Thursday, September 15, 2016

Anthology Markets

If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one.

Markets with specific deadlines are listed first, "Until Filled" markets (if any) are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

Note that The Binge-Watching Cure is open until December, but they're only taking one story of each specified length, and three of the categories are filled already, so if you want to sub to them, do so ASAP.

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30 September 2016 -- Lawless Lands -- ed. Emily Leverett, Margaret McGraw, and Misty Massey; Falstaff Books

Lawless Lands: Tales from the Weird Frontier is an anthology embodying the frontier spirit of the American West, but with a weird twist. Gunslingers with laser pistols, cattle drives through the galaxy, cursed nuggets of gold, and talking jack rabbits that grant wishes. Fantasy, SF, or horror, if it’s weird, we want to see it.

The book will be funded with a Kickstarter campaign in December 2016. We will pay each author a minimum of 4 cents a word, with the possibility of more if the Kickstarter is successful, and two physical copies.

Editors: Emily Leverett, Margaret McGraw, and Misty Massey.

Anchor authors: David B. Coe, Laura Anne Gilman, Barb Hendee, Faith Hunter, Nicole Givens Kurtz, Margaret McGraw, Seanan McGuire, Devon Monk, and Edmund Schubert (This Giant Leap).

SUBMISSION GUIDELINES

Word count: 3000 to 7000 words. We might be willing to entertain a story longer than the max, but please ask before submitting, and it had better be a pretty incredible story.

Genre: Fantasy, SF, or horror. No erotica.

Format: Word documents (.doc; .docx) only; 12 point Times New Roman, double-spaced. Please include your name and email address at the beginning of your word document as it will get separated from your original email.

Subject Line for Email: LawlessLands – (Your Name) – (Name of Story)

Cover Letter: We’re happy to see a cover email explaining your previous publications, but try to keep it short and sweet. And don’t stress if you have no prior publication experience – we love discovering stars!

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1 October 2016 (or until filled) -- Ghosts on Drugs -- ed. Hy Bender and Will Paoletto

Bestselling author Hy Bender (BookProposal.net; 16 books including 5 Dummies books, a Complete Idiot's Guide, and The Sandman Companion; The New York Times, Mad Magazine) and book developer Will Paoletto (Enterprise Cometh; My Bad Parent) are putting together a short story fiction anthology titled Ghosts on Drugs.

And we're inviting you to send us a story so great that we can't resist saying "yes" to it.

The only rule is that a tale include some version of at least one ghost who's on some version of at least one drug.

And both key terms are broadly defined—e.g., a ghostwriter hooked on cough syrup could fit, and a dead ancient god with an inhumanly intense craving to be worshipped again could too.

Also, a story can run anywhere from 2 pages to 30 pages, so a short-short tale that's a solid fit for the collection will definitely be considered.

We expect many of the stories will be a mix of comedy and fantasy. However, the book is also open to horror, SF, adventure, drama, etc., as well as any combination of genres. Whatever the category, we're seeking stories that are extremely entertaining, appeal to a wide-ranging audience (high concepts are especially appreciated), and provide an emotionally satisfying ending (smartly crafted character arcs/transformations are especially appreciated).

We're aiming to include some of the world's top comedians, a bunch of superb writers, and one or two celebrities who happen to be drug fans.

Some of the advantages of being in this anthology:

== Getting a credit for a book that's likely to receive substantial attention because of its cool high concept, wildly inventive range of ideas, and exceptionally fine writing.
== Having your name alongside other impressive celebrity talents (if you're a star) or taking a helpful step on your career path (if you're not a star yet).
== Receiving payment on our acceptance—15 cents a word for the first 2,500 words and 6 cents a word after that (to encourage tight writing).
== Receiving a share of the royalties (based on word count).
== Working with Hy—a world-class editor—to make your story the very best it can be.
== Fun!

If the above sounds appealing, then please feel highly encouraged to submit material. The initial deadline is March 1st, 2016. (This might get extended, or not, depending on what comes in.)

For the sake of saving you time and effort, we recommend running an idea by Hy first to ensure it isn't redundant with something we've already purchased for the collection. However, if you prefer to just write and send us a complete story, that's great too.

Please send anything related to the anthology to Hy Bender at hy@hyreviews.com.

Looking forward to your playful, inventive, genius (or so-stupid-it's-genius) ideas and wonderful writing.

***

31 October 2016 -- Between the Tracks... Tales from the Ghost Train -- Oz Horror Con

We're offering payment of: 2¢ per word (AUD), plus contributor’s electronic copy. Providing we cover costs with the first run, contributors will receive one (1) copy of the paperback gratis, plus the option to buy up to five (5) additional copies at publisher's cost. Hardbacks will be produced if demand allows.

What's HOT:

Oz Horror Con is seeking original thriller, suspense, dark fantasy or supernatural tales 3,000-5,000 words to be published in our forthcoming 'Between the Tracks' anthology, intended publication Q1 2017. "Between the Tracks" should give you some inspiration, but please be imaginative. We don't want reprints (unless they're amazing!) or cliched tropes, re-writes of movies plots or other published works. Don't limit yourself to train tracks either. Think outside the tracks to deliver us something between the tracks.

Stories should be dark, and include a train or something similar - a tram, a cart, some other kind of vehicle that requires a track. Perhaps metaphorical tracks. Whatever track your mind takes, but it must be integral to the story. This will be targeted at a mature audience, but we're not looking for sex fantasies... unless pivotal to the plot of course! For an example of the kind of story we love, read any of the stories from the editor Steve Dillon, at The Refuge Collection www.RefugeCollection.com.

What's NOT:

We're not after excessive gore, torture porn, rape, homophobia, racial or other bigotry or misogyny. You can be explicit with themes and language if required for the story to work, for as long as it's required and not gratuitous. We prefer supernatural horror, creepy tales and suspenseful thrillers than a reliance on visceral horror.

Edition and Rights:

Between the Tracks will be published in electronic and paperback form in English - If there's enough demand, we will put out a deluxe hardback. We are asking for exclusive, worldwide rights to your work for both electronic and print for six months. Payment: Payment is 2¢ per word (AUD) for new fiction, paid at publication, via PayPal only. If you do not have a PayPal account, please do not submit your work. Authors will receive one copy of the electronic version of the anthology.

Submission Procedures:

There is no cost to submit, and no complicated forms to fill in. Just submit your best story by email to GhostTrain@OzHorrorCon.com - Include a cover letter with a link to your author bio, and let us know something about your story - not a summary or a re-telling of the story, but what your story is really about - the story beneath the story - between the tracks - if you like. We are NOT accepting poetry. Please do not send poems. Poetry will be deleted without a response. No reprints. All stories should be in rich text format (.rtf) or Word (.doc or .docx) only.

We do accept simultaneous submissions, but not multiple submissions, and please let us know if your story has been accepted elsewhere. Please send your best work only. Only one story from each author will be considered. If you’re not sure if your story is suitable, feel free to email your idea to us; or just go ahead and submit it and let us decide.

***

30 November 2016 -- Monsters Among Us -- Oscillate Wildly Press

The monsters we have come to know and love take a backseat as we delve into the darkest, most hideous depths of a monster that has taken centre stage as of late–HUMANS. I’m looking for ‘psychological horror’, horror that comes from within.

There lies a darkness in us all–what are some of the scariest atrocities humans are capable of doing? What ‘demons’ lurk in their heads, causing them to do the things they do? Humans can also create monsters out of humans…. Tell me “how”–the possibilities are endless. I want to see how ugly the human race can really get.

Poetry and Stories up to 7,000 words will be accepted. Poetry–no word limit. Artwork is most welcome; send up to 5 pieces.

Oscillate Widly Press buys Exclusive Worldwide English Language Rights (no reprints), with 6 month exclusivity after first publication, and pays 3c per word to a maximum for short stories. No simultaneous or multiple submissions please, and no reprints.

CAVEAT: If rape is involved somewhere in your story, it must not be the ‘center focus’. (In other words, no heavily detailed descriptions the act itself.)

CAVEAT II: SEND ALL SUBMISSIONS AS AN ATTACHMENT AND *NOT* IN THE BODY OF YOUR EMAIL. PLEASE PUT YOUR NAME AND CONTACT INFORMATION *ON* YOUR ATTACHMENT.

Please title your subject line, Submission_Monsters Among Us_YourLastName, and send submissions to: editor@oscillatewildlypress.com

***

31 December 2016 -- The Binge-Watching Cure -- ed. Bill Adler Jr.

How do you cure your Netflix (or Amazon, Google movie, or Hulu) addiction and return to your first love, reading books? You know you want to read more. You know you enjoy reading. You know you look forward to finishing a book because then you can start a new adventure.

But how? How do you get into reading when the siren call of streaming movies becomes more powerful every year? A three-hundred page novel is daunting in the face of Netflix and friends’ wonders. It’s too easy to put on pajamas, pour a glass of wine, and offer your eyes to a TV, tablet, or computer screen until sleep summons you.

Enter The Binge-Watching Cure: Fabulous Stories that Start Small and Grow Longer, edited by Bill Adler Jr. The Binge-Watching Cure will be an anthology of short stories of increasing size. The first story will be 100 words—anyone can read that. The next, 200 words. Then 500, then longer, all the way to novella length. By the time you’ve finished reading The Binge-Watching Cure, you’ll be able to tackle Joyce and Pynchon. Or at the very least, you’ll enjoy novels you hear about from friends and family. The Binge-Watching Cure will reignite your love for reading; it will better your life.

Just as you enter a cold swimming pool one body part at a time, get used to drinking beer sip by foamy sip, or learn to enjoy spicy food in little, fiery nibbles, The Binge-Watching Cure gradually acclimates you to reading longer and longer stories, until a novel-length book goes down smoothly, tasting sweet, and making you want more.
We want your writing.

We’re looking for stellar stories of various lengths for The Binge-Watching Cure. The stories must have strong characters and compelling plots. Genre fiction is okay because great fiction often crosses the genre barrier. No erotica and no stories with excessive violence. Please see our FAQ for more about what we’re looking for.

We pay $200 for short stories that are under 5,000 words and $500 for stories that are 5,000 words or longer. We will be licensing the non-exclusive print and electronic book rights, including foreign-language rights (but not audio, film rights, or magazine rights). Your name and bio will be included along with your story. Contributors also receive a copy of The Binge-Watching Cure. Previously published stories are okay, as are simultaneous submissions. There will be a signed contract, of course. The Binge-Watching Cure will be published in 2017.

Please email us your story at bingecurebook@gmail.com and send us your story in DOC, DOCX, RTF, or PDF format, double spaced with human being-readable margins, and in a sensible font such as Times New Roman, Arial, or Courier.

Include the exact word count, along with your contact information at the top of the manuscript.

Our FAQ has more information on what kind of stories we’re looking for and what kind of stories are not a match for The Binge-Watching Cure.

Please include a brief bio in your cover letter, as well as your contact information in both the manuscript and cover letter. Briefly summarize your story and let us know what genre, if any, your story is. If your story has been published elsewhere, let us know where and when. (Previously published stories are perfectly okay.) Content is more important than format, so don’t sweat things like line breaks. We’ll try to get back to you as soon as we can. Submissions close December 31, 2016, or as soon as the story slots are filled.

Please put your story’s title and word count in your email’s subject line. Please submit only one story at a time and read our FAQ about multiple submissions.

Here’s the important part: We want stories within 15 percent of the following word counts (within 20 percent for stories 10,000 words and longer):

100
200
500
750
1,000
1,500
2,000
2,500
3,500
4,000
4,500
6,000 -- FILLED
7,000 -- FILLED
8,000
10,000 -- FILLED
15,000
25,000

The Binge-Watching Cure will have one story from each of these length categories.

[NOTE: Yes, this is much earlier than I usually post listings, but this book is filling each length slot individually, and only once; according to the site's Submissions page, the 6000, 7000 and 10,000 word slots are filled already. If you have a story of a particular length that you want to submit here, send it in now. Normally I wouldn't post this until October, but by that time many if not most (or maybe all) of the slots might be filled already, so I'm giving everyone an early heads-up.]

Thursday, August 18, 2016

A New Reprint

My story "The Rites of Zosimos," originally published in Alchemy and Steam, has been reprinted in The Year's Best Crime and Mystery Stories 2016. "Rites" is a murder mystery set at a 19th century alchemical university. It's one of my own favorite stories, and it's awesome that the editors thought it was one of the best mysteries of last year, along with stories by Joyce Carol Oates, Mary Higgins Clark, Tananarive Due, Carrie Vaughn, Annie Reed, and a bunch of other great writers. I've never been in a "Best Of" anthology before, so this is doubly cool. Check it out!

Available:

as an Amazon e-book
as a Kobo e-book
as a Nook e-book
as an iTunes e-book

The paperback edition will be out soon, if you prefer paper.

Monday, August 15, 2016

Anthology Markets

If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one.

Markets with specific deadlines are listed first, "Until Filled" markets (if any) are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

Note that The Binge-Watching Cure is open until December, but they're only taking one story of each specified length, and two of the categories are filled already, so if you want to sub to them, do so ASAP.

Note that Horror Library, Volume 6 is no longer accepting multiple or simultaneous submissions.

Note that Janeland is a non-fiction anthology, looking for essays. I've never listed a non-fiction antho before, and won't be looking for them in the future. I'll possibly list them in the future, if asked, on a case-by-case basis, if I find the subject interesting. If you're an editor, note that writers don't come to my blog looking for non-fiction, so the publicity value here for non-fiction is likely to be low, but if you have a cool project and want to get every scrap of publicity, I'll consider it.

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31 August 2016 -- Automobilia -- Fahrenheit Books

[This is the first of an anthology series, and it seems each book is going to be multi-genre; this volume has an an "automobile" theme (but still accepting multi-genre stories, so long as the focus is on cars). Their actual guidelines are posted on their web site as an image rather than text, so I can't copy/paste them and I'm not going to retype the whole thing. They pay $0.05/word. Click through and check it out if you're interested.]

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31 August 2016 -- Shadows and Tall Trees, Vol. 7 -- Undertow Books

Shadows & Tall Trees Vol. 7 is now open for submissions. Deadline August 31. Based on the number of subs already received in the first few hours, (and the terrific writers submitting wok) I am going to be rather busy, and also will likely have some hard decisions to make.

Open to submissions from August 1 to August 31 only! (Standard Manuscript Format)

– I want literary horror, weird fiction, strange tales, à la Robert Aickman.
– Original, previously unpublished fiction only, please.
– Manuscripts should be 2500 to 8000 words
– Payment is a princely $50 – $100 and a copy of each edition, for first English-Language rights for Hardback, Trade and eBook editions.
– No overly long and effusive cover letters. I don’t read them.
– No simultaneous or multiple submissions, please
– No familiar tropes. i.e. vampires, werewolves, and zombies. Ghosts, though? Hell, yes.
– No science fiction, high fantasy, or poetry please

Stories, in standard manuscript format, as attachments, are to be sent to this address only:

ShadowsAndTallTrees7@gmail.com

Full guidelines:

Quiet horror and weird fiction. Fiction that is offbeat and eclectic; dark, bizarre and psychological. Stories both subtle and prosaic. Weird, strange tales. Shadows & Tall Trees is an anthology of the dark and fantastic, with mainstream sensibilities. I am seeking low-key, literary work. Voice is very important.

Volume 6 was a World Fantasy Award, and Shirley Jackson Award Finalist. Several stories published in Shadows & Tall Trees have been selected for reprint in various “Best Of” anthologies. Peter Straub has declared it “A beautiful and courageous volume.”

I am looking for stories that share the same weird and strange sensibility experienced in the works of Robert Aickman, Laird Barron, Shirley Jackson, Vernon Lee, Thomas Ligotti, Daphne du Maurier, and Arthur Machen.

I am not interested in any of the familiar tropes of the genre, i.e., vampires, werewolves, and zombies, in any of their forms. Nor am I interested in urban fantasy, occult/paranormal detectives, or magick. No elves, dragons, or faeries.

Other authors that I enjoy include Nina Allan, Nathan Ballingrud, Charles Beaumont, Italo Calvino, Ramsey Campbell, Angela Carter, Raymond Carver, Gemma Files, Elizabeth Hand, Helen Oyeyemi, Kelly Link, Franz Kafka, Kathe Koja, Alison Moore, Haruki Murakami, Joyce Carol Oates, Flannery O’Connor, Mary Rickert, Nicholas Royle, Simon Strantzas, Steve Rasnic Tem, Lisa Tuttle, etc.

Undertow Publications encourages and welcomes a diverse range of voices and perspectives.

Response times will vary. Some stories may be held until November. The book is due to be published March 2017.

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15 September 2016 -- Enter the Aftermath -- TANSTAAFL Press

TANSTAAAFL Press has an open call for short stories for the “Enter the…” series of anthologies.

Guidelines:

1. We will only accept those stories emailed as text in the email OR .txt, .doc, .docx formats.
a. All attachements will be destroyed if not accepted.
b. Email address is submissions@tanstaaflpress.com

2. We will not accept stories by mail or post. If we receive these they will be destroyed at once.

3. All stories must be original and unpublished anywhere
a. If accepted TANSTAAFL Press will take first english publication rights.
==Note that reprint rights are yours as are first publication in alternate languages, however the value of reprints is low as are the likelihood of getting anyone to reprint.
==This publication is likely the only location where you will likely be paid for this piece.

4. Stories must be less than 8000 words.

5. Stories considered for Enter the Apocalypse must be stories about the start and / or middle of any type apocalypse.
a. Apocalypse can include (but isn’t limited to) nuclear, epidemic, supernatural, bioweapon, cosmic, aliens, etc.

6. Stories considered for Enter the Aftermath must be stories about the burnout or shortly after any type apocalypse.

7. Stories considered for Enter the Rebirth must be stories about the world coming back to a new stability after any type of apocalypse.

8. TANSTAAFL Press will attempt to get to submissions as quickly as possible, but make no commitment to how quickly.

9. We will accept submissions up until June 15, 2016 for Enter the Apocalypse, Sept 15, 2016 for Enter the Aftermath, and Dec 15, 2016 for Enter the Rebirth.

10. TANSTAAFL Press will respond to all submissions which follow our guidelines.

Payments / Renumeration

The Enter… series will pay for each story used in the range of $0.01-0.08 per word (averaging close to $0.03 per word). People who have stories for each of the works accepted with the same world will receive a boost on each consecutive story. An example: Say TANSTAAFL thinks your work is worth 3c per word on your story in …Apocalypse. Then you submit a story from the same world to …Aftermath. Assuming it is accepted you would get 3.5c per word on that story.

TANSTAAFL Press will pay upon the finalization of three criteria:
1. Acceptance of your edited work
a. This means if there are changes requested that they have been completed.

2. Signed contract with TANSTAAFL Press for publication of this work
a. Come see our tentative contract. It hasn’t been fully vetted but it will be close.

3. All works for publication have been accepted and signed.
a. That is, we will pay you when we have the full manuscript in hand.
b. You will not have to wait for TANSTAAFL Press to actually publish.

[NOTE: The way I read the "Payment / Remuneration" section, it sounds like they're going to eyeball each story they've decided to accept and just sort of... figure out...? how much they want to pay for it, between one and eight cents per word. That sounds kind of squirrely to me, but I decided to post this anyway and let you all decide whether to sub or not. Note that if you have a personal minimum you'll work for, and it's not a penny per word, you can submit, and if they decide they want your story, you can look at their offer and then accept or reject it based on the payment (or anything else) as always. Remember, it's not a committment until you've signed the contract. I hope the TANSTAAFL folks have taken this into consideration when building their schedule.]

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15 September 2016 -- Horror Library, Volume 6 -- ed. Eric J. Guignard; Farolight Publishing

Projected Release Date: April 2017 (both print and e-format)

Payment: Three cents per word and one contributor copy (no royalties)

Reprints?: NO

Multiple and/or Simultaneous Submissions: YES NO

Response Time: Three weeks or less

Send submissions and queries to: Horror.Library.Submissions (AT) gmail.com

+++

The Horror Library has arisen anew! That is, new volume, new editor, but with the same passion to advance dark, smart horror short fiction.

The Horror Library series has been publishing cutting-edge horror for more than ten years, with new volumes released about every two years. Past contributors include such notables as: Bentley Little, Gary Braunbeck, Kealan Patrick Burke, Jeff Strand, Ray Garton, Lisa Morton, Tim Waggoner, et al. We’d love to add your name to this list!

The short of it:

We’re looking for non-themed horror short stories.

The long of it:

The tastes of this anthology series run toward light horror or psychological horror rather than anything brutal (think along the lines of: The Twilight Zone, Tales from the Darkside, Tales from the Crypt, Black Mirror, etc.). Stories about demons, serial killers, or any traditional monster trope (zombies, vampires, etc.) will be a very tough sell.

Ideal qualities to make your story a success include:

+Emotional Resonance (e.g. Fear, Relief, Joy, etc.)+

+Action (Plot Movement)+

+Unique and Thoughtful Ideas+

+Literary Courage (Push Boundaries)+

+Extraordinarily Memorable ‘Voice’ in Characters+

The audience for this anthology are mature, literary readers (i.e. “R” rating). Profanity and sexually-related material is acceptable, provided it is not gratuitous and not excessive. What is not acceptable is anything relating to torture or sexual abuse of children, or graphic sex/ “erotica.”

If you’re unsure what we’re looking for, simply review former volumes of +Horror Library+ for additional insight. If you’re still unsure, just send it!

+Suggested word count is 2,000 – 6,000 words.+

+Please attach submissions to email as a Microsoft Word file (doc type doesn’t matter).+

+Formatting isn’t important (though good form is to follow Shunn guidelines at: http://www.shunn.net/format/story.html).+

Please send submissions, queries, and all else via e-mail to: Horror.Library.Submissions (AT) gmail.com

***

15 September 2016 -- Behind the Mask -- Meerkat Press

Behind the Mask (working title) is our next themed anthology and it’s all about superheroes! But not how they saved the world this time. We’re more interested in the ordinary day-to-day challenges facing these extraordinary individuals: growing up, growing old, relationships, career struggles, parenting. How they cope with that age-old desire to fit in when, let’s face it, they don’t.

We want superhero stories with originality, diversity, and strong character development that celebrate the genre but manage to push its boundaries as well. Fun, quirky, serious, happy, sad: any tone will do, and we plan to have a nice variety. But bring us something fresh and relevant to this crazy world we live in today.

So without further ado, here are the details!

Short Fiction (3K to 6K words) for Behind the Mask: A Superhero Anthology

== We are currently seeking short stories for our next short fiction superhero themed anthology, Behind the Mask.

== Submission Deadline 9/15/16

== Submission Guidelines:
o Include a cover email containing genre, word count, brief bio, and contact information
o Please confirm that your story has not been published before
o Attach your complete story using Proper Short Story Manuscript Format (Meerkat exceptions: Times New Roman preferred, one space after period, italics are okay, em dashes are okay)
o We accept .doc, .docx, .txt and .rtf files.
o We do not accept reprints
o We do accept simultaneous submissions for short stories (but ask that you contact us immediately if your story is accepted elsewhere)
o Send to Submissions@MeerkatPress.com with subject line: Superhero – Genre – Title – Author

== Payment: We pay .02 to .08 per word for short fiction

***

15 September 2016 -- Janeland: Women Write More about Leaving Men for Women -- Candace Walsh and Barbara Straus Lodge; Cleis Press

Essay length: 2,000–4,000 words

Six years have passed since the publication of Lambda Literary Award finalist Dear John, I Love Jane: Women Write about Leaving Men for Women, a groundbreaking exploration of sexual fluidity through intimate, firsthand stories. This anthology remains a crucial resource for women who find themselves deliciously (and distressingly) floundering in the knowledge that although they have always identified as straight, they are now madly in love with another woman.

It’s time to update, extend, broaden, and strengthen the conversation. The last six years has also been a revolutionary time for all LGBT people, and this book will be expansive enough to contain a full spectrum, including Trans perspectives, that could have only manifested over half a decade of turbulent and triumphant social change. Janeland will include continuations of many of the original writers’ stories, but we also seek new voices and unique variations on the now-familiar Jane story, including submissions from women who found the first book to be a catalyst, resource, and a way to connect with other women going through the same transformation.

This new cadre of women will write from a place of community and support, while also acknowledging repercussions, bad and good: custody battles, exes both furious and supportive, estrangement from and reconnection with family and friends, as well as mind-blowing sexual and emotional awakenings and the life-changing transcendence that comes from living one’s truth.

Although this book will evolve as we receive submissions, we welcome first-person, literary non-fiction essays from women who:

1) were aware that they had always felt same-sex/gender desires, but wanted to try to make it work in the straight world, and

2) identified as heterosexual at one time, but found themselves embarking on a romantic, same-sex/gender relationship.

We seek a diversity of voices, and welcome submissions from a variety of perspectives, including essays from women who don’t fit precisely into the above descriptions.

Here are some questions that your piece might consider or use as a point of departure. Please don’t feel like this is an essay question test and that you have to cover them all—we want the format of your essay to feel organic and not be explicitly dictated by our questions. Feel free to add other great ideas that we haven’t considered here. And don’t shy away from humor.

== How did you come to your moment of truth?

== Were your actions in any way dictated by the temperature of society and its views on homosexuality?

== What were your first times like with a woman—holding hands, the first date, kiss, sexual experience?

== How did your cultural/religious/racial/ethnic/economic background shape your experience?

== Did your perception of yourself change? Do you feel that others’ perceptions of you changed? Did they surprise you with either an unexpected positive or negative reaction? How did this affect you? Did their reactions change over time?

== What do you miss? What do you not miss? Everything from in the bedroom to out at dinner, at a wedding, as a parent, as a family member, at the gym, in the workplace, on a picnic—whatever comes up for you.

== If you have children, how were the children affected by this change?

== Do you feel like you surrendered heterosexuality or elements of heterosexual privilege? Do you feel like your new life has yielded rewards? What were the rewards you expected and which ones were surprises?

== What is this journey like for you? How did you feel as you were setting out on it and how do you feel now? How do you mark your progress? Were there stages? Illustrative moments? Looking back, do you feel like you went through certain phases?

== What is it like to shift your identity? What about you is the same and always will be? What about you has changed or altered?

== How did you feel as you began your relationship with a woman? Did you get flak from individuals who second-guessed you? Did you feel like you had to prove yourself? How did you keep your internal balance (or not)?

== How did your socialization as a straight person prepare you (ill or well) for pursuing a same-sex relationship?

== How do you define yourself? Do current labels work for you, or are you not yet defined by a word or phrase? What paradigm do you imagine?

As editors, we value specificity, detail, “showing, not telling,” honesty, epiphanies in the form of clean, polished, crafted writing, and a sense of resolution. An arc of transformation. As Cheryl Strayed says, the invisible sentence at the end of a good essay is “and things were never the same again.”

We strongly encourage you to send us a query well beforehand, so that we can review it, give you helpful feedback, and have a good sense of what will be coming our way that month. If you are able to submit the piece earlier, we prefer that you do.

Submit: Please send your proposal or (around 2,000–4,000-word) submission (Word document, double-spaced), along with a short bio and full contact information to: janeland.book@gmail.com

Payment: Upon publication. Amount varies, depending upon experience and amount of editing required. Please include a list of any previous publication credits (with links, if applicable) with your query or submission. Contributors will also receive one electronic version of the book.

[NOTE: Ms. Lodge and I discussed this in e-mail, and she told me that they're looking at paying between $50 and $80 per essay, depending on the piece. So the word rate will land somewhere between a penny and a quarter per word up to four cents per word.]

***

30 September 2016 -- Lawless Lands -- ed. Emily Leverett, Margaret McGraw, and Misty Massey; Falstaff Books

Lawless Lands: Tales from the Weird Frontier is an anthology embodying the frontier spirit of the American West, but with a weird twist. Gunslingers with laser pistols, cattle drives through the galaxy, cursed nuggets of gold, and talking jack rabbits that grant wishes. Fantasy, SF, or horror, if it’s weird, we want to see it.

The book will be funded with a Kickstarter campaign in December 2016. We will pay each author a minimum of 4 cents a word, with the possibility of more if the Kickstarter is successful, and two physical copies.

Editors: Emily Leverett, Margaret McGraw, and Misty Massey.

Anchor authors: David B. Coe, Laura Anne Gilman, Barb Hendee, Faith Hunter, Nicole Givens Kurtz, Margaret McGraw, Seanan McGuire, Devon Monk, and Edmund Schubert (This Giant Leap).

SUBMISSION GUIDELINES

Word count: 3000 to 7000 words. We might be willing to entertain a story longer than the max, but please ask before submitting, and it had better be a pretty incredible story.

Genre: Fantasy, SF, or horror. No erotica.

Format: Word documents (.doc; .docx) only; 12 point Times New Roman, double-spaced. Please include your name and email address at the beginning of your word document as it will get separated from your original email.

Subject Line for Email: LawlessLands – (Your Name) – (Name of Story)

Cover Letter: We’re happy to see a cover email explaining your previous publications, but try to keep it short and sweet. And don’t stress if you have no prior publication experience – we love discovering stars!

***

1 October 2016 (or until filled) -- Ghosts on Drugs -- ed. Hy Bender and Will Paoletto

Bestselling author Hy Bender (BookProposal.net; 16 books including 5 Dummies books, a Complete Idiot's Guide, and The Sandman Companion; The New York Times, Mad Magazine) and book developer Will Paoletto (Enterprise Cometh; My Bad Parent) are putting together a short story fiction anthology titled Ghosts on Drugs.

And we're inviting you to send us a story so great that we can't resist saying "yes" to it.

The only rule is that a tale include some version of at least one ghost who's on some version of at least one drug.

And both key terms are broadly defined—e.g., a ghostwriter hooked on cough syrup could fit, and a dead ancient god with an inhumanly intense craving to be worshipped again could too.

Also, a story can run anywhere from 2 pages to 30 pages, so a short-short tale that's a solid fit for the collection will definitely be considered.

We expect many of the stories will be a mix of comedy and fantasy. However, the book is also open to horror, SF, adventure, drama, etc., as well as any combination of genres. Whatever the category, we're seeking stories that are extremely entertaining, appeal to a wide-ranging audience (high concepts are especially appreciated), and provide an emotionally satisfying ending (smartly crafted character arcs/transformations are especially appreciated).

We're aiming to include some of the world's top comedians, a bunch of superb writers, and one or two celebrities who happen to be drug fans.

Some of the advantages of being in this anthology:

== Getting a credit for a book that's likely to receive substantial attention because of its cool high concept, wildly inventive range of ideas, and exceptionally fine writing.
== Having your name alongside other impressive celebrity talents (if you're a star) or taking a helpful step on your career path (if you're not a star yet).
== Receiving payment on our acceptance—15 cents a word for the first 2,500 words and 6 cents a word after that (to encourage tight writing).
== Receiving a share of the royalties (based on word count).
== Working with Hy—a world-class editor—to make your story the very best it can be.
== Fun!

If the above sounds appealing, then please feel highly encouraged to submit material. The initial deadline is March 1st, 2016. (This might get extended, or not, depending on what comes in.)

For the sake of saving you time and effort, we recommend running an idea by Hy first to ensure it isn't redundant with something we've already purchased for the collection. However, if you prefer to just write and send us a complete story, that's great too.

Please send anything related to the anthology to Hy Bender at hy@hyreviews.com.

Looking forward to your playful, inventive, genius (or so-stupid-it's-genius) ideas and wonderful writing.

***

31 December 2016 -- The Binge-Watching Cure -- ed. Bill Adler Jr.

How do you cure your Netflix (or Amazon, Google movie, or Hulu) addiction and return to your first love, reading books? You know you want to read more. You know you enjoy reading. You know you look forward to finishing a book because then you can start a new adventure.

But how? How do you get into reading when the siren call of streaming movies becomes more powerful every year? A three-hundred page novel is daunting in the face of Netflix and friends’ wonders. It’s too easy to put on pajamas, pour a glass of wine, and offer your eyes to a TV, tablet, or computer screen until sleep summons you.

Enter The Binge-Watching Cure: Fabulous Stories that Start Small and Grow Longer, edited by Bill Adler Jr. The Binge-Watching Cure will be an anthology of short stories of increasing size. The first story will be 100 words—anyone can read that. The next, 200 words. Then 500, then longer, all the way to novella length. By the time you’ve finished reading The Binge-Watching Cure, you’ll be able to tackle Joyce and Pynchon. Or at the very least, you’ll enjoy novels you hear about from friends and family. The Binge-Watching Cure will reignite your love for reading; it will better your life.

Just as you enter a cold swimming pool one body part at a time, get used to drinking beer sip by foamy sip, or learn to enjoy spicy food in little, fiery nibbles, The Binge-Watching Cure gradually acclimates you to reading longer and longer stories, until a novel-length book goes down smoothly, tasting sweet, and making you want more.
We want your writing.

We’re looking for stellar stories of various lengths for The Binge-Watching Cure. The stories must have strong characters and compelling plots. Genre fiction is okay because great fiction often crosses the genre barrier. No erotica and no stories with excessive violence. Please see our FAQ for more about what we’re looking for.

We pay $200 for short stories that are under 5,000 words and $500 for stories that are 5,000 words or longer. We will be licensing the non-exclusive print and electronic book rights, including foreign-language rights (but not audio, film rights, or magazine rights). Your name and bio will be included along with your story. Contributors also receive a copy of The Binge-Watching Cure. Previously published stories are okay, as are simultaneous submissions. There will be a signed contract, of course. The Binge-Watching Cure will be published in 2017.

Please email us your story at bingecurebook@gmail.com and send us your story in DOC, DOCX, RTF, or PDF format, double spaced with human being-readable margins, and in a sensible font such as Times New Roman, Arial, or Courier.

Include the exact word count, along with your contact information at the top of the manuscript.

Our FAQ has more information on what kind of stories we’re looking for and what kind of stories are not a match for The Binge-Watching Cure.

Please include a brief bio in your cover letter, as well as your contact information in both the manuscript and cover letter. Briefly summarize your story and let us know what genre, if any, your story is. If your story has been published elsewhere, let us know where and when. (Previously published stories are perfectly okay.) Content is more important than format, so don’t sweat things like line breaks. We’ll try to get back to you as soon as we can. Submissions close December 31, 2016, or as soon as the story slots are filled.

Please put your story’s title and word count in your email’s subject line. Please submit only one story at a time and read our FAQ about multiple submissions.

Here’s the important part: We want stories within 15 percent of the following word counts (within 20 percent for stories 10,000 words and longer):

100
200
500
750
1,000
1,500
2,000
2,500
3,500
4,000
4,500
6,000 -- FILLED
7,000 -- FILLED
8,000
10,000
15,000
25,000

The Binge-Watching Cure will have one story from each of these length categories.

[NOTE: Yes, this is much earlier than I usually post listings, but this book is filling each length slot individually, and only once; according to the site's Submissions page, the 6000 and 7000 word slots are filled already. If you have a story of a particular length that you want to submit here, send it in now. Normally I wouldn't post this until October, but by that time many if not most (or maybe all) of the slots might be filled already, so I'm giving everyone an early heads-up.]

Friday, July 15, 2016

Anthology Markets

If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one.

Markets with specific deadlines are listed first, "Until Filled" markets (if any) are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

Note that The Binge-Watching Cure is open until December, but they're only taking one story of each specified length, and one of the categories is filled already, so if you want to sub to them, do so ASAP.

***

31 August 2016 -- Automobilia -- Fahrenheit Books

[This is the first of an anthology series, and it seems each book is going to be multi-genre; this volume has an an "automobile" theme (but still accepting multi-genre stories, so long as the focus is on cars). Their actual guidelines are posted on their web site as an image rather than text, so I can't copy/paste them and I'm not going to retype the whole thing. They pay $0.05/word. Click through and check it out if you're interested.]

***

15 September 2016 -- Enter the Aftermath -- TANSTAAFL Press

TANSTAAAFL Press has an open call for short stories for the “Enter the…” series of anthologies.

Guidelines:

1. We will only accept those stories emailed as text in the email OR .txt, .doc, .docx formats.
a. All attachements will be destroyed if not accepted.
b. Email address is submissions@tanstaaflpress.com

2. We will not accept stories by mail or post. If we receive these they will be destroyed at once.

3. All stories must be original and unpublished anywhere
a. If accepted TANSTAAFL Press will take first english publication rights.
==Note that reprint rights are yours as are first publication in alternate languages, however the value of reprints is low as are the likelihood of getting anyone to reprint.
==This publication is likely the only location where you will likely be paid for this piece.

4. Stories must be less than 8000 words.

5. Stories considered for Enter the Apocalypse must be stories about the start and / or middle of any type apocalypse.
a. Apocalypse can include (but isn’t limited to) nuclear, epidemic, supernatural, bioweapon, cosmic, aliens, etc.

6. Stories considered for Enter the Aftermath must be stories about the burnout or shortly after any type apocalypse.

7. Stories considered for Enter the Rebirth must be stories about the world coming back to a new stability after any type of apocalypse.

8. TANSTAAFL Press will attempt to get to submissions as quickly as possible, but make no commitment to how quickly.

9. We will accept submissions up until June 15, 2016 for Enter the Apocalypse, Sept 15, 2016 for Enter the Aftermath, and Dec 15, 2016 for Enter the Rebirth.

10. TANSTAAFL Press will respond to all submissions which follow our guidelines.

Payments / Renumeration

The Enter… series will pay for each story used in the range of $0.01-0.08 per word (averaging close to $0.03 per word). People who have stories for each of the works accepted with the same world will receive a boost on each consecutive story. An example: Say TANSTAAFL thinks your work is worth 3c per word on your story in …Apocalypse. Then you submit a story from the same world to …Aftermath. Assuming it is accepted you would get 3.5c per word on that story.

TANSTAAFL Press will pay upon the finalization of three criteria:
1. Acceptance of your edited work
a. This means if there are changes requested that they have been completed.

2. Signed contract with TANSTAAFL Press for publication of this work
a. Come see our tentative contract. It hasn’t been fully vetted but it will be close.

3. All works for publication have been accepted and signed.
a. That is, we will pay you when we have the full manuscript in hand.
b. You will not have to wait for TANSTAAFL Press to actually publish.

[NOTE: The way I read the "Payment / Remuneration" section, it sounds like they're going to eyeball each story they've decided to accept and just sort of... figure out...? how much they want to pay for it, between one and eight cents per word. That sounds kind of squirrely to me, but I decided to post this anyway and let you all decide whether to sub or not. Note that if you have a personal minimum you'll work for, and it's not a penny per word, you can submit, and if they decide they want your story, you can look at their offer and then accept or reject it based on the payment (or anything else) as always. Remember, it's not a committment until you've signed the contract. I hope the TANSTAAFL folks have taken this into consideration when building their schedule.]

***

15 September 2016 -- Horror Library, Volume 6 -- ed. Eric J. Guignard; Farolight Publishing

Projected Release Date: April 2017 (both print and e-format)

Payment: Three cents per word and one contributor copy (no royalties)

Reprints?: NO

Multiple and/or Simultaneous Submissions: YES

Response Time: Three weeks or less

Send submissions and queries to: Horror.Library.Submissions (AT) gmail.com

+++

The Horror Library has arisen anew! That is, new volume, new editor, but with the same passion to advance dark, smart horror short fiction.

The Horror Library series has been publishing cutting-edge horror for more than ten years, with new volumes released about every two years. Past contributors include such notables as: Bentley Little, Gary Braunbeck, Kealan Patrick Burke, Jeff Strand, Ray Garton, Lisa Morton, Tim Waggoner, et al. We’d love to add your name to this list!

The short of it:

We’re looking for non-themed horror short stories.

The long of it:

The tastes of this anthology series run toward light horror or psychological horror rather than anything brutal (think along the lines of: The Twilight Zone, Tales from the Darkside, Tales from the Crypt, Black Mirror, etc.). Stories about demons, serial killers, or any traditional monster trope (zombies, vampires, etc.) will be a very tough sell.

Ideal qualities to make your story a success include:

+Emotional Resonance (e.g. Fear, Relief, Joy, etc.)+

+Action (Plot Movement)+

+Unique and Thoughtful Ideas+

+Literary Courage (Push Boundaries)+

+Extraordinarily Memorable ‘Voice’ in Characters+

The audience for this anthology are mature, literary readers (i.e. “R” rating). Profanity and sexually-related material is acceptable, provided it is not gratuitous and not excessive. What is not acceptable is anything relating to torture or sexual abuse of children, or graphic sex/ “erotica.”

If you’re unsure what we’re looking for, simply review former volumes of +Horror Library+ for additional insight. If you’re still unsure, just send it!

+Suggested word count is 2,000 – 6,000 words.+

+Please attach submissions to email as a Microsoft Word file (doc type doesn’t matter).+

+Formatting isn’t important (though good form is to follow Shunn guidelines at: http://www.shunn.net/format/story.html).+

Please send submissions, queries, and all else via e-mail to: Horror.Library.Submissions (AT) gmail.com

***

15 September 2016 -- Behind the Mask -- Meerkat Press

Behind the Mask (working title) is our next themed anthology and it’s all about superheroes! But not how they saved the world this time. We’re more interested in the ordinary day-to-day challenges facing these extraordinary individuals: growing up, growing old, relationships, career struggles, parenting. How they cope with that age-old desire to fit in when, let’s face it, they don’t.

We want superhero stories with originality, diversity, and strong character development that celebrate the genre but manage to push its boundaries as well. Fun, quirky, serious, happy, sad: any tone will do, and we plan to have a nice variety. But bring us something fresh and relevant to this crazy world we live in today.

So without further ado, here are the details!

Short Fiction (3K to 6K words) for Behind the Mask: A Superhero Anthology

== We are currently seeking short stories for our next short fiction superhero themed anthology, Behind the Mask.

== Submission Deadline 9/15/16

== Submission Guidelines:
o Include a cover email containing genre, word count, brief bio, and contact information
o Please confirm that your story has not been published before
o Attach your complete story using Proper Short Story Manuscript Format (Meerkat exceptions: Times New Roman preferred, one space after period, italics are okay, em dashes are okay)
o We accept .doc, .docx, .txt and .rtf files.
o We do not accept reprints
o We do accept simultaneous submissions for short stories (but ask that you contact us immediately if your story is accepted elsewhere)
o Send to Submissions@MeerkatPress.com with subject line: Superhero – Genre – Title – Author

== Payment: We pay .02 to .08 per word for short fiction

***

30 September 2016 -- Lawless Lands -- ed. Emily Leverett, Margaret McGraw, and Misty Massey; Falstaff Books

Lawless Lands: Tales from the Weird Frontier is an anthology embodying the frontier spirit of the American West, but with a weird twist. Gunslingers with laser pistols, cattle drives through the galaxy, cursed nuggets of gold, and talking jack rabbits that grant wishes. Fantasy, SF, or horror, if it’s weird, we want to see it.

The book will be funded with a Kickstarter campaign in December 2016. We will pay each author a minimum of 4 cents a word, with the possibility of more if the Kickstarter is successful, and two physical copies.

Editors: Emily Leverett, Margaret McGraw, and Misty Massey.

Anchor authors: David B. Coe, Laura Anne Gilman, Barb Hendee, Faith Hunter, Nicole Givens Kurtz, Margaret McGraw, Seanan McGuire, Devon Monk, and Edmund Schubert (This Giant Leap).

SUBMISSION GUIDELINES

Word count: 3000 to 7000 words. We might be willing to entertain a story longer than the max, but please ask before submitting, and it had better be a pretty incredible story.

Genre: Fantasy, SF, or horror. No erotica.

Format: Word documents (.doc; .docx) only; 12 point Times New Roman, double-spaced. Please include your name and email address at the beginning of your word document as it will get separated from your original email.

Subject Line for Email: LawlessLands – (Your Name) – (Name of Story)

Cover Letter: We’re happy to see a cover email explaining your previous publications, but try to keep it short and sweet. And don’t stress if you have no prior publication experience – we love discovering stars!

***

1 October 2016 (or until filled) -- Ghosts on Drugs -- ed. Hy Bender and Will Paoletto

Bestselling author Hy Bender (BookProposal.net; 16 books including 5 Dummies books, a Complete Idiot's Guide, and The Sandman Companion; The New York Times, Mad Magazine) and book developer Will Paoletto (Enterprise Cometh; My Bad Parent) are putting together a short story fiction anthology titled Ghosts on Drugs.

And we're inviting you to send us a story so great that we can't resist saying "yes" to it.

The only rule is that a tale include some version of at least one ghost who's on some version of at least one drug.

And both key terms are broadly defined—e.g., a ghostwriter hooked on cough syrup could fit, and a dead ancient god with an inhumanly intense craving to be worshipped again could too.

Also, a story can run anywhere from 2 pages to 30 pages, so a short-short tale that's a solid fit for the collection will definitely be considered.

We expect many of the stories will be a mix of comedy and fantasy. However, the book is also open to horror, SF, adventure, drama, etc., as well as any combination of genres. Whatever the category, we're seeking stories that are extremely entertaining, appeal to a wide-ranging audience (high concepts are especially appreciated), and provide an emotionally satisfying ending (smartly crafted character arcs/transformations are especially appreciated).

We're aiming to include some of the world's top comedians, a bunch of superb writers, and one or two celebrities who happen to be drug fans.

Some of the advantages of being in this anthology:

== Getting a credit for a book that's likely to receive substantial attention because of its cool high concept, wildly inventive range of ideas, and exceptionally fine writing.
== Having your name alongside other impressive celebrity talents (if you're a star) or taking a helpful step on your career path (if you're not a star yet).
== Receiving payment on our acceptance—15 cents a word for the first 2,500 words and 6 cents a word after that (to encourage tight writing).
== Receiving a share of the royalties (based on word count).
== Working with Hy—a world-class editor—to make your story the very best it can be.
== Fun!

If the above sounds appealing, then please feel highly encouraged to submit material. The initial deadline is March 1st, 2016. (This might get extended, or not, depending on what comes in.)

For the sake of saving you time and effort, we recommend running an idea by Hy first to ensure it isn't redundant with something we've already purchased for the collection. However, if you prefer to just write and send us a complete story, that's great too.

Please send anything related to the anthology to Hy Bender at hy@hyreviews.com.

Looking forward to your playful, inventive, genius (or so-stupid-it's-genius) ideas and wonderful writing.

***

31 December 2016 -- The Binge-Watching Cure -- ed. Bill Adler Jr.

How do you cure your Netflix (or Amazon, Google movie, or Hulu) addiction and return to your first love, reading books? You know you want to read more. You know you enjoy reading. You know you look forward to finishing a book because then you can start a new adventure.

But how? How do you get into reading when the siren call of streaming movies becomes more powerful every year? A three-hundred page novel is daunting in the face of Netflix and friends’ wonders. It’s too easy to put on pajamas, pour a glass of wine, and offer your eyes to a TV, tablet, or computer screen until sleep summons you.

Enter The Binge-Watching Cure: Fabulous Stories that Start Small and Grow Longer, edited by Bill Adler Jr. The Binge-Watching Cure will be an anthology of short stories of increasing size. The first story will be 100 words—anyone can read that. The next, 200 words. Then 500, then longer, all the way to novella length. By the time you’ve finished reading The Binge-Watching Cure, you’ll be able to tackle Joyce and Pynchon. Or at the very least, you’ll enjoy novels you hear about from friends and family. The Binge-Watching Cure will reignite your love for reading; it will better your life.

Just as you enter a cold swimming pool one body part at a time, get used to drinking beer sip by foamy sip, or learn to enjoy spicy food in little, fiery nibbles, The Binge-Watching Cure gradually acclimates you to reading longer and longer stories, until a novel-length book goes down smoothly, tasting sweet, and making you want more.
We want your writing.

We’re looking for stellar stories of various lengths for The Binge-Watching Cure. The stories must have strong characters and compelling plots. Genre fiction is okay because great fiction often crosses the genre barrier. No erotica and no stories with excessive violence. Please see our FAQ for more about what we’re looking for.

We pay $200 for short stories that are under 5,000 words and $500 for stories that are 5,000 words or longer. We will be licensing the non-exclusive print and electronic book rights, including foreign-language rights (but not audio, film rights, or magazine rights). Your name and bio will be included along with your story. Contributors also receive a copy of The Binge-Watching Cure. Previously published stories are okay, as are simultaneous submissions. There will be a signed contract, of course. The Binge-Watching Cure will be published in 2017.

Please email us your story at bingecurebook@gmail.com and send us your story in DOC, DOCX, RTF, or PDF format, double spaced with human being-readable margins, and in a sensible font such as Times New Roman, Arial, or Courier.

Include the exact word count, along with your contact information at the top of the manuscript.

Our FAQ has more information on what kind of stories we’re looking for and what kind of stories are not a match for The Binge-Watching Cure.

Please include a brief bio in your cover letter, as well as your contact information in both the manuscript and cover letter. Briefly summarize your story and let us know what genre, if any, your story is. If your story has been published elsewhere, let us know where and when. (Previously published stories are perfectly okay.) Content is more important than format, so don’t sweat things like line breaks. We’ll try to get back to you as soon as we can. Submissions close December 31, 2016, or as soon as the story slots are filled.

Please put your story’s title and word count in your email’s subject line. Please submit only one story at a time and read our FAQ about multiple submissions.

Here’s the important part: We want stories within 15 percent of the following word counts (within 20 percent for stories 10,000 words and longer):

100
200
500
750
1,000
1,500
2,000
2,500
3,500
4,000
4,500
6,000 -- FILLED
7,000 -- FILLED
8,000
10,000
15,000
25,000

The Binge-Watching Cure will have one story from each of these length categories.

[NOTE: Yes, this is much earlier than I usually post listings, but this book is filling each length slot individually, and only once; according to the site's Submissions page, the 7000 word slot is filled already. If you have a story of a particular length that you want to submit here, send it in now. Normally I wouldn't post this until October, but by that time many if not most (or maybe all) of the slots might be filled already, so I'm giving everyone an early heads-up.]

Saturday, July 2, 2016

What Do You Care What Other People Think?

Mystery writer Cristy Fifield wrote a great post on the subject of social fears versus the best path to achieving your goals. She uses an example from basketball, about how taking free throws underhanded, or "granny style," scores more points than throwing overhand, but most players throw overhand because it's cool, and they think granny shots make them look dorky. They want to look cool (and NOT look dorky) more than they want to score points for their team. Which is all messed up if you think about it.

It's a great post, with some interesting links, and the point of it all definitely applies to writers. Check it out. (Scroll down a bit after you click through to the page.)

Angie

Wednesday, June 15, 2016

Anthology Markets

If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one.

Markets with specific deadlines are listed first, "Until Filled" markets (if any) are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

Note that The Binge-Watching Cure is open until December, but they're only taking one story of each specified length, and one of the categories is filled already, so if you want to sub to them, do so ASAP.

Sorry there's not much this month. It seems all the editors had deadlines through the spring, and now they're busy reading slush and putting their TOCs together. I've seen this happen in previous years; we'll be back in business in a month or two. In the mean time, keep writing!

***

30 June 2016 -- Transitions & Awakenings -- Sanguine Press

Sanguine Press is currently open for submissions to our first anthology, Transitions & Awakenings.

THEME: I Regret Nothing

Too many characters spend their time brooding about the past, whether it’s missed opportunities or mistakes that led to misfortune down the line. For our first anthology, we want your stories with at least one character who has no regrets – either for a specific moment, or in general. Your story must feature a predominantly POC cast to be considered.

GENRES: Sci-fi, Fantasy, or Horror (no poetry, please)

STORY LENGTH: For this anthology, we’re looking for original, short fiction up to 10,000 words. While we’ll read a piece that’s slightly longer, we will absolutely not consider any story over 12,000 words. Your story must be complete within the stated word count – no serials or other multi-part pieces.

PAY: We pay .10/word for the first 1,000 words, .05/word for the next 5,000 words and .03/word after that.

CONTRACT OVERVIEW: Our contract covers the right to publish your story within our digital and print anthology, as well as online at Sanguine Press for paying members. We ask for exclusive rights for one year, and non-exclusive after that. A full contract will be provided upon acceptance into the anthology.

NO MULTIPLE SUBMISSIONS: Please only send us one story at a time, and wait for a response before sending another. We’re excited to get to read your work, but as a two-person team we have to do all we can to give as many authors as possible a fair chance to be read.

NO SIMULTANEOUS SUBMISSIONS: If you decide to submit to another publisher, please send us a note and withdraw your submission here, first. We ask this only because of time constraints, and this policy may change in the future when our staff expands.

NO PREVIOUSLY PUBLISHED WORKS We’re thrilled to have published authors submit their work for consideration! But please, no work that has already been published elsewhere.

We solemnly swear we will respond to you whether your work is accepted or not, but please give us at least 2 (two) months to read and get back to you. If you haven’t heard from us by then, by all means, send us a note to see what’s up. We know that’s a long time to wait, and we thank you for being so patient with us!

***

31 August 2016 -- Automobilia -- Fahrenheit Books

[This is the first of an anthology series, and it seems each book is going to be multi-genre; this volume has an "automobile" theme (but still accepting multi-genre stories, so long as the focus is on cars). Their actual guidelines are posted on their web site as an image rather than text, so I can't copy/paste them and I'm not going to retype the whole thing. They pay $0.05/word. Click through and check it out if you're interested.]

***

1 October 2016 (or until filled) -- Ghosts on Drugs -- ed. Hy Bender and Will Paoletto

Bestselling author Hy Bender (BookProposal.net; 16 books including 5 Dummies books, a Complete Idiot's Guide, and The Sandman Companion; The New York Times, Mad Magazine) and book developer Will Paoletto (Enterprise Cometh; My Bad Parent) are putting together a short story fiction anthology titled Ghosts on Drugs.

And we're inviting you to send us a story so great that we can't resist saying "yes" to it.

The only rule is that a tale include some version of at least one ghost who's on some version of at least one drug.

And both key terms are broadly defined—e.g., a ghostwriter hooked on cough syrup could fit, and a dead ancient god with an inhumanly intense craving to be worshipped again could too.

Also, a story can run anywhere from 2 pages to 30 pages, so a short-short tale that's a solid fit for the collection will definitely be considered.

We expect many of the stories will be a mix of comedy and fantasy. However, the book is also open to horror, SF, adventure, drama, etc., as well as any combination of genres. Whatever the category, we're seeking stories that are extremely entertaining, appeal to a wide-ranging audience (high concepts are especially appreciated), and provide an emotionally satisfying ending (smartly crafted character arcs/transformations are especially appreciated).

We're aiming to include some of the world's top comedians, a bunch of superb writers, and one or two celebrities who happen to be drug fans.

Some of the advantages of being in this anthology:

== Getting a credit for a book that's likely to receive substantial attention because of its cool high concept, wildly inventive range of ideas, and exceptionally fine writing.
== Having your name alongside other impressive celebrity talents (if you're a star) or taking a helpful step on your career path (if you're not a star yet).
== Receiving payment on our acceptance—15 cents a word for the first 2,500 words and 6 cents a word after that (to encourage tight writing).
== Receiving a share of the royalties (based on word count).
== Working with Hy—a world-class editor—to make your story the very best it can be.
== Fun!

If the above sounds appealing, then please feel highly encouraged to submit material. The initial deadline is March 1st, 2016. (This might get extended, or not, depending on what comes in.)

For the sake of saving you time and effort, we recommend running an idea by Hy first to ensure it isn't redundant with something we've already purchased for the collection. However, if you prefer to just write and send us a complete story, that's great too.

Please send anything related to the anthology to Hy Bender at hy@hyreviews.com.

Looking forward to your playful, inventive, genius (or so-stupid-it's-genius) ideas and wonderful writing.

***

31 December 2016 -- The Binge-Watching Cure -- ed. Bill Adler Jr.

How do you cure your Netflix (or Amazon, Google movie, or Hulu) addiction and return to your first love, reading books? You know you want to read more. You know you enjoy reading. You know you look forward to finishing a book because then you can start a new adventure.

But how? How do you get into reading when the siren call of streaming movies becomes more powerful every year? A three-hundred page novel is daunting in the face of Netflix and friends’ wonders. It’s too easy to put on pajamas, pour a glass of wine, and offer your eyes to a TV, tablet, or computer screen until sleep summons you.

Enter The Binge-Watching Cure: Fabulous Stories that Start Small and Grow Longer, edited by Bill Adler Jr. The Binge-Watching Cure will be an anthology of short stories of increasing size. The first story will be 100 words—anyone can read that. The next, 200 words. Then 500, then longer, all the way to novella length. By the time you’ve finished reading The Binge-Watching Cure, you’ll be able to tackle Joyce and Pynchon. Or at the very least, you’ll enjoy novels you hear about from friends and family. The Binge-Watching Cure will reignite your love for reading; it will better your life.

Just as you enter a cold swimming pool one body part at a time, get used to drinking beer sip by foamy sip, or learn to enjoy spicy food in little, fiery nibbles, The Binge-Watching Cure gradually acclimates you to reading longer and longer stories, until a novel-length book goes down smoothly, tasting sweet, and making you want more.
We want your writing.

We’re looking for stellar stories of various lengths for The Binge-Watching Cure. The stories must have strong characters and compelling plots. Genre fiction is okay because great fiction often crosses the genre barrier. No erotica and no stories with excessive violence. Please see our FAQ for more about what we’re looking for.

We pay $200 for short stories that are under 5,000 words and $500 for stories that are 5,000 words or longer. We will be licensing the non-exclusive print and electronic book rights, including foreign-language rights (but not audio, film rights, or magazine rights). Your name and bio will be included along with your story. Contributors also receive a copy of The Binge-Watching Cure. Previously published stories are okay, as are simultaneous submissions. There will be a signed contract, of course. The Binge-Watching Cure will be published in 2017.

Please email us your story at bingecurebook@gmail.com and send us your story in DOC, DOCX, RTF, or PDF format, double spaced with human being-readable margins, and in a sensible font such as Times New Roman, Arial, or Courier.

Include the exact word count, along with your contact information at the top of the manuscript.

Our FAQ has more information on what kind of stories we’re looking for and what kind of stories are not a match for The Binge-Watching Cure.

Please include a brief bio in your cover letter, as well as your contact information in both the manuscript and cover letter. Briefly summarize your story and let us know what genre, if any, your story is. If your story has been published elsewhere, let us know where and when. (Previously published stories are perfectly okay.) Content is more important than format, so don’t sweat things like line breaks. We’ll try to get back to you as soon as we can. Submissions close December 31, 2016, or as soon as the story slots are filled.

Please put your story’s title and word count in your email’s subject line. Please submit only one story at a time and read our FAQ about multiple submissions.

Here’s the important part: We want stories within 15 percent of the following word counts (within 20 percent for stories 10,000 words and longer):

100
200
500
750
1,000
1,500
2,000
2,500
3,500
4,000
4,500
6,000
7,000
8,000
10,000
15,000
25,000

The Binge-Watching Cure will have one story from each of these length categories.

[NOTE: Yes, this is much earlier than I usually post listings, but this book is filling each length slot individually, and only once; according to the site's Submissions page, the 7000 word slot is filled already. If you have a story of a particular length that you want to submit here, send it in now. Normally I wouldn't post this until October, but by that time many if not most (or maybe all) of the slots might be filled already, so I'm giving everyone an early heads-up.]

Thursday, May 19, 2016

Kris Rusch on Non-Compete Clauses

Anyone who's ever considered tradpubbing a book really needs to read Kris's Business post this week on non-compete clauses.

Some choice quotes:

If you sign any version of a non-compete clause, you will never be a full-time professional writer. Writing will not be your career. Something else will, and you will write on the side for the rest of your life.

I know of at least two mystery writers who need their publisher’s permission to put up a blog post. I know of several more who have had to get a document granting them blanket permission from their fiction publisher to write nonfiction.

Your current publisher might not enforce that clause; the publisher/business your current publisher sells out to might enforce the clause, and make you pay damages for anything you’ve previously published after you signed the contract (and ignored the clause).

Interested yet? Good. Go read it. Seriously, this is important. :/

Angie

Sunday, May 15, 2016

Anthology Markets

If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one.

Markets with specific deadlines are listed first, "Until Filled" markets (if any) are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

Note that Ghosts on Drugs has pushed its deadline back again, this time to 1 October, although there's an "or until filled" caveat attached.

Note that The Binge-Watching Cure is open until December, but they're only taking one story of each specified length, and one of the categories is filled already, so if you want to sub to them, do so ASAP.

***

31 May 2016 -- Where the Stars Rise -- ed. Lucas K. Law & Derwin Mak

Proposed Sub-Title: Asian Science Fiction and Fantasy Stories
Proposed Series Title: Laksa Anthology Series: Speculative Fiction
Genre: All original short speculative fiction

Theme: This speculative fiction anthology contains original stories to celebrate Asian diversity, featuring an Asian main character, Asian setting and/or some amount of Asian elements, by authors with an Asian heritage.

We consider Asian countries as those defined by United Nations in Wikipedia. Authors do not need to reside in Asia to participate in this anthology.

We welcome translated story from other languages to English (no English reprints, please).

Proposed Anthology: We are looking for stories to celebrate character diversity (ethnic, age, walks of life/socio-economics, sexuality, etc.). We leave the question as to what determine Asian theme open so not to restrict creativity. No stereotypes or clichéd portrayal of cultures or stories based purely on showing the strangeness or exoticism of a culture. No erotica. Cross-genre is encouraged. This anthology is geared towards Young Adult and Adult.

Project Objectives:

== A portion of Laksa Media’s net revenue from this anthology will go directly to support Kids Help Phone.
== Laksa Media will donate CAN$500 upon the publication of this anthology to Kids Help Phone.
Submission Guidelines:

Length: <7,000 words File Format: .doc, .docx, or .rtf only Use Submittable to submit your story for this anthology (DO NOT USE the Laksa Media online submission form).

No reprints: No simultaneous submissions: No multiple submissions.

We want to have a balance between science fiction and fantasy, with at least 50% science fiction.
However, anthology editors tend to receive more fantasy than science fiction submissions. Therefore, we encourage more science fiction stories of all varieties (space opera, time-travel thrillers, interesting new approaches to classic themes, near-future technology, techno-thrillers, science mystery, Asian-punk) because, for an ethno-cultural based anthology, they would help to mitigate the Orientalism that influences Western perceptions of cultures east of Constantinople.
Our media is already filled with mystical gurus, genies, and kung-fu monks. We are not saying our anthology has no room for fantasy-based stories, but we are saying that we need to expand the perception and show that Asians do know science and engineering, that they’re not just mystics with magical powers.

We are happy to accept fantasy-related fiction, but we are prioritizing the reading of the SF submissions.

UPDATE (February 15, 2016): Since our submissions call was announced, our submissions have been skewing heavily towards fantasy with little science fiction. We want to have a balance between fantasy and science fiction, at least 50/50. Therefore, we encourage more submissions of science fiction. A weak story of either genre will not be published, but a strong science fiction story currently has a greater chance of being accepted than a strong fantasy story. We will continue to accept fantasy stories.

Please use standard manuscript format! No strange or extremely small fonts!


We encourage submissions to feature the following:

== Protagonists with diverse experiences including (but not limited to) QUILTBAG, gender diversity, neuro-diverse, mentally ill, people with disability, chronic illness and other impairments, and ethnic, cultural, and religious minorities, any marginalized and under-represented group.
== Speculative fiction from or about diverse perspectives and traditionally under-represented groups, settings, and cultures, written from a non-exoticizing and well-researched position. Any political issues should be addressed in complex and nuanced ways, resisting the temptation to oversimplify or stereotyping the situations.

Reading Period (open for submission): December 1, 2015 to May 31, 2016

Advance Payment to Contributors: Contributors will be paid CAN 6 cents per word. The payment is an advance against royalties. A contributor’s copy is included. Payment will be on acceptance of final edited story.

Rights: First World Rights for anthology in the English-language. Exclusive rights prior to publication and for a period of one year after the publication and non-exclusive rights for the anthology thereafter where the contributors are free to resell. Exception to the exclusive rights is when the story is accepted for a “best of the year” anthology.

All rights granted will revert to the Author if Laksa Media fails to publish the Work within 24 months of the date of the signed Agreement (between anthologists/editors and authors).

***

1 June 2016 -- Steampunk Universe -- ed. Sarah Hans; Alliteration Ink

Much like the award-winning anthology Steampunk World, Steampunk Universe will be a multicultural anthology of steampunk stories. But this time, the anthology will focus on characters who do not identify as abled or neurotypical.

This call for submissions is aimed particularly at marginalized writers, especially those who are identify as members of a minority, LGBTQ, and particularly those themselves who do not identify as abled or neurotypical.

Stories are due by June 1, 2016 to steampunkuniverseantho@gmail.com. Ideally, decisions will be made by July 1, and the anthology will be crowdfunded shortly thereafter. Writers will be paid $.06/word for original stories. I’m not looking for reprints at this time. Deadline extensions will not be granted. Your story should be submitted in Standard Manuscript Format (please check and double-check that your name and email address are on the first page!) as an email attachment in .doc, .docx or .rtf format. The subject of your message should read [Submission: Story Title by Author Name]. If your submission doesn’t conform to these specifications it may be deleted unread.

What I’m looking for:

Your story should take place in a non-White and preferably non-Anglophone culture.

Your story should contain and have as a focus a character with at least one disability. It should be a major element of the story. I want to explore how steampunk technology changes the lives of people who are aneurotypical or disabled, for better or for worse. I’d love to see characters who are also members of other marginalized groups (such as LGBTQ characters).

Your story should contain steampunk elements. I get a lot of submissions with steampunk exoskeletons and dirigibles, but not many with spaceships or submarines. I’d really like authors to stretch themselves and instead of just writing alternate history, set the story in a parallel universe or on another planet. Read Tobias Buckell’s excellent story "Love Comes to Abyssal City" for an example.

I have already committed to stories taking place in North America, England, and China. While we may commit to more stories featuring other cultures in those regions, we strongly encourage you to explore stories that take place in the diverse cultures of Central/South America, Asia, and Africa.

I have likewise committed to stories with prosthetic limbs, steam-powered hearts, and blindness. While I may commit to another story with those elements, we strongly encourage you to explore other possibilities.

I’m unlikely to buy stories that:

Feature a disability as a superpower, such as the trope of the autistic super-detective.

Involve the protagonist bravely sacrificing himself/herself at the end of the story so the able/neurotypical characters can survive (seriously, this is becoming a cliché)

Are longer than 5,000 words (bonus points if you can keep it under 4,000)

Contain graphic sex or violence, rape, women in refrigerators, etc. If the content of your story means you wouldn’t be comfortable reading it to your eleven-year-old, don’t submit it to me.

Have only magical elements and no technological ones. I love a good gaslamp fantasy, but this is not the market for it. I want gadgets and goggles!

The fastest way to get responses to questions is on Twitter. Questions may be directed to @steampunkpanda or @AlliterationInk. The best way to tell what kind of story I am likely to buy is to read Steampunk World.

***

1 June 2016 -- The Shell Game -- ed. Kim Adrian; University of Nebraska Press

PAYMENT: $100, plus two copies of anthology, plus $100 coupon to UNP Books
RIGHTS: Permission to publish (right to include work in book, ebook, and translations of the book). Author retains all other rights.

CALL FOR MANUSCRIPTS

Within the recent explosion of creative nonfiction, a curious new sub-genre is quietly emerging. Hybrids in the truest sense, "hermit crab" essays borrow their structures from ordinary, extra-literary sources (a recipe, a police report, a pack of cards, an obituary…) to use as a framework for a lyric meditation on the chosen subject. In the best examples, the borrowed structures are less contrived than inevitable, managing not only to give shape to the work but to illuminate and exemplify its subject. Here are a couple of great examples of the form:

== "The Professor of Longing" by Jill Talbot
== "The Son of Mr. Green Jeans: an Essay on Fatherhood, Alphabetically Arranged," by Dinty Moore (press full screen option to read essay)

Submissions are open for an anthology of essays of this type, to be published by the University of Nebraska Press in 2018. Seeking brand new work (not previously published). Word count between 750 and 8,000. No plain-jane listicles, please (confused about what constitutes a listicle? See this article). However, if you have a fancy-jane listicle (meaning: if you are doing something really thoughtful with the form), please feel free send it on. Simultaneous submissions okay, but please notify of acceptance elsewhere as soon as possible. Questions? Contact the editor at: kimadrian115 [@] gmail [.] com

***

4 June 2016 -- Sunvault: Stories of Solarpunk & Eco-Speculation -- ed. Phoebe Wagner and Brontë Wieland

Writers! We want your stories and poems for Sunvault: Stories of Solarpunk & Eco-Speculation, the upcoming anthology of speculative fiction edited by us, Phoebe Wagner and Brontë Wieland, set for publication in spring 2017.

We want this anthology to reach outside Western and Anglophone traditions of speculative fiction, showcasing the way environment and environmental issues are talked about and perceived in all parts of the world. We encourage and welcome submissions from diverse voices and under-represented populations, including, but not limited to, people of color, members of the LGBTQ community, those with disabilities, and the elderly. Authors of all walks of life should feel encouraged to send us stories and poems celebrating these diverse characters and settings all around us.

What are we looking for?

We want short stories and poems that fall under the scope of speculative fiction (science fiction, fantasy, magical realism, weird fic, etc.). If you’re unsure, submit! We love to be surprised.

The anthology will focus on times of environmental crisis and the people inhabiting these tipping points, fighting to effect change and seek solutions, even if it’s already too late. But these are times of hope, not just disaster! Turn your lens to those crucial moments in a world’s history when great change can be made by the right people with the right tools. Remember: hope can spark in even the grimmest of situations.

What is solarpunk?

Solarpunk follows in the tradition of steampunk and cyberpunk as the embodiment of a counterculture ideology: innovating a way of life that is better for the present and ultimately better for the future. Concepts like clean energy and sustainability are integral to solarpunk as they are outlets for societal reform. The fight for positive change is where -punk comes into play.

There are various communities online that are imagining and building solarpunk as an idea and an aesthetic, but as a literary movement, it is as yet largely undefined. That’s where you come in. Sunvault is the SF community’s opportunity to define the solarpunk genre. We want to see your conceptions and interpretations of the genre. We want to see what solarpunk looks like to you.

Length & Payment:

We’re looking for short stories from 500 to 7500 words. Don’t query about longer pieces. We want to include as many stories as possible in the anthology, so we aren’t able to consider longer works. All authors will be paid 6 cents USD per word upon publication for original fiction.

We are also open for reprint submissions. Reprints are paid a flat rate of $50 for stories under 2000 words and $100 for stories over 2000 words. Please include a complete publication history for reprint submissions.

For poetry, we are looking for original, unpublished poems up to 200 lines or 500 words for prose poems. Please submit only up to five poems. All authors will be paid either 6 cents USD per word or 15 dollars per page, whichever is greater. Payment will be made upon publication.

We will accept submissions from any country.

Translations:

Translations are welcome. Please include proof that you have the permission of the original author to translate and submit the story, and provide the original author’s contact details as well as your own. Payment will be split equally between the translator and the author. If this is the first publication of the story in English, even if it has appeared in its original language in print, we will pay the rate for original work.

How to submit:

Submissions will open as soon as our Kickstarter is fully funded and run for approximately a month. Send your story or poems to us at sunvaultanthology[at]gmail.com with the subject like Fiction Submission: Title or Poetry Submission: Title for originals. For short story reprints, please put Reprint Submission: Title in the subject line. We will not be accepting poetry reprints. Submit translations as original pieces (if previously unpublished in English), but be clear that it is a translation in the body of your message. Please submit all poems in one document.

If the format is wrong, your work may end up in our spam folder, so be diligent. We will only read files sent as .doc, .docx, .odt, or .rtf.

Include a cover letter in the body of your email to tell us a bit about who you are. Please mention if it is a story or poems, the length, any relevant info we should know about the story or poems, and an author’s bio. Do not describe your story or poems in the cover letter.

We will accept simultaneous submissions, but if accepted, the piece must be withdrawn from submissions elsewhere. You may only submit one story during the reading period.

***

15 June 2016 -- Keystone Chronicles -- Third Flatiron

A keystone is a central stone at the summit of an arch locking the whole together. It's something on which other things depend for support, the heart or core of something, the crux, or central principle. Anything keystone is fine, be it keystone species, pipelines, cops, beer, or ski resorts, as long as it's speculative fiction.

Third Flatiron Publishing is based in Boulder, Colorado, and Ayr, Scotland. We are looking for submissions to our quarterly themed anthologies. Our focus is on science fiction and fantasy and anthropological fiction. We want tightly plotted tales in out-of-the-ordinary scenarios. Light horror is acceptable, provided it fits the theme.

Please send us short stories that revolve around age-old questions and have something illuminating to tell us as human beings. Fantastical situations and creatures, exciting dialog, irony, mild horror, and wry humor are all welcome. Stories should be between 1,500 and 3,000 words. Inquire if longer.

Role models for the type of fiction we want include Kurt Vonnegut, Arthur C. Clarke, Dan Simmons, Connie Willis, Vernor Vinge, and Ken Kesey. We want to showcase some of the best new shorts available today.

See the "Submissions" tab for preferred formats, etc.

For each anthology, we will also accept a few very short humor pieces on the order of the "Shouts and Murmurs" feature in The New Yorker Magazine (600 words or so). These can be written from a first-person perspective or can be mini-essays that tell people what they ought to do, how to do something better, or explain why something is like it is, humorously. An SF/Fantasy bent is preferred.

Your story must be original work, with the digital rights unencumbered. Accepted stories will be paid at the flat rate of 3 cents per word (U.S.), in return for the first publication rights to the story for six months after publication. All other rights will remain with the author. We no longer offer royalties. If your story is selected as the lead story, beginning July 1, 2014, we will pay a flat rate of 6 cents per word (SFWA professional rate), in return for the permission to podcast or give the story away as a free sample portion of the anthology. We also pay SFWA members 6 cents per word. You do not need to be a SFWA member to submit work. We welcome new writers.

***

15 June 2016 -- Enter the Apocalypse -- TANSTAAFL Press

TANSTAAAFL Press has an open call for short stories for the “Enter the…” series of anthologies.

Guidelines:

1. We will only accept those stories emailed as text in the email OR .txt, .doc, .docx formats.
a. All attachements will be destroyed if not accepted.
b. Email address is submissions@tanstaaflpress.com

2. We will not accept stories by mail or post. If we receive these they will be destroyed at once.

3. All stories must be original and unpublished anywhere
a. If accepted TANSTAAFL Press will take first english publication rights.
==Note that reprint rights are yours as are first publication in alternate languages, however the value of reprints is low as are the likelihood of getting anyone to reprint.
==This publication is likely the only location where you will likely be paid for this piece.

4. Stories must be less than 8000 words.

5. Stories considered for Enter the Apocalypse must be stories about the start and / or middle of any type apocalypse.
a. Apocalypse can include (but isn’t limited to) nuclear, epidemic, supernatural, bioweapon, cosmic, aliens, etc.

6. Stories considered for Enter the Aftermath must be stories about the burnout or shortly after any type apocalypse.

7. Stories considered for Enter the Rebirth must be stories about the world coming back to a new stability after any type of apocalypse.

8. TANSTAAFL Press will attempt to get to submissions as quickly as possible, but make no commitment to how quickly.

9. We will accept submissions up until June 15, 2016 for Enter the Apocalypse, Sept 15, 2016 for Enter the Aftermath, and Dec 15, 2016 for Enter the Rebirth.

10. TANSTAAFL Press will respond to all submissions which follow our guidelines.

Payments / Renumeration

The Enter… series will pay for each story used in the range of $0.01-0.08 per word (averaging close to $0.03 per word). People who have stories for each of the works accepted with the same world will receive a boost on each consecutive story. An example: Say TANSTAAFL thinks your work is worth 3c per word on your story in …Apocalypse. Then you submit a story from the same world to …Aftermath. Assuming it is accepted you would get 3.5c per word on that story.

TANSTAAFL Press will pay upon the finalization of three criteria:
1. Acceptance of your edited work
a. This means if there are changes requested that they have been completed.

2. Signed contract with TANSTAAFL Press for publication of this work
a. Come see our tentative contract. It hasn’t been fully vetted but it will be close.

3. All works for publication have been accepted and signed.
a. That is, we will pay you when we have the full manuscript in hand.
b. You will not have to wait for TANSTAAFL Press to actually publish.

[NOTE: The way I read the "Payment / Remuneration" section, it sounds like they're going to eyeball each story they've decided to accept and just sort of... figure out...? how much they want to pay for it, between one and eight cents per word. That sounds kind of squirrely to me, but I decided to post this anyway and let you all decide whether to sub or not. Note that if you have a personal minimum you'll work for, and it's not a penny per word, you can submit, and if they decide they want your story, you can look at their offer and then accept or reject it based on the payment (or anything else) as always. Remember, it's not a committment until you've signed the contract. I hope the TANSTAAFL folks have taken this into consideration when building their schedule.]

***

30 June 2016 -- Transitions & Awakenings -- Sanguine Press

Sanguine Press is currently open for submissions to our first anthology, Transitions & Awakenings.

THEME: I Regret Nothing

Too many characters spend their time brooding about the past, whether it’s missed opportunities or mistakes that led to misfortune down the line. For our first anthology, we want your stories with at least one character who has no regrets – either for a specific moment, or in general. Your story must feature a predominantly POC cast to be considered.

GENRES: Sci-fi, Fantasy, or Horror (no poetry, please)

STORY LENGTH: For this anthology, we’re looking for original, short fiction up to 10,000 words. While we’ll read a piece that’s slightly longer, we will absolutely not consider any story over 12,000 words. Your story must be complete within the stated word count – no serials or other multi-part pieces.

PAY: We pay .10/word for the first 1,000 words, .05/word for the next 5,000 words and .03/word after that.

CONTRACT OVERVIEW: Our contract covers the right to publish your story within our digital and print anthology, as well as online at Sanguine Press for paying members. We ask for exclusive rights for one year, and non-exclusive after that. A full contract will be provided upon acceptance into the anthology.

NO MULTIPLE SUBMISSIONS: Please only send us one story at a time, and wait for a response before sending another. We’re excited to get to read your work, but as a two-person team we have to do all we can to give as many authors as possible a fair chance to be read.

NO SIMULTANEOUS SUBMISSIONS: If you decide to submit to another publisher, please send us a note and withdraw your submission here, first. We ask this only because of time constraints, and this policy may change in the future when our staff expands.

NO PREVIOUSLY PUBLISHED WORKS We’re thrilled to have published authors submit their work for consideration! But please, no work that has already been published elsewhere.

We solemnly swear we will respond to you whether your work is accepted or not, but please give us at least 2 (two) months to read and get back to you. If you haven’t heard from us by then, by all means, send us a note to see what’s up. We know that’s a long time to wait, and we thank you for being so patient with us!

***

1 October 2016 (or until filled) -- Ghosts on Drugs -- ed. Hy Bender and Will Paoletto

Bestselling author Hy Bender (BookProposal.net; 16 books including 5 Dummies books, a Complete Idiot's Guide, and The Sandman Companion; The New York Times, Mad Magazine) and book developer Will Paoletto (Enterprise Cometh; My Bad Parent) are putting together a short story fiction anthology titled Ghosts on Drugs.

And we're inviting you to send us a story so great that we can't resist saying "yes" to it.

The only rule is that a tale include some version of at least one ghost who's on some version of at least one drug.

And both key terms are broadly defined—e.g., a ghostwriter hooked on cough syrup could fit, and a dead ancient god with an inhumanly intense craving to be worshipped again could too.

Also, a story can run anywhere from 2 pages to 30 pages, so a short-short tale that's a solid fit for the collection will definitely be considered.

We expect many of the stories will be a mix of comedy and fantasy. However, the book is also open to horror, SF, adventure, drama, etc., as well as any combination of genres. Whatever the category, we're seeking stories that are extremely entertaining, appeal to a wide-ranging audience (high concepts are especially appreciated), and provide an emotionally satisfying ending (smartly crafted character arcs/transformations are especially appreciated).

We're aiming to include some of the world's top comedians, a bunch of superb writers, and one or two celebrities who happen to be drug fans.

Some of the advantages of being in this anthology:

== Getting a credit for a book that's likely to receive substantial attention because of its cool high concept, wildly inventive range of ideas, and exceptionally fine writing.
== Having your name alongside other impressive celebrity talents (if you're a star) or taking a helpful step on your career path (if you're not a star yet).
== Receiving payment on our acceptance—15 cents a word for the first 2,500 words and 6 cents a word after that (to encourage tight writing).
== Receiving a share of the royalties (based on word count).
== Working with Hy—a world-class editor—to make your story the very best it can be.
== Fun!

If the above sounds appealing, then please feel highly encouraged to submit material. The initial deadline is March 1st, 2016. (This might get extended, or not, depending on what comes in.)

For the sake of saving you time and effort, we recommend running an idea by Hy first to ensure it isn't redundant with something we've already purchased for the collection. However, if you prefer to just write and send us a complete story, that's great too.

Please send anything related to the anthology to Hy Bender at hy@hyreviews.com.

Looking forward to your playful, inventive, genius (or so-stupid-it's-genius) ideas and wonderful writing.

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31 December 2016 -- The Binge-Watching Cure -- ed. Bill Adler Jr.

How do you cure your Netflix (or Amazon, Google movie, or Hulu) addiction and return to your first love, reading books? You know you want to read more. You know you enjoy reading. You know you look forward to finishing a book because then you can start a new adventure.

But how? How do you get into reading when the siren call of streaming movies becomes more powerful every year? A three-hundred page novel is daunting in the face of Netflix and friends’ wonders. It’s too easy to put on pajamas, pour a glass of wine, and offer your eyes to a TV, tablet, or computer screen until sleep summons you.

Enter The Binge-Watching Cure: Fabulous Stories that Start Small and Grow Longer, edited by Bill Adler Jr. The Binge-Watching Cure will be an anthology of short stories of increasing size. The first story will be 100 words—anyone can read that. The next, 200 words. Then 500, then longer, all the way to novella length. By the time you’ve finished reading The Binge-Watching Cure, you’ll be able to tackle Joyce and Pynchon. Or at the very least, you’ll enjoy novels you hear about from friends and family. The Binge-Watching Cure will reignite your love for reading; it will better your life.

Just as you enter a cold swimming pool one body part at a time, get used to drinking beer sip by foamy sip, or learn to enjoy spicy food in little, fiery nibbles, The Binge-Watching Cure gradually acclimates you to reading longer and longer stories, until a novel-length book goes down smoothly, tasting sweet, and making you want more.
We want your writing.

We’re looking for stellar stories of various lengths for The Binge-Watching Cure. The stories must have strong characters and compelling plots. Genre fiction is okay because great fiction often crosses the genre barrier. No erotica and no stories with excessive violence. Please see our FAQ for more about what we’re looking for.

We pay $200 for short stories that are under 5,000 words and $500 for stories that are 5,000 words or longer. We will be licensing the non-exclusive print and electronic book rights, including foreign-language rights (but not audio, film rights, or magazine rights). Your name and bio will be included along with your story. Contributors also receive a copy of The Binge-Watching Cure. Previously published stories are okay, as are simultaneous submissions. There will be a signed contract, of course. The Binge-Watching Cure will be published in 2017.

Please email us your story at bingecurebook@gmail.com and send us your story in DOC, DOCX, RTF, or PDF format, double spaced with human being-readable margins, and in a sensible font such as Times New Roman, Arial, or Courier.

Include the exact word count, along with your contact information at the top of the manuscript.

Our FAQ has more information on what kind of stories we’re looking for and what kind of stories are not a match for The Binge-Watching Cure.

Please include a brief bio in your cover letter, as well as your contact information in both the manuscript and cover letter. Briefly summarize your story and let us know what genre, if any, your story is. If your story has been published elsewhere, let us know where and when. (Previously published stories are perfectly okay.) Content is more important than format, so don’t sweat things like line breaks. We’ll try to get back to you as soon as we can. Submissions close December 31, 2016, or as soon as the story slots are filled.

Please put your story’s title and word count in your email’s subject line. Please submit only one story at a time and read our FAQ about multiple submissions.

Here’s the important part: We want stories within 15 percent of the following word counts (within 20 percent for stories 10,000 words and longer):

100
200
500
750
1,000
1,500
2,000
2,500
3,500
4,000
4,500
6,000
7,000
8,000
10,000
15,000
25,000

The Binge-Watching Cure will have one story from each of these length categories.

[NOTE: Yes, this is much earlier than I usually post listings, but this book is filling each length slot individually, and only once; according to the site's Submissions page, the 7000 word slot is filled already. If you have a story of a particular length that you want to submit here, send it in now. Normally I wouldn't post this until October, but by that time many if not most (or maybe all) of the slots might be filled already, so I'm giving everyone an early heads-up.]