS:

== Put SUBMISSIONS: TITLE (where TITLE is your title) in the subject line.
== Stories should be at least 8000 words and should not exceed approx 15000 words in length.
== Stories must be about a post-apocalyptic society.
== Stories must have a happily ever after (HEA) or happy for now (HFN) end.
== Any sub-genre is gladly accepted: sci-fi, mystery, contemporary, steampunk, etc.
== LT3 always welcomes representation of all genders and nonbinary or agender characters.
== All usual LT3 submission guidelines apply.

Life After All is a general release anthology, which means authors will receive a flat payment of $150.00 once LT3 has a signed contract. Authors will receive one copy each of the ebook formats LT3 produces and two copies of the paperback compilation.

Stories should be complete before submitting, and as edited as possible — do not submit a first draft. They can be submitted in any format (doc, docx, rtf, odt, etc) preferably single spaced in an easy to read font (Times, Calibri, Arial) with no special formatting (no elaborate section separation, special fonts, etc). Additional formatting guidelines can be found here.

Questions should be directed to the anthology editor, J., at jhong.writes@gmail.com (or you can ping them on twitter @heykaunlay).

***

15 August 2018 -- A Punk Rock Future -- Zsenon Publishing

Welcome to A Punk Rock Future. Get ready for an anthology from Zsenon Publishing that will feature flash fiction as fast as a punk rock song as well as longer stories, all with a gut punch and revealing a punk rock future.

You may ask yourself: Are we already in this punk rock future or did it die in the late 1970s? Or is it still coming?

We’ll find out soon in this anthology…

So you may have thought Punk Rock was going to change the world. That Punk RULES.

Or are we still here with [pic of a The Clash album cover].

Either way, we’re looking for stories from you that will explore this future, whether it’s near or far away. We’d like to see dystopias, utopias, or something in-between; anything with a punk rock sensibility/ethos; alternative history; the promise of punk; the failure of punk; music-inspired stories; science fiction; fantasy; or horror. No matter the genre label, stories must have a speculative element. This isn’t an anthology of steampunk, solarpunk, silkpunk, ecopunk (those are all fine genres), or whatever punk. We won’t rule out stories that touch on those niches but be warned: Stories should be the real deal, punk punk.

Surprise and amaze us. A punk strain runs through SFFH so we know that great stories are out there. Want a recent fantastic example? The Big So-So by Erica Satifka. Unfortunately, you can’t get Satifka's short story online but you might pick up this issue of Interzone to see what we like. Or read Sarah Pinsker’s 2015 Nebula Award winner Our Lady of the Open Road, published in Asimov's. It, too, has the vibe we want.

In A Punk Rock Future, the shortest of these stories will be confined to the 350-500 word range, which would span about three minutes if the story is read aloud. We want stories that howl like Exene Cervenka, charge ahead like Death’s drums, and roar out on a quick, high note like a Clash solo. After all, the Ramones rarely wrote songs over three minutes—although the seminal punk band penned a couple songs over four minutes long, so we might stretch it some. These flash fictions still must be stories though, which is indeed possible to do well in 500 words. Short stories, which will make up the bulk of the anthology, will top out at 6,000 words.

Almost all of the stories will come straight outta the garage, the slush pile, which seems like the punk thing to do. A few stories may be solicited from the punkiest of punk writers.

We want diverse fiction from any and all demographics of people and about any and all demographics of people.

Some sorta kickstarter-y thing is in the plans to help pay the writers, or maybe pay ‘em more. We will pay pro rates of at least 6 cents a word.

Hey, ho. What are you waiting for? Get writing and submit starting now until the August 15, 2018 deadline. Let’s go.

IN SHORT

Genres: science fiction, fantasy, horror (all stories must have a speculative element, even the horror).

Word count: 350-6000 words.

Pay rate: 6 cents per word, professional rate as deemed by Science Fiction & Fantasy Writers of America (SFWA).

Multiple submissions: No.

Simultaneous submissions: No.

Reprint submissions: Don’t submit reprints. In rare cases maybe, but query first and only if it’s an exceptional story.

Estimated Response Time: Fast as possible.

Estimated Publication Date: Summer 2019.

BIG NO-NO’s:

No torture, porn or tortureporn.

Stay away from the well-trodden, so:
1. No Vampires
2.No Zombies

Slush piles are overrun by zombies and vampires. Don’t submit those stories. They’ll be rejected instantaneously.

HOW WILL IT BE PUBLISHED?

The anthology will be published as a book, both paper and ebook.

We’ll be buying first worldwide print and electronic rights in English, with an exclusivity period of six months. Payment on publication.

HOW DO I SUBMIT?

Submissions to: zsenonpublishing@gmail.com.

Standard Manuscript Format please. Doc, docx or rtf.

Subject line of email should read: SUBMISSION – Your Name – Your Story Title

***

1 September 2018 -- Burnt Fur -- ed. Ken Macgregor; Blood Bound Books

Furry: 'noun informal 1. an enthusiast for animal characters with human characteristics, in particular a person who dresses up in costume as such a character or uses one as an avatar online.'

Furry can also mean actual anthropomorphic animal characters. Real animals acting like people (ie. Watership Down) or half-human/half-animal hybrids (ie. The Teenage Mutant Ninja Turtles).

We’re looking for stories from the dark underbelly of Furry life. The Pooka who is not only invisible to everyone but Elwood Dowd ("Harvey"), but who is also slaughtering the neighborhood pets. The talking porcupine who uses an ancient form of acupuncture to mind-control the humans into a sex/blood cult. The couple who dress up as wolves, go to Furry cons, and actually eat people dressed as prey animals. You get the idea.

Show us the corruption of innocence. Give us fur matted with blood and semen. Make us squirm as we read. But, please, make sure you have a story to go with your gory. Please include a plot with your cum shot. If it’s all shock and no substance, we’ll likely pass.

What we’re looking for:

Genres: All sub-genres of horror accepted—extreme, bizzaro, erotic, new weird, splatterpunk—if it’s dark and it’s furry, we want it!

Stories must be previously unpublished in any form

Email:
burntfursubmissions@gmail.com

Length: 1,500 words up to 7K

Multiple Submissions: No

Simultaneous Submissions: No

Payment: 3 cents/word

***

1 September 2018 -- Release the Virgins -- ed. Michael A. Ventrella

Through a kickstarter campaign, we were able to raise enough to go ahead with this project, and we have confirmations from authors David Gerrold, Lawrence Watt-Evans, Jody Lynn Nye, Allen Steele, Steve Miller, Sharon Lee, Keith R.A. DeCandido, Gail Z. Martin, Cecilia Tan, Patrick Thomas, Shariann Lewitt, Alex Shvartsman, Hildy Silverman, and Daniel M. Kimmel.

We should have room for a few extra stories as well. But only a few.

Submissions are open for short stories that include, somewhere in the story, the phrase "Release the Virgins."

The story should be no more than 5,000 words. This should be sufficient for what should most likely be a somewhat humorous tale. The payment is 5 cents a word. Do not take this as an invitation to pad your story in order to earn a few more bucks. If your story is complete at 3,000 words, then end it. A good but padded story may get rejected over a concise, fast-moving one, because we want to fit in as many stories as possible.

Unpublished authors are encouraged to submit, but will still face the same standards for submissions as the published authors. (Hint: Don’t send me a submission full of spelling and grammatical errors.)

An email proposal is required to make sure you are not duplicating an idea already reserved by one of the accepted authors. Send to michael.ventrella@gmail.com.

Once that is approved, your story should be double-spaced in rtf format with 12 point Times Roman font. There should be no spacing after the paragraphs. The first page must contain the name of the story, the word count, and your name, address, email, and phone number. Your cover letter should list any previous publications.

EDIT (ADDED A WEEK LATER):

I’m getting a lot of proposed story ideas for the anthology and if they all submit stories, I’ll have to reject a lot (or hold them in case we do a second book).

But here’s some advice:

1. Avoid unicorns. I’ve already had a bunch of proposals about unicorns and even if the submitted stories are all good, I’m not going to want to have more than one or two unicorn stories in the anthology. We want variety.

2. Be creative. If it looks like you just took a story you already had and found a way to work the phrase into the story in such a way that I could remove the phrase completely and it wouldn’t hurt the story, then I will probably not accept it. The phrase should be relevant and necessary to the story.

3. Don’t send me a proposal with spelling and grammatical errors. I mean, duh.

Thanks!

***

15 September 2018 -- Non-Themed Horror Anthologies -- Corpus Press

Corpus Press is now accepting submissions for non-themed horror anthologies with a publication target of 2019. Submissions will be accepted according to our publishing needs, regardless of author publication history, status, race, creed, gender, sexual preferences or any other identity factor. Submissions should be story-driven and appeal to a wide adult audience.

What we ARE looking for:

== Not previously published short stories of 2,500-4,500 words. We are seeking stories that can be characterized as being within the broad category of “horror” fiction.
== Successful submissions will be highly original, well written and cleanly edited.
== Stories may be frightening, thought-provoking, atmospheric, humorous and/or satirical (or any combination thereof), but MUST contain a complete tale.

What we ARE NOT looking for:

== We are not seeking “extreme horror” or “Splatterpunk” material. We discourage submissions that have a singular purpose of shocking the audience with explicit language, sexuality and/or violence. Explicit language, sexuality and violence are acceptable, however, if handled in a tasteful manner and in service to a well-plotted, engaging story.
== Abstract mood pieces, vignettes, and highly experimental approaches to literature are discouraged. We are not accepting poems.
== Stories featuring exaggerated dialects, colloquialisms or excessive references to pop culture or current fads are discouraged.
== Not seeking stories featuring vampires, werewolves or zombies.
== Epistolary fiction will not be accepted.

Document Requirements: Submissions must be in an editable format sent via the publisher’s submission portal. No PDFs or scanned documents sent as image files will be accepted. Preference is for author name, email address and word count information to be placed only at the end of the document to assist with blinded review process.

Submission window: June 1, 2018 until midnight EST September 15, 2018.

Please no multiple or simultaneous submissions. Notifications of acceptance / rejection will be sent no later than October 30, 2018, with publication target of 2019.

PLEASE NOTE THAT SUBMISSION DOES NOT GUARANTEE ACCEPTANCE.

Pay Rate: $.03 per word.
Payment will be capped at $150 USD for accepted submissions (2,500-4,500 words). Two (2) free contributor copies (paperback) will be provided upon publication, with contributors having the option to buy additional quantities at cost post-publication. Payment on publication.

Anthology target length: Approximately 250-300 pages. Title TBD.

Please note: Final contract required to be signed upon acceptance which may contain additional terms and conditions.

***

1 October 2018 -- American Psychos -- ed. Randy Chandler and Cheryl Mullenax; Red Room Press

Note: Anthology updates will be posted in the right hand column [of the web page] (accepted authors, tentative contributors, etc.)

Red Room Press is seeking stories for a new dark crime/thriller/horror anthology, American Psychos: A Serial Killer Anthology. Inspired by the most disturbingly violent and graphic crime thriller novels of our time, including Bret Easton Ellis’s American Psycho, Shane Steven’s By Reason of Insanity, Michael Slade’s Headhunter, our goal is to make American Psychos a brutal, suspenseful, nightmare-inducing hard ride into hell.

Stories must be about a serial killer, obviously. The story can either be based on a real serial killer or a fictional serial killer. Stories should primarily be set in the USA, but the character may travel abroad. We want stories that are brutal, graphic, disturbing and violent. The above referenced books will give you a good idea of what we are looking for. Serial killers must be human; no supernatural elements, monsters, or vampires. They can have supernatural beliefs, however, and they can be any gender or race.

Publication Date: Early 2019

Length: 3500-5500 words.

Response Time: 4-8 weeks

Payment for original stories: $100 ($150 if we meet our crowdfunding campaign goal, See sidebar for details and other anthology updates)

No unsolicited reprints or multiple submissions.

What to Send

In the body of an email:

== Author name
== Story title
== Word Count
== A brief bio
== A short description of the story.
== Attachment of entire manuscript in rtf, doc, or docx format only. Standard formatting.

We’ll send a notification within 48 hours that we received your submission. If you don’t get this, please inquire. We may not have received it.

EMAIL TO: americanpsychos@redroompress.com

***

ALWAYS OPEN -- Future Visions Anthology Series -- ed. Brian J Walton; Camton House Publishing

The Future Visions Anthologies is a science fiction anthology series, aiming to deliver excellent and diverse short story collections on a quarterly basis. In the tradition of great television anthology series such as The Twilight Zone, and Black Mirror, the Future Visions Anthologies will broadly explore all genres and traditions of science fiction and speculative fiction, seeking in each story to explore deeply themes that are relevant to a modern audience.

Themes:

What do you hope the future will bring? What are you afraid we may become? How do our visions of the future inform and give shape to the hopes and fears that we have today?

These questions are what defines anthology series like The Twilight Zone and Black Mirror. Rather than mandating a theme for each publication, (one publication for cyborgs, one for time travelers, etc...) I want authors to feel free to explore these larger questions using any and all of the popular science fiction tropes: new technology, exploration, nightmarish dystopians, alien species, baffling utopias, the list goes on...

Diversity:

The Future Visions Anthologies seeks to bring diversity to all aspects of their publications, from the stories and authors we publish, to the themes and genres we explore. All authors may apply regardless of age, race, gender, sexual orientation, religion, or political affiliation.

Terms:

The Future Visions Anthologies seeks to engage authors with fair and equitable terms through participation in the anthologies. The anthologies will be enrolled in Kindle Unlimited for an initial six-month term, during which stories will be exclusive to the anthology. After this, anthologies will continue be available as an ebook (not in KU) for an additional six-month term. During this term, partial publication rights will return to the author to publish as an ebook, except for in KU. After one year, the ebook will be unpublished, returning all rights to the author.

Payment will be based on a profit-share model with a guaranteed minimum payment of $150. Authors will receive royalties during the first six months of membership. At the end of the royalty period, if the author's royalties do not meet the minimum payment of $150 then the remaining amount will be paid. There is no cap to the amount of royalties that may be earned. Earning reports for the anthology will be provided to all participating authors to ensure complete transparency. Specific terms will be available after initial acceptance of the author's story.

Submission Guidelines:

== Authors must read and be in agreement with the above before submitting.
== There is no fee to submit.
== Submissions must be original, never before published works.
== Submissions may be set in a larger universe, but should be a complete story; do not send excerpts, parts, or volumes.
== Word Count is 2k-7k words (exceptions for up to one story per anthology can be made).
== Submissions should be written to the best of the author's ability. Professional editing is not required but may help in the consideration of your piece. Camton House Publishing will provide professional editing and proofreading, approved by the author, and a final, edited version will be submitted to the author upon publication.
== Adult language and sexual situations are permitted, but no hate speech, erotica or "X-rated" material.
== Formatting: 12pt Times New Roman font with 1.5-line spacing; 1-inch margins on all sides; no extra spaces between paragraphs; leading indentations, but no tabs.
== Include "Future Visions Short Story Submission" in the header and the following information in the body of the email:
o Author Name
o Story Title
o Word Count
o Brief Bio, written in the third person. 100-300 words.
== Submissions should be submitted in docx format as an attachment.
== Submissions should be emailed to futurevisionssubmissions@gmail.com

Submissions that do not follow the above guidelines will not be considered.

Deadlines:

Submissions are always open. Authors who have submitted will be notified within 4-6 weeks of submission regarding whether their story has been selected.

[Okay, this is different. I'll be treating this one like an "Until Filled" market, in that I'll be checking every month to make sure they're still alive. Unlike a UF, I'll keep posting this so long as it's still alive. (Unless it turns morbid or skeevy, the usual.) Note that this is a royalty split with a guaranteed minimum, which works out to pro rates up to 2500 words, and semi-pro after that. Best practice IMO is to assume that the minimum is all you'll ever get from this market; that way, so long as you do get paid, all your surprises will happy ones.

Interesting business model; it's basically a magazine that's being treated like an antho series, more or less. I'll be keeping an eye on this one, and may revisit the listing in the future.]

***

UNTIL FILLED -- Black Superheroes Do It Too! -- Black Books Publishing -- First Listed January 2018

We are currently accepting submissions for our Black Erotica/Superhero Anthology (Working Title: Black Superheroes Do It Too!). Submissions should be full stories, not just sex scenes and between 3500 and 10,000 words. Writers, feel free to query to ensure your story idea hasn't already been submitted.

This anthology pays $100US. The submission period will remain open until our goal of a 225+ page anthology has been reached.

Thoroughly edited material has the best chance of acceptance. You don't need to pay someone to edit your material, but if you're serious about your writing, we do recommend it. At a minimum, we suggest you have others read over your work for typos and grammatical errors.

All manuscripts should be in Microsoft Word and should be double spaced with an extra space between each paragraph. THIS EXTRA SPACE SHOULD BE DONE IN MICROSOFT WORD, THROUGH YOUR PARAGRAPH SETTINGS, NOT BY YOU ACTUALLY HITTING "ENTER" TWICE. There should be no indention at the start of each paragraph.

Send to: submissions@blackbookspublishing.com with "Superhero Erotica" in the subject heading.

***

If you've found this listing useful, and especially if you've sold a story to a market you found here (score!) I'd love to hear about it. You can e-mail me at angiepen at gmail dot com.

If you'd like to support these listings in a more concrete way, here are a couple of ways to do it:

Become a Patron!

Saturday, June 16, 2018

Anthology Markets

If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one. If you want to get an e-mail notification when the listing is posted, get the list a week early, or get a full listing of everything I've found (as opposed to the two months' worth I post here) a week early, you can support my Patreon.

Markets with specific deadlines are listed first, "Until Filled" markets (if any) are at the bottom. And starting this month, there's a new category, because I found an anthology series that's "Always Open." Find it right above the "Until Filled" listings.

There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

***

1 July 2018 -- Baby, It's Cold Outside -- ed. Robert Bose; Coffin Hop Press

Dark, deadly and noirish tales of holiday havoc and yuletide woe.

Projected launch date is November 2018. We will be accepting open submissions for 2-3 stories (of up to 5,000 words) to be featured alongside the invited authors.

We are looking for holiday (I.E. Christmas, Hannukah, Kwanzaa, etc.) themed CRIME stories ONLY. No Sci-Fi, no Fantasy

Payment currently listed at $150.00 CAD/story.

Please send in .doc or .docx format, in standard formatting.

See our STYLE GUIDE for more information.

***ANY SUBMISSIONS NOT FOLLOWING THE PRESCRIBED FORMATTING MAY BE SUMMARILY DISMISSED WITHOUT REPLY***

***

1 July 2018 -- Knucklehead Noir -- ed. Robert Bose; Coffin Hop Press

Tales of dimwitted criminals and unlucky twits on the wrong side of the law. Nimrods, numbskulls and rejects. Bumbling sidekicks and idiots-gone-wrong.

Elmore Leonard and Charles Willeford ain’t got nothin’ on these dipshits.

Projected launch date is November 2018. We will be accepting open submissions for 3-5 stories (of up to 5,000 words) to be featured alongside 6-8 stories from some well-known and extremely talented authors.

We are specifically looking for darkly humorous CRIME stories.

No Sci-fi, no Fantasy.

Payment currently listed at $0.03/word CAD.


Please send in .doc or .docx format, in standard formatting.

See our STYLE GUIDE for more information.

***ANY SUBMISSIONS NOT FOLLOWING THE PRESCRIBED FORMATTING MAY BE SUMMARILY DISMISSED WITHOUT REPLY***

***

10 July 2018 -- Monsters of Any Kind -- ed. Alessandro Manzetti and Daniele Bonfanti; Independent Legions Publishing

Independent Legions Publishing is seeking original horror stories in English for the new anthology Monsters of Any Kind, edited by Alessandro Manzetti and Daniele Bonfanti, to be published in October 2018 in print and digital editions. Cover art by Wendy Saber Core.

We’re looking for horror stories containing at least one non-human monster/creature (and not vampires, ghosts, werewolves, zombies). Unusual creatures will be particularly appreciated. All subgenres and forms of speculative fiction are welcome.

Word Count: We are open to stories of 3,500-5,000 words.

Pay Rate: We pay $100 for each original story.

We buy first exclusive English-language rights for three years.

We do not accept multiple or simultaneous submissions, nor do we accept unsolicited reprints.

Submissions should follow standard manuscript format (12 pt Times New Roman or Courier fonts, 1" margins all around, line spacing 1½ or 2 spaces). It must be in .doc or .docx format or it will not be considered. Your name and contact information must be at the top of the first page of the story. Page numbers with author’s last name and/or partial story name on subsequent pages would be appreciated.

Cover letter is optional, but if you do include one, please add a short bio (up to 200 words).

Response time is currently within four weeks. After that, if you haven’t heard from us, please query. We will not be sending confirmations of receipt.

Stories must be submitted as email attachments; to submit, put “SUBMISSION – MONSTERS OF ANY KIND” in the subject line and send to: independent.legions@aol.com

***

15 July 2018 -- Terra! Tara! Terror! -- Third Flatiron

Terra! Tara! Terror! -- SF, Fantasy, Horror. Whether the setting is a cabin in the woods (Terra), Fae (Tara), or spaceship Nostromo (Terror), take us there and spin your adventure. For a bit of mood whiplash, we'd like a mixture of dark and bright stories. Examples: Obsession with odd artifacts (like Roadside Picnic's golden sphere?), alternate histories, paranormal romance (no erotica, please, we're PG-13).

Reading Period: June 15 - July 15, 2018. DO NOT SUBMIT before 15 June.
Publication Date: September 20, 2018.

Stories should be submitted in either Microsoft Word (using double spacing), RTF, or plain text. They should be between 1,500 and 3,000 words. Flash humor pieces (Grins and Gurgles) should be short, around 600 words.

Please don't send simultaneous or multiple submissions. If a story has been rejected, you can then send another (limit 2 per reading period).

Submit by email to:

flatsubmit@thirdflatiron.com

either as an attachment (Word, RTF) or in the body of the mail (text).

In the Subject: line of the email, please put:

flatsubmit:Title_of_Your_Work

to avoid being deemed a canned meat product based on ham.

If the work is for the humor section, please note that in the body of your email. A brief bio and a one- or two-sentence synopsis in the body of your email would also be helpful to us.

Use the following template (basically, follow William Shunn's Standard Manuscript Format):

Your Name

Address (mailing)

Email address

Word count

[10 blank lines]

Title

Byline

Body of story

--------

Our response time is expected to be about 8 weeks (or less if the writer deadline is coming up soon).

REMUNERATION

As of: November 1, 2016

Your story must be original work, with the digital rights unencumbered. Accepted stories will be paid at the flat rate of 6 cents per word (U.S./SFWA professional rate), in return for the first publication rights to the story for six months after publication. All other rights will remain with the author. We no longer offer royalties. If your story is selected as the lead story, we request permission to podcast the story as a free sample portion of the anthology. We welcome new writers.

Third Flatiron will price and market your story to various e-publishing venues. We will format the story for the most popular electronic readers and platforms. You agree that we may distribute a sample (portion of the story) to potential customers.

For non-U.S. submissions, we prefer to pay via PayPal, if you have such an account.

Most books (except "year's best" collections) will be available for sale in trade paperback.

Authors selected for publication will also be entitled to one free online copy of the anthology.

***

15 July 2018 -- Alternative Truths: Endgame -- ed. Jess Faraday and Bob Brown; B Cubed Press

The Premise

How will the current political nightmare end? The "Endgame" referenced in the title may be that it doesn’t end. It may be that it transitions, or it there may be a paroxysm of indictments (or a spaceship landing on the lawn, or a zombie apocalypse, or we wake from a dream).

What We Want

The third and likely final book in the best selling Alternative Truths series is looking for stories, poems, and essays. We welcome both serious works and works of humor, light and dark. In addition, we would love to see stories that cover the entire spectrum of race, sexual orientation, politics, etc. We’ll even publish Canadians!

Your vision is what we want — just no assassination fantasies, please.

As always, a share of the proceeds from sales of the book goes to the ACLU of Washington.

How to Submit

Send submissions in standard manuscript format to Kionadad@aol.com. Files can be .doc, .docx, or .rtf format. Be sure to include the words "Alternative Truths Endgame Submission" in the email subject line.

Word Count: 300 to 5000 words

Payment: Poems and flash fiction are paid by the piece. Everything else will be paid at $0.02 cent/word, paid on publication, plus shared royalties.

Queries encouraged.

***

31 July 2018 -- Innsmouthbreathers -- Martian Migraine Press

There are folks for whom the question of whether Cthulhu has two eyes or six is a vitally important one. Individuals that believe, somehow, that a dinner of tinned spaghetti and ice cream with a reanimated H. P. Lovecraft would be the height of both culinary and intellectual pleasure. Scholars who feel that The Horror at Red Hook is a timely warning about, well, you know… those other people. Esteemed biographers of weird fiction luminaries who reveal their foaming insecurity at the changing of the guard, or the form of a literary award. Entities who dissolve with glee at the slapping of some tentacles on a meme, thus rendering it "Lovecraftian".

Yes, they're out there, in their seeming thousands, trolling social media, fawning over the dead, podcasting their paranoia. Yes, they are slouching roughly towards Arkham and Providence and fabled Y’ha-nthlei, to dwell in fossilized canon and geeky glory, forever.

INNSMOUTHBREATHERS.

Martian Migraine Press announces an open call for submissions to our latest anthology project, INNSMOUTHBREATHERS: Cautionary Fables of Mythos Fandom! We are looking for humourous stories of a certain kind of Cthulhu Mythos fan: the rabid Lovecraft worshipper, the defender of the outmoded and outclassed, the pulp reader for whom Weird Fiction peaked somewhere in the middle of the last century. (The 20th, for those keeping track of such things!) We’re looking for tales that pit Innsmouthbreathers against all manner of real and imagined horrors: shoggoths with Social Justice agendas, politically active Deep Ones, enlightened Mi-Go, and Nick Mamatas*. Make them lovable, make them loathsome, make us feel their triumphs and defeats! Put us in their basements, their garrets, their comic shops and conventions and pop-culture covens, and put us in their Cthulhu parody t-shirts while you’re at it. Mmm, is that a cotton/poly blend? Only in black, you say? SOLD.

INNSMOUTHBREATHERS will be a mostly funny book. We’re going for light-hearted ribbing here, a send-up, a roast. Stories that are outright mean and nasty won’t play well within these pages. Remember, let they who have not geeked out over Lovecraft, even a little, even once, throw the first Shining Trapezohedron into the bay! And sure, we’re asking for yuks, but please don’t feel you need to dial back the weird horror. Mix it up, thrill us, chill us, make us laugh at ourselves.

Submission period closes 31 JULY 2018. The anthology will be released in early October 2018.

SUBMITTING

Please use Standard Manuscript format when submitting. That’s double spaced, left justified, Times New Roman or Courier or something at least readable, a header on the first page (at least) with your author info and word count and… well, you know the drill. RTF or DOC files preferred, but DOCx and text files also accepted. Obviously, you could send us something that’s not in Standard Manuscript format, but it will lower your chances of it being looked at seriously.

We will look at both original work and REPRINTS.

To submit a story to INNSMOUTHBREATHERS send an e-mail (with the story file attached, not in the body of the email) to: submissions@martianmigrainepress.com, with subject line: INNSMOUTH, title of your story, and your name.

LENGTH

For short fiction, we’d like to see anything from 1,500 to 5,000 words. If your story goes over 5k, please inquire first. Honestly, we’d prefer to see shorter, punchier stories.

FLASH FICTION: got something under 1500 words? Send it in. However, the following still applies…

NO POETRY.

PAYMENT

All accepted submissions will be paid .03CAD per word, via Paypal, as well as a contributor copy (paperback) of the anthology, and copies in all electronic formats (mobi, EPUB, and PDF). Authors are also entitled to complete access to all titles in the MMP ebook catalogue.

REPLIES AND QUERIES

We will try to acknowledge receipt of your submission within a week of its arrival in our inbox. The submission period itself will close on 31 JULY 2018 and we should be responding to all submissions, yay or nay, by early August 2018. If you haven’t heard from us by 15 September 2018, please query.

* We use Mr Mamatas here as a stand-in for any writer who dares to push weird and horror fiction into new, interesting places. Sorry, Nick, but you made your bed, sir.

***

31 July 2018 -- Life After All -- Less Than Three Press

Life After All — an apocalyptic/post-apocalyptic/pastoral apocalyptic LGBTQIA+ romance anthology — The end of the world is a dark, bleak place. Life is full of grit, misery, and barely scraping by. But if humans excel at anything, it’s making the best of a bad situation, and the end of the world would be no different.

Less Than Three Press invites you to submit stories about life after the end of the world being far from bleak and hopeless. We want to see stories of hardened apocalypse survivors building new lives and homes with their found families; gentle robots terraforming the ruined remains of the Earth; your post-Earth space settlers slice-of-life.

THE DETAILS:

== Put SUBMISSIONS: TITLE (where TITLE is your title) in the subject line.
== Stories should be at least 8000 words and should not exceed approx 15000 words in length.
== Stories must be about a post-apocalyptic society.
== Stories must have a happily ever after (HEA) or happy for now (HFN) end.
== Any sub-genre is gladly accepted: sci-fi, mystery, contemporary, steampunk, etc.
== LT3 always welcomes representation of all genders and nonbinary or agender characters.
== All usual LT3 submission guidelines apply.

Life After All is a general release anthology, which means authors will receive a flat payment of $150.00 once LT3 has a signed contract. Authors will receive one copy each of the ebook formats LT3 produces and two copies of the paperback compilation.

Stories should be complete before submitting, and as edited as possible — do not submit a first draft. They can be submitted in any format (doc, docx, rtf, odt, etc) preferably single spaced in an easy to read font (Times, Calibri, Arial) with no special formatting (no elaborate section separation, special fonts, etc). Additional formatting guidelines can be found here.

Questions should be directed to the anthology editor, J., at jhong.writes@gmail.com (or you can ping them on twitter @heykaunlay).

***

15 August 2018 -- A Punk Rock Future -- Zsenon Publishing

Welcome to A Punk Rock Future. Get ready for an anthology from Zsenon Publishing that will feature flash fiction as fast as a punk rock song as well as longer stories, all with a gut punch and revealing a punk rock future.

You may ask yourself: Are we already in this punk rock future or did it die in the late 1970s? Or is it still coming?

We’ll find out soon in this anthology…

So you may have thought Punk Rock was going to change the world. That Punk RULES.

Or are we still here with [pic of a The Clash album cover].

Either way, we’re looking for stories from you that will explore this future, whether it’s near or far away. We’d like to see dystopias, utopias, or something in-between; anything with a punk rock sensibility/ethos; alternative history; the promise of punk; the failure of punk; music-inspired stories; science fiction; fantasy; or horror. No matter the genre label, stories must have a speculative element. This isn’t an anthology of steampunk, solarpunk, silkpunk, ecopunk (those are all fine genres), or whatever punk. We won’t rule out stories that touch on those niches but be warned: Stories should be the real deal, punk punk.

Surprise and amaze us. A punk strain runs through SFFH so we know that great stories are out there. Want a recent fantastic example? The Big So-So by Erica Satifka. Unfortunately, you can’t get Satifka's short story online but you might pick up this issue of Interzone to see what we like. Or read Sarah Pinsker’s 2015 Nebula Award winner Our Lady of the Open Road, published in Asimov's. It, too, has the vibe we want.

In A Punk Rock Future, the shortest of these stories will be confined to the 350-500 word range, which would span about three minutes if the story is read aloud. We want stories that howl like Exene Cervenka, charge ahead like Death’s drums, and roar out on a quick, high note like a Clash solo. After all, the Ramones rarely wrote songs over three minutes—although the seminal punk band penned a couple songs over four minutes long, so we might stretch it some. These flash fictions still must be stories though, which is indeed possible to do well in 500 words. Short stories, which will make up the bulk of the anthology, will top out at 6,000 words.

Almost all of the stories will come straight outta the garage, the slush pile, which seems like the punk thing to do. A few stories may be solicited from the punkiest of punk writers.

We want diverse fiction from any and all demographics of people and about any and all demographics of people.

Some sorta kickstarter-y thing is in the plans to help pay the writers, or maybe pay ‘em more. We will pay pro rates of at least 6 cents a word.

Hey, ho. What are you waiting for? Get writing and submit starting now until the August 15, 2018 deadline. Let’s go.

IN SHORT

Genres: science fiction, fantasy, horror (all stories must have a speculative element, even the horror).

Word count: 350-6000 words.

Pay rate: 6 cents per word, professional rate as deemed by Science Fiction & Fantasy Writers of America (SFWA).

Multiple submissions: No.

Simultaneous submissions: No.

Reprint submissions: Don’t submit reprints. In rare cases maybe, but query first and only if it’s an exceptional story.

Estimated Response Time: Fast as possible.

Estimated Publication Date: Summer 2019.

BIG NO-NO’s:

No torture, porn or tortureporn.

Stay away from the well-trodden, so:
1. No Vampires
2.No Zombies

Slush piles are overrun by zombies and vampires. Don’t submit those stories. They’ll be rejected instantaneously.

HOW WILL IT BE PUBLISHED?

The anthology will be published as a book, both paper and ebook.

We’ll be buying first worldwide print and electronic rights in English, with an exclusivity period of six months. Payment on publication.

HOW DO I SUBMIT?

Submissions to: zsenonpublishing@gmail.com.

Standard Manuscript Format please. Doc, docx or rtf.

Subject line of email should read: SUBMISSION – Your Name – Your Story Title


***

1 September 2018 -- Burnt Fur -- Ken Macgregor; Blood Bound Books

Furry: 'noun informal 1. an enthusiast for animal characters with human characteristics, in particular a person who dresses up in costume as such a character or uses one as an avatar online.'

Furry can also mean actual anthropomorphic animal characters. Real animals acting like people (ie. Watership Down) or half-human/half-animal hybrids (ie. The Teenage Mutant Ninja Turtles).

We’re looking for stories from the dark underbelly of Furry life. The Pooka who is not only invisible to everyone but Elwood Dowd ("Harvey"), but who is also slaughtering the neighborhood pets. The talking porcupine who uses an ancient form of acupuncture to mind-control the humans into a sex/blood cult. The couple who dress up as wolves, go to Furry cons, and actually eat people dressed as prey animals. You get the idea.

Show us the corruption of innocence. Give us fur matted with blood and semen. Make us squirm as we read. But, please, make sure you have a story to go with your gory. Please include a plot with your cum shot. If it’s all shock and no substance, we’ll likely pass.

What we’re looking for:

Genres: All sub-genres of horror accepted—extreme, bizzaro, erotic, new weird, splatterpunk—if it’s dark and it’s furry, we want it!

Stories must be previously unpublished in any form

Email:
burntfursubmissions@gmail.com

Length: 1,500 words up to 7K

Multiple Submissions: No

Simultaneous Submissions: No

Payment: 3 cents/word

***

ALWAYS OPEN -- Future Visions Anthology Series -- Brian J Walton; Camton House Publishing

The Future Visions Anthologies is a science fiction anthology series, aiming to deliver excellent and diverse short story collections on a quarterly basis. In the tradition of great television anthology series such as The Twilight Zone, and Black Mirror, the Future Visions Anthologies will broadly explore all genres and traditions of science fiction and speculative fiction, seeking in each story to explore deeply themes that are relevant to a modern audience.

Themes:

What do you hope the future will bring? What are you afraid we may become? How do our visions of the future inform and give shape to the hopes and fears that we have today?

These questions are what defines anthology series like The Twilight Zone and Black Mirror. Rather than mandating a theme for each publication, (one publication for cyborgs, one for time travelers, etc...) I want authors to feel free to explore these larger questions using any and all of the popular science fiction tropes: new technology, exploration, nightmarish dystopians, alien species, baffling utopias, the list goes on...

Diversity:

The Future Visions Anthologies seeks to bring diversity to all aspects of their publications, from the stories and authors we publish, to the themes and genres we explore. All authors may apply regardless of age, race, gender, sexual orientation, religion, or political affiliation.

Terms:

The Future Visions Anthologies seeks to engage authors with fair and equitable terms through participation in the anthologies. The anthologies will be enrolled in Kindle Unlimited for an initial six-month term, during which stories will be exclusive to the anthology. After this, anthologies will continue be available as an ebook (not in KU) for an additional six-month term. During this term, partial publication rights will return to the author to publish as an ebook, except for in KU. After one year, the ebook will be unpublished, returning all rights to the author.

Payment will be based on a profit-share model with a guaranteed minimum payment of $150. Authors will receive royalties during the first six months of membership. At the end of the royalty period, if the author's royalties do not meet the minimum payment of $150 then the remaining amount will be paid. There is no cap to the amount of royalties that may be earned. Earning reports for the anthology will be provided to all participating authors to ensure complete transparency. Specific terms will be available after initial acceptance of the author's story.

Submission Guidelines:

== Authors must read and be in agreement with the above before submitting.
== There is no fee to submit.
== Submissions must be original, never before published works.
== Submissions may be set in a larger universe, but should be a complete story; do not send excerpts, parts, or volumes.
== Word Count is 2k-7k words (exceptions for up to one story per anthology can be made).
== Submissions should be written to the best of the author's ability. Professional editing is not required but may help in the consideration of your piece. Camton House Publishing will provide professional editing and proofreading, approved by the author, and a final, edited version will be submitted to the author upon publication.
== Adult language and sexual situations are permitted, but no hate speech, erotica or "X-rated" material.
== Formatting: 12pt Times New Roman font with 1.5-line spacing; 1-inch margins on all sides; no extra spaces between paragraphs; leading indentations, but no tabs.
== Include "Future Visions Short Story Submission" in the header and the following information in the body of the email:
o Author Name
o Story Title
o Word Count
o Brief Bio, written in the third person. 100-300 words.
== Submissions should be submitted in docx format as an attachment.
== Submissions should be emailed to futurevisionssubmissions@gmail.com

Submissions that do not follow the above guidelines will not be considered.

Deadlines:

Submissions are always open. Authors who have submitted will be notified within 4-6 weeks of submission regarding whether their story has been selected.

[Okay, this is different. I'll be treating this one like an "Until Filled" market, in that I'll be checking every month to make sure they're still alive. Unlike a UF, I'll keep posting this so long as it's still alive. (Unless it turns morbid or skeevy, the usual.) Note that this is a royalty split with a guaranteed minimum, which works out to pro rates up to 2500 words, and semi-pro after that. Best practice IMO is to assume that the minimum is all you'll ever get from this market; that way, so long as you do get paid, all your surprises will happy ones.

Interesting business model; it's basically a magazine that's being treated like an antho series, more or less. I'll be keeping an eye on this one, and may revisit the listing in the future.]

***

UNTIL FILLED -- Black Superheroes Do It Too! -- Black Books Publishing -- First Listed January 2018

We are currently accepting submissions for our Black Erotica/Superhero Anthology (Working Title: Black Superheroes Do It Too!). Submissions should be full stories, not just sex scenes and between 3500 and 10,000 words. Writers, feel free to query to ensure your story idea hasn't already been submitted.

This anthology pays $100US. The submission period will remain open until our goal of a 225+ page anthology has been reached.

Thoroughly edited material has the best chance of acceptance. You don't need to pay someone to edit your material, but if you're serious about your writing, we do recommend it. At a minimum, we suggest you have others read over your work for typos and grammatical errors.

All manuscripts should be in Microsoft Word and should be double spaced with an extra space between each paragraph. THIS EXTRA SPACE SHOULD BE DONE IN MICROSOFT WORD, THROUGH YOUR PARAGRAPH SETTINGS, NOT BY YOU ACTUALLY HITTING "ENTER" TWICE. There should be no indention at the start of each paragraph.

Send to: submissions@blackbookspublishing.com with "Superhero Erotica" in the subject heading.

***

If you've found this listing useful, and especially if you've sold a story to a market you found here (score!) I'd love to hear about it. You can e-mail me at angiepen at gmail dot com.

If you'd like to support these listings in a more concrete way, here are a couple of ways to do it:

Become a Patron!

Sunday, June 10, 2018

Some Really Stupid People and a Really Smart Dog

A Publix grocery store in South Carolina made a graduation cake for Cara Koscinski's son Jacob, who was graduating from high school summa cum laude. His mom was understandably proud of him, and ordered the cake for his graduation party.

Usually when we laugh at graduation cakes, it's because the bakers got hilariously creative in their spelling of "congratulations." This time, it's because whoever decorated the cake, and whoever approved it, are both flaming idiots.

This is what Jakob's cake looked like:


Note the "---" in the middle of the writing. That's because Publix's employees, in all their boggling dumbassery, decided that the "cum" in "cum laude" was a naughty word, and censored it.

Clearly no one who works at that Publix has ever graduated summa cum laude from any institution of learning.

Poor Jacob was humiliated at his own party, and his mom had to explain to confused family members what the bleep was up with the cake.

At least, when she complained, Publix refunded her the $70 they'd charged her for the cake. Hopefully they'll send some employee training downstream about Latin versus cussing. [eyeroll]

But if there are some humans who are too dumb to walk and breathe at the same time, at least there are some incredibly smart dogs to balance things out.

A Columbian dog named Negro (that's pretty much the Spanish equivalent to naming a dog "Blackie" in English) has lived for the last five years on the campus of the Diversified Technical Education Institute of Monterrey Casanare. He belongs to everyone, or no one; the people there make sure he has food and water, and a safe place to sleep, and they play with him and care for him. He's basically the school's dog.

There's a campus shop where students go to buy themselves snacks, and sometimes they'll buy Negro a cookie. He's apparently been watching them do this for a while, and figured out how this whole "commerce" thing works. No kidding, he's figured out that if he picks up a leaf outside, takes it in and stands up to put the leaf on the counter, the clerk will give him a cookie. :D

If he actually did figure this out on his own, just by watching the students use money to buy things, this dog is seriously, like, the Stephen Hawking of canines.

The Dodo, linked above, says:

As you might expect, after the dog realized his money literally grows on trees, it's been a regular thing.

"He comes for cookies every day," Gladys Barreto, a longtime store attendant, told The Dodo. "He always pays with a leaf. It is his daily purchase."

She said they make sure he can only buy a cookie once or twice a day, since more wouldn't be good for him. Which is probably just as well. :)

Click through to watch a video of Negro buying a cookie.

This kind of restores my faith in the universe. If we humans eventually wipe ourselves out, it's nice to think that in a few million more years, the dogs might figure all this civilization out, and do a better job of it than we do.

I'll bet they wouldn't censor the graduation cake of a student who graduated with highest honors, at least.

Angie

Wednesday, May 16, 2018

Anthology Markets

If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one. If you want to get an e-mail notification when the listing is posted, get the list a week early, or get a full listing of everything I've found (as opposed to the two months' worth I post here) a week early, you can support my Patreon.

Markets with specific deadlines are listed first, "Until Filled" markets (if any) are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

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31 May 2018 -- Apotheosis 2 -- ed. Jason Andrew

Apotheosis 2 – More Stories of human survival and defiance in a world subjugated by the return of the Elder Gods. Humanity struggled to grow and evolve as a species for thousands of years forever caught in the shadow of a dread threat known only to a devoted few. When the stars are right, the Old Ones will return to claim utter dominion of the world. Lovecraft Mythos stories often climax at the moment of the fateful return of the Elder Gods and the audience is left to ponder what might happen next. This anthology features stories about humanity under the reign of the Elder Gods and ancient terrors.

What do we mean by Lovecraft Mythos stories in relation to Apotheosis? We’re looking for stories inspired by the stories of H.P. Lovecraft and associated writers such as August Derleth, Clark Ashton Smit, Robert E. Howard, Robert Bloch, Henry Kuttner, and Frank Belknap Long. We’re also interested in writers that inspired Lovecraft such as Edgar Allan Poe, Algernon Blackwood and Lord Dunsany. We’re interested in classic mythos gods and monsters and originals that have inspired by the mythos.

Good Fiction Examples:

== Apotheosis: Stories of Human Survival After the Rise of the Elder Gods
== "Boojum" by Elizabeth Bear & Sarah Monette
== "A Colder War" by Charlie Stross
== In the Hall of the Yellow King by Peter Rawlik

What type of stories are we looking for? We’re looking for character-driven stories set during a time in the future where the ancient terrors that once ruled the Earth have claimed complete and utter dominion of the Earth. We’re less concerned about the strict interpretation of the Elder Gods than good stories that deal with real human concerns. How do people survive? How does life change? Will people accept their new gods or will they rebel? What will it mean to be human in such a world of gods and monsters? Surprise us. Don’t give us stories that we’ve read before. We want worlds that feel real populated by characters from different cultures, genders, and ethnicities. Avoid cultural appropriation. Do your homework. We recommend that you read our last anthology to see the types of stories we enjoy.

What types of submissions should I avoid? We’re not as interested in the moment the ancient horrors return and conquer the world, but how humanity survives after the war is lost. Flashbacks are OK, but the story should not be about that time. We enjoy historical mythos fiction, but this is not the anthology for it. Stories must be set in the future. We are not looking for poetry for this anthology.

Submission Details:

== Word-count: 2,000 to 7,000 Worldwide print and e-book rights (exclusive for 6 months, non-exclusive for an additional 30 months).Exceptions will be made for stories accepted for “Best Of” anthologies. Apotheosis will be available in both Print on Demand and e-book formats.
== Submissions open April 1, 2018, and will close at 11:59 PST on May 31, 2018. You may submit at: apotheosis.anthology@gmail.com. (Do not submit before April 1st 2018 or your submission will be deleted.)
== Queries and questions may be sent to: apotheosis.anthology@gmail.com. (You may send queries and questions anytime.) All responses will be accepted or rejected by August 15th, 2018. Please do not query about submitted stories before then. No multiple or simultaneous submissions. Our word count limits are hard for open submissions. Reprints may be submitted, but we’re only accepting three or four at the most. (It should be clearly stated that the submission is a reprint in your cover later or this will be an automatic rejection later.)
== Please use standard format guidelines. If it is difficult to read, we will reject your story. Your story must include your name, address, telephone number, email address, and approximate word count on the first page. Your cover letter should include your complete contact information, story title, approximate word count, and a short bio.
== We’re only accepting a limited number of reprints. If you are submitting a reprint, please tag the subject with #Reprint. If we find out later your submission is a reprint and it wasn’t tagged, it will be dropped from the anthology.
== Payment: 3 cents per word (or 1 cent per word for reprints), paid within 90 days after publication. Plus contributor copy of print and e-book.

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31 May 2018 -- Best of Blood Bound Anthology -- Blood Bound Books

On Thanksgiving weekend 2009, we opened to our first anthology. Ten years later we plan to celebrate this long strange—and wonderful—trip, with our biggest anthology yet! Our "Best Of" will feature your favorite Blood Bound stories from the last decade upgraded in a limited edition, illustrated hardcover. The hardcover will also be loaded with brand new stories to lead us into the next decade of horror. That’s where you come in:

What we’re looking for:

Genres: All sub-genres of horror accepted—extreme, bizzaro, erotic, new weird, splatterpunk—if it’s dark, we want it!

Stories must be previously unpublished in any form

Email: submissions@bloodboundbooks.net

Length: 500 words up to 6K—query for longer works

Deadline: May 31st 2018

Multiple Submissions: Yes–two max–but please attach them in one email

Simultaneous Submissions: No

Payment: 5¢ – 8¢ per word (We're shooting for 8¢ if we get a few more Patreon supporters before contracts go out, but it will NEVER be lower than 5¢)

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31 May 2018 -- Gehenna and Hinnom Chapbooks: Nightscapes, Have You Ever Seen a Portal? and Void Beckoning -- Gehenna and Hinnom

CHAPBOOK 1:

NIGHTSCAPES — Three to four tales of nightmares, night terrors, the unfathomable dreams. All stories for this chapbook must fit into the previously mentioned concepts. Think the fiction of Thomas Ligotti and Jon Padgett meeting the artwork of Zdzisław Beksiński.

WHAT WE WANT:

We are seeking three to four short stories (1,500 to 5,000 Words FIRM). We want your most trippy, disturbing tales that question our notions of reality. Shock us with your imagination, show us how unique and weird your nightmares really are.

CHAPBOOK 2:

HAVE YOU EVER SEEN A PORTAL? — Three to four tales of inter-dimensional horror. Portals, gateways, archaic and ancient worlds. All stories submitted must follow these themes. Think The Void meets Event Horizon with a little Lovecraft and Barker tossed into the mix.

WHAT WE WANT:

We are seeking three to four short stories (1,500 to 5,000 Words FIRM). We want your most otherworldly tales. Show us dimensions made of nightmares, ancient god-like entities breaking into our world, mankind unlocking denizens of ethereal planes. Enthrall us with the horrors that lie beyond our universe.

CHAPBOOK 3:

VOID BECKONING — Three to four tales of deep space horror. Terrifying monstrosities on ancient moons, malevolent spirits aboard spaceships, mining facilities on other worlds uncovering ancient evils, infectious body-morphing diseases plaguing orbital stations. Think Dead Space meets Alien and Prometheus.

WHAT WE WANT:

We are seeking three to four short stories (1,500 to 5,000 Words FIRM). We want your cautionary tales of deep space travel, what could possibly lie ahead in the cosmos. Thrill us with the claustrophobia of space in the event of invading creatures, terrify us with tales of ancient evils found deep in the recesses of the universe. Show us what true horror is in deep space.

WHAT WE DON’T WANT:

== Fiction that isn’t speculative. We don’t want any stories that could possibly be based in reality. All fiction must be otherworldly, supernatural, etc.
== Short stories that employ the second person narrative voice.
== Short stories that have been previously published. NO REPRINTS.
== Erotica, fan fiction, or stories with heavy sexual content.
== Fiction that is unoriginal or uses recycled themes. Surprise us!
== As always, the most taboo topics are fine, as long as they are used professionally and respectably. Anything with overuse of vulgarity or purposely gross language for the sake of being gross will not be considered.
== NO SIMULTANEOUS SUBMISSIONS TO A SINGLE CHAPBOOK. You are more than welcome to submit one story to each theme, but be aware that no author will appear in more than one chapbook.
== NO MULTIPLE SUBMISSIONS UNLESS YOU QUERY FIRST.
== Stories with numerous errors. This should be a given. Always read through your work or have your editor or a friend read through it before sending it anywhere.
== Artwork submissions. We have already hired the artists for the covers.
== Anything that has been rejected previously for a separate submissions call.

Submit fiction in proper manuscript format. If you need help regarding the formatting, follow this link. We cannot state how severely it will affect your chances if your story has poor formatting. We are expecting a massive volume of submissions for this call, and if it’s not formatted properly, it will slow down the entire process for us. Please consider this when submitting.

PAYMENT DETAILS:

Semi-professional rate of 2 cents per word, minimum of $30 and maximum of $100, which will be paid before publication.

ALL PAYMENTS WILL BE PROCESSED THROUGH PAYPAL

HOW TO SUBMIT:

== Send all submissions and inquiries to gehennapublishinghouse (at) gmail (dot) com.
== Manuscript must be properly formatted and edited before anything else. See format guidelines here.
== Title email as follows: (Type of Submission/Chapbook Theme)/(Title of Story)/(Name) Example: Novella/Fragile Dreams/Fracassi, or Nightscapes/Origami Dreams/Padgett
== Attach properly formatted manuscript to email as either a DOC, DOCX, or RTF file. No others are accepted. Do not include story in body of email. This will be grounds for automatic rejection.
== Include in the body of your email, or as a cover letter to your manuscript, a short bio including any publication history, awards, social media links, etc.

RESPONSE TIME:

We are expecting a MASSIVE amount of submissions for these calls. Please allow 3-5 months for a response before querying. These titles will be released over the next 12 months, so it will take some time to get back to everyone who has submitted. If you don’t receive a story receipt confirmation within 48 hours, PLEASE CONTACT US IMMEDIATELY. The story may have been filtered into our spam. We will more than likely respond to all submissions long before the 5 month point, but we are setting these times as a precaution.

LEGALITIES:

By sending us your work you understand and agree that:

== You are the original creator and copyright holder of the work submitted.
== You are not prohibited by any prior agreement from the transfer of exclusive electronic & print rights in English, and reprint rights.
== All information submitted is accurate and truthful.
== You accept sole responsibility for any false statements upon rights not disclosed.

If you are under the age of 18, unfortunately, we cannot accept your submission. These releases will be for an adult audience, and because of this, we require all authors to be of legal age to read and/or submit to it.

Finally, if accepted here and then republished, you are required to cite the release in which you were published.

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1 June 2018 -- Tales from the Crust -- ed. David James Keaton and Max Booth; Perpetual Motion Machine Publishing

We know we have a tendency to say, "Attention writers! Some new hotness!" but this is literally some new burn-the-roof-of-your-mouth hotness. Inspired mostly by David James Keaton’s struggle to find good pizza in California and pitching ideas to Max Booth when he’s hungry after working a 12-hour shift at the Overlook, get ready for…

TALES FROM THE CRUST: An Anthology of Pizza Horror

edited by Keaton and Booth and published by Perpetual Motion Machine Publishing.

Originally Keaton was thinking of calling it PIZZA MY SKULL because there’s a pizza place around San Jose called Pizza My Heart, meaning "piece of my heart," and so he thought a "piece of my skull" joke would be hilarious. Turns out that's a lot of assumptions to make about a gag. Also their pizza is gross. Luckily, George Cotronis brainstormed a much better title (though it might make people wonder if there’s a "Crustkeeper/Cryptkeeper" hosting the show). Speaking of Mr. Cotronis! Holy lord look at the cover art he’s come up with. WE WANT TO LIVE IN THIS WORLD…

This is exactly the vibe we’re going for here. Not so much the goofy Goosebumps thing you might imagine with a pizza horror story, but we’re taking it kind of seriously. Like we take our pizza seriously. The humor is inherent in the pizza theme already, so we’re playing this kind of straight. And if you think you’ve got what it takes, like a healthy love of the cheesy cuisine, send us your best work.

Now, you may be thinking: pizza horror taken seriously? What the good goddamn could I possibly write?

Good question! We don’t know. But we sure would like to read it.

That’s where you come in.

Write us a pizza story, and make it scary.

Story length: 1k – 5k
Payment: $0.03 per word
Multiple submissions: Yes
Simultaneous submissions: Yes
Reprints: Query first
Deadline: June 1, 2018

Send submissions to pizzamyskull@gmail.com with “[STORY TITLE] – [AUTHOR NAME] – [WORD COUNT]” in the subject line.

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5 June 2018 -- The Working Zealot's Guide to Gaining Capital in Pre-Apocalyptic America

I am FearBot3000.

I was programmed to notice breathless confusion across social media. Confusion often follows the infallible decrees of Lord Commander Patagonia.

Albeit infallible, sometimes his decrees require an algorithm to reach a state of clarity.

The title of Cockroach Conservatory Vol. 1 is: The Working Zealot's Guide to Gaining Capital in Pre-Apocalyptic America.

What are we looking for? Weird stories about cults, capitalism, working stiffs, and weirdos. We like bizarro. We like horror. We like our sci-fi and fantasy on the weirder side. We like humor. Think Joe R. Lansdale. Think Victor Pelevin. Think Brian Keene. Think Jessica McHugh. Really. This is a loosey-goosey guideline. The title obfuscates as much as it reveals. We know. It was done on purpose. Cults! Murder! Capitalism! Take it and run.

Word count: no more than 3000 words.

Payment: 6 cents per word.

Is that weird Soviet era sci-fi illustration of a robot the cover? No, it's just a public domain placeholder for this website. We have commissioned a local Austin, TX artist for the cover.

Poetry: Send no more than 3 poems. If accepted, we'll pay a flat rate of $10 per poem.

SUBMISSIONS ARE OPEN UNTIL JUNE 5, 2018. Anything submitted after that will go unread unless we announce an extension.

Send your stuff as a doc or docx file to RaceForTheRoaches@gmail.com. rtf file format will not be opened.

Subject line should read: SUBMISSION - [Your Name] - [Story Name/or Poetry]

Include a short bio in your email.

Try to follow this format. We don't need your physical mailing address.

We want first North American rights to your story on acceptance. Payment will be on publication. We'll send contracts out and exchange payment information on acceptance.

FearBot3000 returns to Sleep Mode.

[NOTE: Okay, this one's a little weird. There's no publisher mentioned. The Cockroach Conservatory seems to be the title of their anthology series. Might also be the publisher? I dunno; it doesn't say. There's no editor mentioned. Two people are listed as contributors to the blog; one or both might be editing the book, but they don't say. My sense is that these are a couple of newbies making it up as they go along, and trying for a "concept" sort of project. That's not necessarily bad. And they're paying pro rates, so there's that. Check out their site and see what you think.]

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1 July 2018 -- Baby, It's Cold Outside -- ed. Robert Bose; Coffin Hop Press

Dark, deadly and noirish tales of holiday havoc and yuletide woe.

Projected launch date is November 2018. We will be accepting open submissions for 2-3 stories (of up to 5,000 words) to be featured alongside the invited authors.

We are looking for holiday (I.E. Christmas, Hannukah, Kwanzaa, etc.) themed CRIME stories ONLY. No Sci-Fi, no Fantasy

Payment currently listed at $150.00 CAD/story.

Please send in .doc or .docx format, in standard formatting.

See our STYLE GUIDE for more information.

***ANY SUBMISSIONS NOT FOLLOWING THE PRESCRIBED FORMATTING MAY BE SUMMARILY DISMISSED WITHOUT REPLY***

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1 July 2018 -- Knucklehead Noir -- ed. Robert Bose; Coffin Hop Press

Tales of dimwitted criminals and unlucky twits on the wrong side of the law. Nimrods, numbskulls and rejects. Bumbling sidekicks and idiots-gone-wrong.

Elmore Leonard and Charles Willeford ain’t got nothin’ on these dipshits.

Projected launch date is November 2018. We will be accepting open submissions for 3-5 stories (of up to 5,000 words) to be featured alongside 6-8 stories from some well-known and extremely talented authors.

We are specifically looking for darkly humorous CRIME stories.

No Sci-fi, no Fantasy.

Payment currently listed at $0.03/word CAD.


Please send in .doc or .docx format, in standard formatting.

See our STYLE GUIDE for more information.

***ANY SUBMISSIONS NOT FOLLOWING THE PRESCRIBED FORMATTING MAY BE SUMMARILY DISMISSED WITHOUT REPLY***

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10 July 2018 -- Monsters of Any Kind -- ed. Alessandro Manzetti and Daniele Bonfanti; Independent Legions Publishing

Independent Legions Publishing is seeking original horror stories in English for the new anthology Monsters of Any Kind, edited by Alessandro Manzetti and Daniele Bonfanti, to be published in October 2018 in print and digital editions. Cover art by Wendy Saber Core.

We’re looking for horror stories containing at least one non-human monster/creature (and not vampires, ghosts, werewolves, zombies). Unusual creatures will be particularly appreciated. All subgenres and forms of speculative fiction are welcome.

Word Count: We are open to stories of 3,500-5,000 words.

Pay Rate: We pay $100 for each original story.

We buy first exclusive English-language rights for three years.

We do not accept multiple or simultaneous submissions, nor do we accept unsolicited reprints.

Submissions should follow standard manuscript format (12 pt Times New Roman or Courier fonts, 1" margins all around, line spacing 1½ or 2 spaces). It must be in .doc or .docx format or it will not be considered. Your name and contact information must be at the top of the first page of the story. Page numbers with author’s last name and/or partial story name on subsequent pages would be appreciated.

Cover letter is optional, but if you do include one, please add a short bio (up to 200 words).

Response time is currently within four weeks. After that, if you haven’t heard from us, please query. We will not be sending confirmations of receipt.

Stories must be submitted as email attachments; to submit, put “SUBMISSION – MONSTERS OF ANY KIND” in the subject line and send to: independent.legions@aol.com

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15 July 2018 -- Terra! Tara! Terror! -- Third Flatiron

Terra! Tara! Terror! -- SF, Fantasy, Horror. Whether the setting is a cabin in the woods (Terra), Fae (Tara), or spaceship Nostromo (Terror), take us there and spin your adventure. For a bit of mood whiplash, we'd like a mixture of dark and bright stories. Examples: Obsession with odd artifacts (like Roadside Picnic's golden sphere?), alternate histories, paranormal romance (no erotica, please, we're PG-13).

Reading Period: June 15 - July 15, 2018. DO NOT SUBMIT before 15 June.
Publication Date: September 20, 2018.

Stories should be submitted in either Microsoft Word (using double spacing), RTF, or plain text. They should be between 1,500 and 3,000 words. Flash humor pieces (Grins and Gurgles) should be short, around 600 words.

Please don't send simultaneous or multiple submissions. If a story has been rejected, you can then send another (limit 2 per reading period).

Submit by email to:

flatsubmit@thirdflatiron.com

either as an attachment (Word, RTF) or in the body of the mail (text).

In the Subject: line of the email, please put:

flatsubmit:Title_of_Your_Work

to avoid being deemed a canned meat product based on ham.

If the work is for the humor section, please note that in the body of your email. A brief bio and a one- or two-sentence synopsis in the body of your email would also be helpful to us.

Use the following template (basically, follow William Shunn's Standard Manuscript Format):

Your Name

Address (mailing)

Email address

Word count

[10 blank lines]

Title

Byline

Body of story

--------

Our response time is expected to be about 8 weeks (or less if the writer deadline is coming up soon).

REMUNERATION

As of: November 1, 2016

Your story must be original work, with the digital rights unencumbered. Accepted stories will be paid at the flat rate of 6 cents per word (U.S./SFWA professional rate), in return for the first publication rights to the story for six months after publication. All other rights will remain with the author. We no longer offer royalties. If your story is selected as the lead story, we request permission to podcast the story as a free sample portion of the anthology. We welcome new writers.

Third Flatiron will price and market your story to various e-publishing venues. We will format the story for the most popular electronic readers and platforms. You agree that we may distribute a sample (portion of the story) to potential customers.

For non-U.S. submissions, we prefer to pay via PayPal, if you have such an account.

Most books (except "year's best" collections) will be available for sale in trade paperback.

Authors selected for publication will also be entitled to one free online copy of the anthology.

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15 July 2018 -- Alternative Truths: Endgame -- ed. Jess Faraday and Bob Brown; B Cubed Press

The Premise

How will the current political nightmare end? The "Endgame" referenced in the title may be that it doesn’t end. It may be that it transitions, or it there may be a paroxysm of indictments (or a spaceship landing on the lawn, or a zombie apocalypse, or we wake from a dream).

What We Want

The third and likely final book in the best selling Alternative Truths series is looking for stories, poems, and essays. We welcome both serious works and works of humor, light and dark. In addition, we would love to see stories that cover the entire spectrum of race, sexual orientation, politics, etc. We’ll even publish Canadians!

Your vision is what we want — just no assassination fantasies, please.

As always, a share of the proceeds from sales of the book goes to the ACLU of Washington.

How to Submit

Send submissions in standard manuscript format to Kionadad@aol.com. Files can be .doc, .docx, or .rtf format. Be sure to include the words "Alternative Truths Endgame Submission" in the email subject line.

Word Count: 300 to 5000 words

Payment: Poems and flash fiction are paid by the piece. Everything else will be paid at $0.02 cent/word, paid on publication, plus shared royalties.

Queries encouraged.

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31 July 2018 -- Innsmouthbreathers -- Martian Migraine Press

There are folks for whom the question of whether Cthulhu has two eyes or six is a vitally important one. Individuals that believe, somehow, that a dinner of tinned spaghetti and ice cream with a reanimated H. P. Lovecraft would be the height of both culinary and intellectual pleasure. Scholars who feel that The Horror at Red Hook is a timely warning about, well, you know… those other people. Esteemed biographers of weird fiction luminaries who reveal their foaming insecurity at the changing of the guard, or the form of a literary award. Entities who dissolve with glee at the slapping of some tentacles on a meme, thus rendering it "Lovecraftian".

Yes, they're out there, in their seeming thousands, trolling social media, fawning over the dead, podcasting their paranoia. Yes, they are slouching roughly towards Arkham and Providence and fabled Y’ha-nthlei, to dwell in fossilized canon and geeky glory, forever.

INNSMOUTHBREATHERS.

Martian Migraine Press announces an open call for submissions to our latest anthology project, INNSMOUTHBREATHERS: Cautionary Fables of Mythos Fandom! We are looking for humourous stories of a certain kind of Cthulhu Mythos fan: the rabid Lovecraft worshipper, the defender of the outmoded and outclassed, the pulp reader for whom Weird Fiction peaked somewhere in the middle of the last century. (The 20th, for those keeping track of such things!) We’re looking for tales that pit Innsmouthbreathers against all manner of real and imagined horrors: shoggoths with Social Justice agendas, politically active Deep Ones, enlightened Mi-Go, and Nick Mamatas*. Make them lovable, make them loathsome, make us feel their triumphs and defeats! Put us in their basements, their garrets, their comic shops and conventions and pop-culture covens, and put us in their Cthulhu parody t-shirts while you’re at it. Mmm, is that a cotton/poly blend? Only in black, you say? SOLD.

INNSMOUTHBREATHERS will be a mostly funny book. We’re going for light-hearted ribbing here, a send-up, a roast. Stories that are outright mean and nasty won’t play well within these pages. Remember, let they who have not geeked out over Lovecraft, even a little, even once, throw the first Shining Trapezohedron into the bay! And sure, we’re asking for yuks, but please don’t feel you need to dial back the weird horror. Mix it up, thrill us, chill us, make us laugh at ourselves.

Submission period closes 31 JULY 2018. The anthology will be released in early October 2018.

SUBMITTING

Please use Standard Manuscript format when submitting. That’s double spaced, left justified, Times New Roman or Courier or something at least readable, a header on the first page (at least) with your author info and word count and… well, you know the drill. RTF or DOC files preferred, but DOCx and text files also accepted. Obviously, you could send us something that’s not in Standard Manuscript format, but it will lower your chances of it being looked at seriously.

We will look at both original work and REPRINTS.

To submit a story to INNSMOUTHBREATHERS send an e-mail (with the story file attached, not in the body of the email) to: submissions@martianmigrainepress.com, with subject line: INNSMOUTH, title of your story, and your name.

LENGTH

For short fiction, we’d like to see anything from 1,500 to 5,000 words. If your story goes over 5k, please inquire first. Honestly, we’d prefer to see shorter, punchier stories.

FLASH FICTION: got something under 1500 words? Send it in. However, the following still applies…

NO POETRY.

PAYMENT

All accepted submissions will be paid .03CAD per word, via Paypal, as well as a contributor copy (paperback) of the anthology, and copies in all electronic formats (mobi, EPUB, and PDF). Authors are also entitled to complete access to all titles in the MMP ebook catalogue.

REPLIES AND QUERIES

We will try to acknowledge receipt of your submission within a week of its arrival in our inbox. The submission period itself will close on 31 JULY 2018 and we should be responding to all submissions, yay or nay, by early August 2018. If you haven’t heard from us by 15 September 2018, please query.

* We use Mr Mamatas here as a stand-in for any writer who dares to push weird and horror fiction into new, interesting places. Sorry, Nick, but you made your bed, sir.

***

31 July 2018 -- Life After All -- Less Than Three Press

Life After All — an apocalyptic/post-apocalyptic/pastoral apocalyptic LGBTQIA+ romance anthology — The end of the world is a dark, bleak place. Life is full of grit, misery, and barely scraping by. But if humans excel at anything, it’s making the best of a bad situation, and the end of the world would be no different.

Less Than Three Press invites you to submit stories about life after the end of the world being far from bleak and hopeless. We want to see stories of hardened apocalypse survivors building new lives and homes with their found families; gentle robots terraforming the ruined remains of the Earth; your post-Earth space settlers slice-of-life.

THE DETAILS:

== Put SUBMISSIONS: TITLE (where TITLE is your title) in the subject line.
== Stories should be at least 8000 words and should not exceed approx 15000 words in length.
== Stories must be about a post-apocalyptic society.
== Stories must have a happily ever after (HEA) or happy for now (HFN) end.
== Any sub-genre is gladly accepted: sci-fi, mystery, contemporary, steampunk, etc.
== LT3 always welcomes representation of all genders and nonbinary or agender characters.
== All usual LT3 submission guidelines apply.

Life After All is a general release anthology, which means authors will receive a flat payment of $150.00 once LT3 has a signed contract. Authors will receive one copy each of the ebook formats LT3 produces and two copies of the paperback compilation.

Stories should be complete before submitting, and as edited as possible — do not submit a first draft. They can be submitted in any format (doc, docx, rtf, odt, etc) preferably single spaced in an easy to read font (Times, Calibri, Arial) with no special formatting (no elaborate section separation, special fonts, etc). Additional formatting guidelines can be found here.

Questions should be directed to the anthology editor, J., at jhong.writes@gmail.com (or you can ping them on twitter @heykaunlay).

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UNTIL FILLED -- Black Superheroes Do It Too! -- Black Books Publishing -- First Listed January 2018

We are currently accepting submissions for our Black Erotica/Superhero Anthology (Working Title: Black Superheroes Do It Too!). Submissions should be full stories, not just sex scenes and between 3500 and 10,000 words. Writers, feel free to query to ensure your story idea hasn't already been submitted.

This anthology pays $100US. The submission period will remain open until our goal of a 225+ page anthology has been reached.

Thoroughly edited material has the best chance of acceptance. You don't need to pay someone to edit your material, but if you're serious about your writing, we do recommend it. At a minimum, we suggest you have others read over your work for typos and grammatical errors.

All manuscripts should be in Microsoft Word and should be double spaced with an extra space between each paragraph. THIS EXTRA SPACE SHOULD BE DONE IN MICROSOFT WORD, THROUGH YOUR PARAGRAPH SETTINGS, NOT BY YOU ACTUALLY HITTING "ENTER" TWICE. There should be no indention at the start of each paragraph.

Send to: submissions@blackbookspublishing.com with "Superhero Erotica" in the subject heading.

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