Friday, August 16, 2019

Anthology Markets

If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one. If you want to get an e-mail notification when the listing is posted, get the list a week early, or get a full listing of everything I've found (as opposed to the two months' worth I post here) a week early, you can support my Patreon.

Markets with specific deadlines are listed first, with "Always Open" and "Until Filled" markets (if any) at the bottom.

Markets open only to writers in a limited demographic are marked with a [NOTE:] from me, in italics, right after the main header.

There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

NOTE: Little Girl Lost by Mannison Press has closed. Their deadline was 31 August or until filled, and they filled.

***

31 August 19 -- Miscreations -- ed. Doug Murano and Michael Bailey; Written Backwards

What happens when we make monsters? What happens when we confront the monsters inside ourselves? These are the grotesque things that should never have been. These are the beasts that stalk our twisted pasts. These are the ghosts of our own making that haunt our regrets. They’re the blood on our hands. They’re the obsessions in our heads. They’re the vengeance in our hearts. These are Miscreations: Gods, Monstrosities & Other Horrors.

Bram Stoker Award-winning editors Doug Murano and Michael Bailey welcome you to submit your best work for consideration in this anthology, which will launch in early 2020. We’ve already announced two of our contributors—Ramsey Campbell and Usman T. Malik—and will be making more announcements in the coming weeks!

Pay: 5c / word U.S.
Length: 2,000 – 5,000 words. FIRM.
Reprints? No thanks.
Anything you should avoid? Graphic, gratuitous depictions of child abuse, sexual abuse and animal abuse are generally unwelcome.

Where to send: miscreationsbook@gmail.com

***

13 September 19 -- Latinx Screams -- ed. V. Castro and Brian Lindenmuth; Bronzeville Books

[NOTE: This market is only open to Latinx and AfroLatinx writers.]

People scream when they're afraid. They scream when they are in the heat of battle. They scream in the wake of victory.

This is a place to scream our pain, fears, worry, frustrations, nightmares and dreams. - Co-editor V. Castro.

Latinx Screams is looking for stories by Latinx and AfroLatinx writers with protagonists facing overwhelming fears and rising to fight horrifying foes. Some will thrive, some with survive, and some will die. Give us your vanquished, and your victors.

Horror is the parent genre; speculative fiction horror, sci-fi horror, or pure horror, including real-world horror, will all be considered. Whether your horror story takes place on a spaceship, in an alternate dimension, or in the real world, it qualifies.

Payment: $0.05 U.S. per word for previously unpublished stories

Story length: Stories up to 3,500 are preferred, but stories up to 5,000 words in length will be considered

Multiple submissions are accepted. Each writer may submit up to 3 stories for consideration. This applies to all stories by the same person, whether they use a pseudonym for some of them or not.

While we would prefer a short exclusive window of consideration, simultaneous submissions are allowed. Please indicate your submission is a simultaneous submission in the email.

Reprints may be considered; payment rate to be determined. Please indicate it is a reprint in your email.

Submissions:

Please include your story as an attached word doc and email to submissions.desk@bronzevillebooks.com (We do not review PDF documents or RTF documents. Please send .doc or .docx only.)

Your email should have the name of the project and story in the subject line. For example: Latinx Screams: My Story's Title

Your email should include your bio (up to 100 words written in third person) and an author photo.

Do not include a query letter for your story. We do ask that you note if the submission is a reprint, advise us of the total word count of the story, and let us know if this is a simultaneous submission.

***

30 September 19 -- AfroMyth 2: A Fantasy Collection -- Afrocentric Books

AfroMyth 2: A Fantasy Collection is open for submissions.

We want adult stories. No erotica, though some erotic or romance elements are acceptable. Magic, gods, mysticism, mythical creatures. Bring us old fairy tales with an Afrocentric twist. We are interested in new gods or ancient ones, old religions, houngans, potions, and spells. Your story can be adapted from African folklore or modern tales. You aren’t restricted in your chosen setting, but priority will be given to stories featuring human characters who live in this world or some version of it.

We want diverse characters in diverse settings, with a main character of indigenous African descent. Please read our general submission guidelines prior to submitting. 1,000-7,500 words, although we’ll consider pieces that fall outside those parameters on a case-by-case basis. Multiple and simultaneous submissions ok. No reprints.

If accepted, pay is $0.015 (1.5 cents) per word PLUS one print copy of the novel (you must provide an address to which the US Postal Service can deliver).

AfroMyth short stories MUST be submitted via Submittable.

***

11 October 19 -- Return to San Cicaro -- Thunderbird Studios

Earlier this year we did an open call and produced Welcome to San Cicaro, the first of Thunderbird Studios’ original anthologies. We got some great stories and exciting new writers, and had a blast doing it. In fact, we enjoyed it so much… we’re doing it again!

Once more, we’re taking another plunge into the mysterious, paranormal jewel of the Golden State—San Cicaro. Want to play in our city? Here’s another chance.

As before, we’re looking for yarns of dark urban fantasy, the weird, the macabre and the hopeful. Tell us of unassuming teenagers stumbling upon witch meetups, who weave spells for good or ill. Of hell-born creatures leaving scenes of carnage that confound the police. Of trolls trying to fit into the society of the homeless. We want them all.

The best way of course to understand the vibe and atmosphere of the stories we are looking for is to pick up a copy of Welcome to San Cicaro, and give it a read. You can also check our prior call for more details.
Details:

Submitted short stories should have a minimum of around 5,000 words up to a soft limit of 8,000 words. We can go as high as 10,000 but will be looking to whittle that down. Formatting should follow William-Shunn guidelines.

Aside from editing and proofreading your work, the editors will also make very minor changes to fit your tale into San Cicaro itself. We may recommend street names, slightly modify passages to mention landmarks, or other such continuity tweaks. Most importantly, we may connect your story not only to the prior anthology, but to stories published in this release. Our ultimate goal is to add tiny details that join your story into a greater, connected narrative.

Authors will be recompensed with a one-time payment of $135 for five-year publication rights, with exclusive rights for the first year, non-exclusive after that. Note that this is an improvement over last year, and that we’re also retroactively increasing the pay for the prior anthology’s authors. If we do a third anthology, we will likely increase payment again to match.

Please submit to the open call at admin@tbirdstudios.com with the subject line "San Cicaro." In the body please include a cover letter about yourself, including links to your bibliography and any details about your story. The story itself should be an attachment of file type RTF, DOC or DOCX. No multiple submissions (just one story per person) and no simultaneous submissions (don’t submit the same story to other publishers) please. We also want original stories only; nothing that has been published before. This includes stories hosted on your blog or published for your Patreon followers.

Thematic Rules:

== Please invent. If your story calls for a landmark, business or ethnoburb (like a Koreatown), just create it. Please create your own characters and avoid reusing existing ones.

== Don’t explain the mystery. Hypothesize all you like, but keep the supernatural stuff fairly underground. We’re really not wild about a POV character who shows up with all the answers.

== Play with next generation technologies. Despite the times, San Cicaro’s hospitals and research firms are still cutting edge. What if fairy livers had powerful medicinal properties? Or if troll muscle fibers were the key to human regeneration? Just keep it under serious NDA.

== No world-destroying monsters. A werewolf or vampire who stalks the night is great. Zombies are fine. But the zombie apocalypse is not.

== Get cultural. We love diving into the origins of supernatural creatures. The etymology, how superstitions have changed, how Hollywood got it wrong. Although our focus is to entertain, discovery of true-to-life folklore is a bonus.

== Don’t go too big. We’re not here for dragons, giants or anything too noticeable. We’ve done so once and we’d rather not repeat it. San Cicaro works best when the magic is at least a little ambiguous.

== Reference the first anthology. We encourage links to past stories, as it creates a sense of continuity and history. However, be conscious of what outsider POVs would actually know about. A good rule of thumb; if an event would be big enough to make it into the local newspaper, it’ll probably be referenced elsewhere. We don’t want characters who are omniscient about all San Cicaro’s mysteries.

== No aliens. No UFOs, no invasions.

== Use extreme subject matter with care. Vivid gore doesn’t wow us. Consensual gratuitous sex scenes are a tough sell. The non-consensual variety are a hard no. We want stories, not shock.

Closing Notes:

If you have further questions or want to ask about an idea or landmark (akin to the San Diego Zoo or the Golden Gate Bridge), feel free to inquire with us. Just send an email to admin@tbirdstudios.com with the subject line “San Cicaro Question.” Likewise if you want to make a dedication to someone, let us know with your submission and we’ll name a street after them. We’d like to give a huge thanks to Cerqueira over on Unsplash for the great picture we used for the banner. And be sure to check out the San Cicaro Pulse for more open call tips. Good luck to everyone submitting, we can’t wait to read your work and re-immerse ourselves in the strange and exotic world of San Cicaro!

***

UNTIL FILLED -- Burly Tales -- ed. Steve Berman; Lethe Press

This anthology, to be edited by Steve Berman, seeks short stories and novellettes that adapt classic fairy tales. But we want them populated with Bears! Strapping heroes are fine as long as they are stout. All the stories should have a measure of whimsy and/or wonder.

Before submitting your story, please consult this page - we would rather not double-up on any original fairy tale idea (we fear we'd end up with a book that was mostly about a gang of male Goldilocks roaming the woods and asking one another "Too hot? Too cold? More please!") - so I will be listing any fairy tale that we no longer are interested in reading. Yes, rather than wait a year to hear from us, the entire open period will have "rolling acceptances."

.........please no stories based on Little Red Riding Hood

All stories should be romantic (HEA or HFN). Erotic content is not a necessity but our burly men should be sex-positive about their lives.

Specs: Please submit Word docs only, standard formatting, 12 pt Times Roman to me at lethepress@aol.com, using the title of the anthology as the subject line. No stories below 5k and none greater than 15. Reading period begins August 1st, 2019. Payment is 5 cents a word for original fiction, considerably less for reprints.

***

If you've found this listing useful, and especially if you've sold a story to a market you found here (score!) I'd love to hear about it. You can e-mail me at angiepen at gmail dot com.

If you'd like to support these listings in a more concrete way, here are a couple of ways to do it:

Become a Patron!

Wednesday, July 17, 2019

Anthology Markets

If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one. If you want to get an e-mail notification when the listing is posted, get the list a week early, or get a full listing of everything I've found (as opposed to the two months' worth I post here) a week early, you can support my Patreon.

Markets with specific deadlines are listed first, with "Always Open" and "Until Filled" markets (if any) at the bottom.

Markets open only to writers in a limited demographic are marked with a [NOTE:] from me, in italics, right after the main header.

There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

NOTE: Monsters in Spaaaace! by Dragon's Roost Press has closed. Their deadline was 31 July or until filled, and they presumably filled.

***

31 July 19 -- Blasphemous Rumors -- ed. David Barnett and Regina Garza Mitchell; Necro Publications

Blasphemous Rumors is a themed anthology of religious horror stories edited by David Barnett and Regina Garza Mitchell. We are seeking dark short stories that focus on religion or spirituality, stories that may be considered blasphemous by the standards of your religion of choice. We are looking for quality dark fiction, not hate-filled rants against religion.

Technical Details: Stories should be formatted in standard manuscript submission format. Stories should be no longer than 5000 words and should be original. Reprints are not accepted. We will not accept simultaneous or multiple submissions.

PAYMENT: $.03 per word up to 5000 words plus two copies of the trade paperback.

Stories should be submitted as an attachment to: blasphemoussubs@gmail.com

Examples of Blasphemy: The term blasphemy refers to saying something about God that is disrespectful. It can also refer to degrading religious concepts or literature. Blasphemy can be included in speech, an act, writing, music, or art.

Blasphemy in Everyday Life:

== Some consider rapper Kanye West's album name "Yeezus" and his consideration of himself as equal to Jesus to be blasphemous.
== Burning a religious document such as the Bible or the Qu'ran is considered blasphemy.
== Vandalizing a church is a form of blasphemy.
== Worshipping Satan is blasphemous.
== Committing suicide is a form of blasphemy.
== To state that God is unkind, unjust or cruel is a blasphemous.
== Artist Andres Serrano created what he called artwork by submerging a plastic replica of the crucified Jesus Christ in a container of his own urine and photographing it as a means, he stated, of exposing the ills of religion. However, this 1987 piece of work was considered highly blasphemous and was destroyed in 2011 during protests in France. The name of the work was Piss Christ.
== In the popular television show, Sex and the City, one episode featured what some considered to be blasphemous artwork. The episode revolved largely around a painting of a woman, crucified as Jesus Christ was, featured in a New York gallery.
== Pastor Terry Jones is the head of a church in Florida who, in 2010, is considered blasphemous of Islamic religion due to his suggestion to hold a "Burn the Qu'ran Day," his publication of a book entitled Islam Is of the Devil, and his purveyorship of shirts and cups that spread the same message.
== The animated American television show, The Simpsons, has been taken to task for blasphemy after broadcasting episodes in which the devil purportedly was bullying God, amongst various other perceived blasphemies.
== Also under fire for broadcasting blasphemous language is the American animated comedy, Family Guy. Known for its offbeat humor, Family Guy featured Jesus in one particular episode that painted Him in a perverted manner, causing a firestorm of protest.
== Islam's Prophet Mohammad is often the source of blasphemy. His image, according to Islamic law, is not to be printed yet many cartoonists and others around the world have been considered blasphemous for doing so. In 2006, Norwegian and Danish newspapers faced serious backlash and threats of retribution from Islamic nations for printing cartoons that featured Prophet Mohammad. While the act of printing the cartoons, themselves, would have been considered blasphemy unto itself, the cartoons also featured the Prophet in poses that were considered "unflattering," particularly one in which the Prophet's image was made to look like a terrorist.
== In 2010, American animated comedy South Park, also produced images of the Prophet Mohammad in an episode that featured the Prophet as a bear mascot. Angered by the perceived blasphemy, one Islamic website threatened the producers of the show for what they deemed as a high level of disrespect for the Prophet.

Now you have seen many different examples of blasphemy.

***

10 August 19 -- Longevity -- Third Flatiron

NOTE: reading period opens 10 July. Don't submit before that date.

Legends tell of people who lived a long time, like Methuselah. Some are just lucky (Lazarus Long), some have it thrust upon them (Lestat), some just naturally come by it (cats and bristlecone pines), and some rightfully earn their immortality (Shakespeare). Is life extension possible via diets or genetic manipulation, and will there be side effects? Give us your speculative take (SF/F/H) on longevity and how it is achieved.

Reading period: July 10 - August 10, 2019
Publication date: October 15, 2019

Stories should be submitted in either Microsoft Word (using double spacing), RTF, or plain text. They should be between 1,500 and 3,000 words. Flash humor pieces (Grins and Gurgles) should be short, around 600 words.

Please don't send simultaneous or multiple submissions. If a story has been rejected, you can then send another (limit 2 per reading period).

Submit by email to:

flatsubmit@thirdflatiron.com

either as an attachment (Word, RTF) or in the body of the mail (text).

In the Subject: line of the email, please put:

flatsubmit:Title_of_Your_Work

to avoid being deemed a canned meat product based on ham.

If the work is for the humor section, please note that in the body of your email. A brief bio and a one- or two-sentence synopsis in the body of your email would also be helpful to us.

Use the following template (basically, follow William Shunn's Standard Manuscript Format):

Your Name

Address (mailing)

Email address

Word count

[10 blank lines]

Title

Byline

Body of story

--------

Our response time is expected to be about 8 weeks (or less if the writer deadline is coming up soon).

REMUNERATION

As of: November 1, 2016

Your story must be original work, with the digital rights unencumbered. Accepted stories will be paid at the flat rate of 6 cents per word (U.S./SFWA professional rate), in return for the first publication rights to the story for six months after publication. All other rights will remain with the author. We no longer offer royalties. If your story is selected as the lead story, we request permission to podcast the story as a free sample portion of the anthology. We welcome new writers.

Third Flatiron will price and market your story to various e-publishing venues. We will format the story for the most popular electronic readers and platforms. You agree that we may distribute a sample (portion of the story) to potential customers.

For non-U.S. submissions, we prefer to pay via PayPal, if you have such an account.

Most books (except "year's best" collections) will be available for sale in trade paperback.

Authors selected for publication will also be entitled to one free online copy of the anthology.

***

31 August 19 -- Little Girl Lost -- ed. Ronald Linson and Deirdre J. Owen; Mannison Press

[NOTE: The deadline for this book is 31 August OR WHEN FILLED. If you want to submit a story, don't wait until the last minute or you might find it's closed early.]

Publication format: print (POD), digital

Word count for submissions: 2,000-7,500 (with exception; see below)

Compensation: authors will receive a free contributor copy (print and digital) as well as a modest monetary compensation; details below.

LITTLE GIRL LOST: THIRTEEN TALES OF YOUTH DISRUPTED will be an anthology of original stories centering around the idea of the lives of young girls being disrupted in some way. It could be through vanishing mysteriously, experiencing a life-altering event, or… ? We are seeking well-written, imaginative tales that explore this idea to its fullest. Use your own interpretation as to the meaning of ‘lost.’ Surprise us!

We are seeking original, previously unpublished stories of the highest quality between 2,000 and 7,500 words. We are willing to look at stories up to (but not exceeding) 10,000 words, but they are less likely to be accepted. There are a few slots open for reprints, however (see "Reprints" below).

GENRE: Your story can be in any genre so long as it fits the theme of the anthology, with the firm exception of erotica/pornography.

Subjects we WILL NOT accept include (but are not limited to):

== Erotica or pornography
== Pedophilia or bestiality
== Depictions of rape
== Graphic descriptions of sexual activity involving persons under the age of eighteen (18)
== Gratuitous or excessive violence or gore
== Racism, bigotry, or slander towards anyone
== Fan Fiction

(If you are unsure whether your story crosses any lines, please feel free to submit it anyway. Decisions will be made on a case by case basis.)

SUBMITTING: Please send your submission to mannisonpress@gmail.com as an attachment. The subject line must read: "LGL [title of story], [your name]"

In the body of the email, please provide a brief cover letter which must include your name, pen name (if you use one), the title of your story, the word count, and a short bio.

Stories should be carefully edited and polished. Excessive amounts of typos and grammatical errors will count against you.

No multiple or simultaneous submissions. However, once you have received a response you are welcome to submit another story.

Submissions must be in English.

REPRINTS: We have a few slots available for reprints. If you have a story that you feel would be a good fit for LITTLE GIRL LOST that was previously published, please submit it. Simply note that it is a reprint in your cover letter, tell us when and where it was previously published, and confirm that you retain all rights to the work.

FORMAT: Manuscripts should be sent as an email attachment. Please submit your work in .doc, .docx, or .rtf format, 12 point font, Times New Roman or Garamond, and double spaced. Please put your name, contact information, and the word count at the top of the first page. DO NOT paste your story into the body of the email; this will result in an immediate rejection.

PUBLICATION: Print on Demand and ebook formats will be published via KDP (including expanded distribution) and Smashwords. Kindle Select will not be enabled to allow for multi-platform publication. Our goal for publication is mid-October 2019.

RESPONSE TIME: We will respond to all submissions within three to four weeks of receipt. If you do not receive a response after six weeks, please send your inquiry to mannisonpress@gmail.com with "QUERY" and your story title in the subject line.

(If you do not receive acknowledgement of your submission within 48 hours, please check your junk mail folder. If you still have not received confirmation of receipt, please feel free to reach out to us at the email above or through our Contact page.)

COMPENSATION: Authors will receive free contributor copies (one print and one digital) and a payment as yet to be determined. Monetary compensation will be dependent upon the outcome of the crowdfunding campaign associated with the project. Our tentative crowdfunding goal is to be able to pay our authors $0.02/word (two cents per word, USD). If we exceed our crowdfunding goals, this rate will increase accordingly. Payment will be issued upon publication.

Our tentative goal for the crowdfunding campaign is currently $1,500 (USD). This may increase if there is sufficient public interest in the project prior to the launch of the campaign. Mannison Press will allocate 80% of the crowdfunding proceeds for author compensation. The remaining 20% will go toward fulfilling supporter rewards and to cover production costs. Updates will be posted to keep our prospective contributors informed.

As the editors of Little Girl Lost, Ronald Linson and Deidre J Owen will each be contributing a story of their own to the anthology. However, they will not be claiming any author compensation from the proceeds of the crowdfunding campaign.

RIGHTS AND EXCLUSIVITY: Authors must hold all rights to their work at the time of submission. Mannison Press will ask for worldwide first print and first digital rights, exclusive for six months; rights shall be reverted back to the author six months after initial publication. Mannison Press then retains continuing rights to print the anthology, but authors are welcome to publish their story in other markets moving forward (with the understanding that the anthology may still be in print with Mannison Press).

If you have any questions, please feel free to contact us at mannisonpress@gmail.com.

***

31 August 19 -- Miscreations -- ed. Doug Murano and Michael Bailey; Written Backwards

What happens when we make monsters? What happens when we confront the monsters inside ourselves? These are the grotesque things that should never have been. These are the beasts that stalk our twisted pasts. These are the ghosts of our own making that haunt our regrets. They’re the blood on our hands. They’re the obsessions in our heads. They’re the vengeance in our hearts. These are Miscreations: Gods, Monstrosities & Other Horrors.

Bram Stoker Award-winning editors Doug Murano and Michael Bailey welcome you to submit your best work for consideration in this anthology, which will launch in early 2020. We’ve already announced two of our contributors—Ramsey Campbell and Usman T. Malik—and will be making more announcements in the coming weeks!

Pay: 5c / word U.S.
Length: 2,000 – 5,000 words. FIRM.
Reprints? No thanks.
Anything you should avoid? Graphic, gratuitous depictions of child abuse, sexual abuse and animal abuse are generally unwelcome.

Where to send: miscreationsbook@gmail.com

***

30 September 19 -- AfroMyth 2: A Fantasy Collection -- Afrocentric Books

AfroMyth 2: A Fantasy Collection is open for submissions.

We want adult stories. No erotica, though some erotic or romance elements are acceptable. Magic, gods, mysticism, mythical creatures. Bring us old fairy tales with an Afrocentric twist. We are interested in new gods or ancient ones, old religions, houngans, potions, and spells. Your story can be adapted from African folklore or modern tales. You aren’t restricted in your chosen setting, but priority will be given to stories featuring human characters who live in this world or some version of it.

We want diverse characters in diverse settings, with a main character of indigenous African descent. Please read our general submission guidelines prior to submitting. 1,000-7,500 words, although we’ll consider pieces that fall outside those parameters on a case-by-case basis. Multiple and simultaneous submissions ok. No reprints.

If accepted, pay is $0.015 (1.5 cents) per word PLUS one print copy of the novel (you must provide an address to which the US Postal Service can deliver).

AfroMyth short stories MUST be submitted via Submittable.

***

UNTIL FILLED -- Burly Tales -- ed. Steve Berman; Lethe Press

[NOTE: DO NOT SUBMIT until 1 August.]

This anthology, to be edited by Steve Berman, seeks short stories and novellettes that adapt classic fairy tales. But we want them populated with Bears! Strapping heroes are fine as long as they are stout. All the stories should have a measure of whimsy and/or wonder.

Before submitting your story, please consult this page - we would rather not double-up on any original fairy tale idea (we fear we'd end up with a book that was mostly about a gang of male Goldilocks roaming the woods and asking one another "Too hot? Too cold? More please!") - so I will be listing any fairy tale that we no longer are interested in reading. Yes, rather than wait a year to hear from us, the entire open period will have "rolling acceptances."

.........please no stories based on Little Red Riding Hood

All stories should be romantic (HEA or HFN). Erotic content is not a necessity but our burly men should be sex-positive about their lives.

Specs: Please submit Word docs only, standard formatting, 12 pt Times Roman to me at lethepress@aol.com, using the title of the anthology as the subject line. No stories below 5k and none greater than 15. Reading period begins August 1st, 2019. Payment is 5 cents a word for original fiction, considerably less for reprints.

***

If you've found this listing useful, and especially if you've sold a story to a market you found here (score!) I'd love to hear about it. You can e-mail me at angiepen at gmail dot com.

If you'd like to support these listings in a more concrete way, here are a couple of ways to do it:

Become a Patron!

Sunday, July 14, 2019

Bleeping Music....

This is why I don't generally listen to music. :P If anyone asks, or if a comment seems contextually appropriate, I'll usually say I'm not that into music. The truth is, I'm into it too much.

I can't listen to music as background noise. If I like a song then it's distracting, and if I don't then it's annoying. I generally just avoid it because it sucks me in if I'm not careful.

This morning, I wasn't careful.

So I got a Facebook notice that a friend of mine posted a link. I went to check it out, and it was Queen's Live Aid set. I haven't seen that in a long time, so I clicked through and watched it. Awesome stuff -- Queen rules.

But I glanced at that column of links to the right on the YouTube page, and saw that there are... holy crap, there are reaction videos with people who've never heard Queen before, and sometimes the younger ones have never heard OF Queen. O_O

There were a few other things too -- one video analyzed Bohemian Rhapsody (the structure, not the lyrics) and it was really good. And I watched a video analyzing how Disney makes the songs in their movies feel nostalgic, which was actually sort of a history of Disney movie music, and how the music is one of the major factors in bringing about the Disney Renaissance, starting with Little Mermaid, which had completely awesome music. (I nagged my then-boyfriend, Jim, into renting it on my first or second visit (to see him in realspace -- we met online) and when we finished "Under the Sea" he had to rewind and watch it again right away. :D )

But mostly it was Queen reaction videos.

I got up a bit before midnight last night, Jim went to bed a little after two, and I started watching videos between four and five in the morning. I just finished. So... yeah, I lost like eleven hours of what was going to be productive time to watching a bunch of ridiculously fun music videos. :P I watched the Live Aid set like... seven times? Maybe eight, counting the original non-reaction video link that set me off. (Or maybe nine...?) I watched people watching the official video of Bohemian Rhapsody like eight times, maybe nine, including one guy who actually tried to break down and analyze the lyrics and figure out how it all made sense. [giggling facepalm] He paused after the first chunk and started talking about how the singer had just killed someone and was talking to his mother (he was watching a live-recorded video, without the intro :P ) and I was sitting here going, "Oh, dude, do not go there!" LOL!

I found a young man who'd grown up exposed to only hip hop, but someone had suggested he watch Bohemian Rhapsody and do a reaction video. His head exploded two or three times, he called out his parents for only playing hip hop when he was a kid and not introducing him to Queen, and he went on to do eighteen more Queen response videos, every one of which I watched. [hides under keyboard] Seriously, he was fun -- his reactions were more analyses, not incredibly technical, but with enough specific commentary and grounded opinion to make them interesting to listen to.

And just, watching people who've never heard Queen before watching for the first time (especially Bohemian Rhapsody, but a few other songs too) and going all O_O and then rocking out on it? That'll (unfortunately) never get old. :D It's like, introducing your favorite music to someone who's never heard it, and getting to enjoy both the music and their joyful reaction to it, which is massively awesome and fun.

So yeah, that's what I spent the morning and most of the afternoon doing. Thanks, Lyn. [wry smile]

Angie, who was finally able to break away and is going to do her best to forget that response videos exist because otherwise she'll get nothing else done for the rest of the year

Saturday, July 13, 2019

Washington Storming the Airports, Take 2

Reposting, since the first one had a broken link. :P

******

From Josh Palmatier at Zombies Need Brains press:

==========

In a fit of insanity, Zombies Need Brains has launched a spur-of-the-moment Kickstarter for an "absurd, surrealistic" alternate history anthology called RAMMING THE RAMPARTS, inspired by the President's July 4th speech which included the Army "taking over the airports" during the Revolution. What if there had been airports during that war? Absurd! George Washington was not a fighter pilot! There was no "Battle at LaGuardia Baggage Claim"! And yet...

This anthology asks authors to explore these and other absurd, surrealistic alternate histories. These DO NOT need to be based off of our current President's comments, either on July 4th or at any other time. However, I'd like to see at least a few stories based off of airports during the Revolution. I'd like to keep the stories set around that era, actually, so the 18th Century or so, although this is not a hard and fast rule.

Backers of this project will essentially be generating the base funds needed to produce an ebook of the anthology—including payment for the contributing authors, payment for the cover artist, production costs for producing the anthology, etc. Confirmed anchor authors include:



== Gerald Brandt


== David B. Coe


== Esther Friesner


== Elektra Hammond


== Nancy Holzner


== Rhondi Salsitz


== Steven H Silver


== Alan Smale


== Harry Turtledove

This is a "quick and dirty" Kickstarter from Zombies Need Brains, so at the moment there is no cover art. Stretch goals will include expansion of the anthology beyond the initial 9 authors to include stories from an open call and possibly a paperback version of the book. We offer professional pay rates. As we did in our previous anthologies, we plan to include the very best stories we can find, including an open submission window if the Kickstarter is successful and reaches certain stretch goals, where anyone can submit their stories featuring the current theme for a chance to be part of the anthology.

So, if you'd like to see an alternate history anthology with a mash-up of absurd historical facts, swing on by the Kickstarter and become a backer! This is only running for 7 days and the only way I can foresee this working out is if it somehow ends up going viral, so share it with your friends!

==========

I was a history major at uni, and I really want to write for this. :D The Kickstarter is only going for a week, so please share this and/or support the campaign! This is going to be awesome, folks!

Angie

Monday, July 8, 2019

Anthology! Washington Storming the Airports!

From Josh Palmatier at Zombies Need Brains press:

==========

In a fit of insanity, Zombies Need Brains has launched a spur-of-the-moment Kickstarter for an "absurd, surrealistic" alternate history anthology called RAMMING THE RAMPARTS, inspired by the President's July 4th speech which included the Army "taking over the airports" during the Revolution. What if there had been airports during that war? Absurd! George Washington was not a fighter pilot! There was no "Battle at LaGuardia Baggage Claim"! And yet...

This anthology asks authors to explore these and other absurd, surrealistic alternate histories. These DO NOT need to be based off of our current President's comments, either on July 4th or at any other time. However, I'd like to see at least a few stories based off of airports during the Revolution. I'd like to keep the stories set around that era, actually, so the 18th Century or so, although this is not a hard and fast rule.

Backers of this project will essentially be generating the base funds needed to produce an ebook of the anthology—including payment for the contributing authors, payment for the cover artist, production costs for producing the anthology, etc. Confirmed anchor authors include:



== Gerald Brandt


== David B. Coe


== Esther Friesner


== Elektra Hammond


== Nancy Holzner


== Rhondi Salsitz


== Steven H Silver


== Alan Smale


== Harry Turtledove

This is a "quick and dirty" Kickstarter from Zombies Need Brains, so at the moment there is no cover art. Stretch goals will include expansion of the anthology beyond the initial 9 authors to include stories from an open call and possibly a paperback version of the book. We offer professional pay rates. As we did in our previous anthologies, we plan to include the very best stories we can find, including an open submission window if the Kickstarter is successful and reaches certain stretch goals, where anyone can submit their stories featuring the current theme for a chance to be part of the anthology.

So, if you'd like to see an alternate history anthology with a mash-up of absurd historical facts, swing on by the Kickstarter and become a backer! This is only running for 7 days and the only way I can foresee this working out is if it somehow ends up going viral, so share it with your friends!

==========

I was a history major at uni, and I really want to write for this. :D The Kickstarter is only going for a week, so please share this and/or support the campaign! This is going to be awesome, folks!

Angie

Saturday, June 29, 2019

Peeking Through a Crack in the Door of Licensing

If you write fiction, read Kris Rusch's business blog for this week, on licensing.

This is a whole 'nother way of looking at doing business with your fictional properties.

And as a side note, I've heard Kris and Dean mention here and there for years about how SFWA screwed them out of many thousands of dollars, but never heard the details. Now I know what happened. Wow. :/

But seriously, even if you don't feel you're in a position to take action on this right now, this is stuff you should know if you're a writer.

Angie

Monday, June 17, 2019

Anthology Markets

If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one. If you want to get an e-mail notification when the listing is posted, get the list a week early, or get a full listing of everything I've found (as opposed to the two months' worth I post here) a week early, you can support my Patreon.

Markets with specific deadlines are listed first, with "Always Open" and "Until Filled" markets (if any) at the bottom.

Markets open only to writers in a limited demographic are marked with a [NOTE:] from me, in italics, right after the main header.

There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

***

30 June 19 -- Chew on This! -- ed. Robert Essig; Blood Bound Books

Everything that is living EATS! Plants, animals, humans, aliens, monsters, sea creatures, they all eat in one form or another.

For the Chew on This! anthology we are looking for food-related stories, but we need you to dig deeper and get creative when it comes to the substances that keep us alive. Food should be integral to the story in some way, but not the entire focus. The plots can revolve around a wide range of cultures and belief systems, science and superstition, settings in the future or past. Above all we want stories that are macabre, scary, unsettling, and even gross. There's room for every subgenre of horror from quiet and unsettling physiological tales to extreme and bizarro. Well written, imaginative, frightening, and unique perspectives that make readers afraid to visit restaurants, try cuisine in a foreign lands, attempt new cooking recipes, etc.

Food Allergies:

== Cannibal stories- Sure they’re good enough to eat but not for this anthology.

== No zombies, werewolves, vampires, or other well-tread tropes. If it’s off the dollar menu we won’t be ordering.

== Pizza stories. We love a good pie but don’t want past anthology leftovers.

== Predator and prey without any substance. Reasoning is the seasoning!

== Fan fiction. Give us a fresh recipe!

Ingredients:

== Email: chewonthissubmissions@gmail.com

== Subject: Chew on this: Story Title by Author Name

== Length: 3k - 7K

== Multiple Submissions: No

== Simultaneous Submissions: No

== Reprints: No

== Format: Doc or Docx

== Payment: 3 cents per word

***

30 June 19 -- Funny Queer -- Qommunicate Publishing

Seeking humorous original work by and/or about LGBTQ+ people and lives. This is a positive publication celebrating the LGBTQ+ community through the lens of humor. Only pieces supporting this mission will be considered. No homophobic, transphobic or hateful material will be considered.

This premiere edition of our first LGBTQ+ humor anthology will be published in print & ebook. It will be made available in paperback on Amazon, the Barnes & Noble website, QommunicatePublishing.com and wherever books are sold (available to booksellers and libraries through Ingram.) Ebook versions will be compatible with the Amazon Kindle, Barnes & Noble Nook, Kobo, iOS, Android, MacOS, and Windows devices in addition to PDF and other downloadable formats and web-viewable formats.
Submission Guidelines

Please read the following submission guidelines carefully before submitting your work to Funny Queer. If you have any questions not answered below, please write us at submissions@qommunicatepublishing.com and we will be happy to answer.
Theme

Humor by and/or about LGBTQ+ people. The only criteria is it makes us laugh!

Genres:

Anything meeting the theme, including:

== Fiction.
== Nonfiction.
== Jokes.
== Comics/graphic shorts (black and white only).
== Poems.
== Short scripts.

We will NOT consider:

== Erotica
== Work written for children

Length:

== Prose: up to 3,500 words
== Poetry: Up to 3 pages
== Comics & Scripts: up to 10 pages

These length recommendations are flexible.

Formats:

== All submissions must be typed. No handwritten submissions will be accepted.
== If you send your submission in, please do NOT mail us your only copy of your work. We can not be responsible for returning submissions.

Multiple Submissions:

== Multiple submissions (submissions of more than one work) are fine. Send us what you’ve got!

Simultaneous Submissions:

== Simultaneous submissions (submitting work you’ve already submitted–or are planning on submitting–elsewhere) are fine too.
== Please just be sure that if your submission gets accepted elsewhere, you contact us at submissions@qommunicatepublishing.com to withdraw it from consideration for More Queer Families: A LGBTQ+ True Stories Anthology.

Reprints:

== Reprints will NOT be considered.

Rights:

== We are seeking First English Anthology Rights and First World Anthology Rights in print and ebook formats.
== NOTE: These rights only allow the material to be used in the anthology and its reprints, and the writer retains all rights to their work not specified here (i.e. in the contract), including copyright to their work.
== We are also seeking, for all material, Non-exclusive Excerpt Rights (for the purposes of promoting the Anthology on the website).

Compensation:

== Contributors will receive, as a humble token of our appreciation, $5 per printed page.

[NOTE: There's no way to tell exactly how many cents/word they'll be paying; it depends on the size of the pages, the size of the typeface, and the density of the writing on any given page. (A page with many short lines of dialogue will have a lot fewer words than a page full of long paragraphs of description or narration.) A standard manuscript page is counted as approximately 250 words, which works out to about 2 cents per word. I'm assuming a "printed" page will be less than twice that, which means this market squeaks in just past my guidelines, to give them the benefit of the doubt. Keep this in mind, though, when you decide whether to sub here.]

What to Submit:

== Your submission
== A brief bio telling us something about you and (if applicable) any publishing experience
== At least one form of contact information (phone number, email, or mailing address. Please do not give a social media account handle as your only form of contact information.
== IMPORTANT: Pen names are acceptable. However, for contractual purposes, all submissions must also include the author’s legal name.

Where to Submit:

Submissions may be emailed to us at: submissions@qommunicatepublishing.com

or mailed to us at:
Qommunity
201 Lancelot Lane
Becket, MA 01223

AGAIN, MAILED SUBMISSIONS WILL NOT BE RETURNED

Response Time:

== We do our best to respond to all submissions within 3 months of receiving them. If you haven’t heard from us in that time, please feel free to reach out.

***

30 July 19 -- Not Far From Roswell -- ed. Kelly A. Harmon and Vonnie Winslow Crist; Pole to Pole Publishing

[NOTE: The deadline for this book is 30 July OR WHEN FILLED. If you want to submit, don't wait till the last minute.]

Pole to Pole Publishing is seeking short, original fiction for its upcoming anthology, Not Far from Roswell, to be published October 2019.

Not Far From Roswell will contain dark stories of aliens, alien abduction, alien experimentation, cows, paranormal investigation and more -- let your imagination be your guide. We may also include one or two humorous pieces as long as the material is dark.

Update: We're looking for more stories that take place on Earth and have a strong connection to Roswell.

Stories should be 3,000-5,000 words (firm).

Hard Sells:

Profane and vulgar language. Because we market to both adult and YA readers, if you use an F-Bomb, and we accept your story, we’ll probably ask you to change it.

First person and Present Tense. We’ve published both: when the stories were very, very good. We want to let you know up front that we’re going to reject this most of the time. It’s just not our preference.

Excessive Gore and/or violence. Blood and guts are fine—as long as they’re part of the story and not the story itself.

Sex. See above about marketing to a wider audience.

Edition and Rights:

Not Far From Roswell will be published in electronic and trade paperback in English. We are asking for exclusive, worldwide rights to your work for both electronic and print for six months only, and a non-exclusive right to keep your story in the anthology after that. The anthology may be included with other "Dark Stories Anthologies" in bundles.

Payment: Payment is 2¢ per word, paid at publication, via PayPal only.

If you do not have a PayPal account, please do not submit your work.

Authors will also receive one copy of both the electronic and paperback versions of the anthology. (Authors can buy additional books at a discount.)

What We Don’t Want:

No rape, torture, etc. of children. No animal abuse. No stories with characters from a copyrighted world that belongs to someone else. No reprints. No Poetry. Only one story from each author will be considered.

Formatting:

No tabs. Please format the document with a first line indent.

Curly quotes, please—no straight quotes.

If you’re not sure if your story is suitable, don’t query; just go ahead and submit, and let our editors decide. (Word count is firm, however.)

Deadline: July 30, 2019, or until filled. Be aware that all of our anthologies have filled before the deadline, so don’t wait until the last minute to submit.

***

31 July 19 -- Blasphemous Rumors -- ed. David Barnett and Regina Garza Mitchell; Necro Publications

Blasphemous Rumors is a themed anthology of religious horror stories edited by David Barnett and Regina Garza Mitchell. We are seeking dark short stories that focus on religion or spirituality, stories that may be considered blasphemous by the standards of your religion of choice. We are looking for quality dark fiction, not hate-filled rants against religion.

Technical Details: Stories should be formatted in standard manuscript submission format. Stories should be no longer than 5000 words and should be original. Reprints are not accepted. We will not accept simultaneous or multiple submissions.

PAYMENT: $.03 per word up to 5000 words plus two copies of the trade paperback.

Stories should be submitted as an attachment to: blasphemoussubs@gmail.com

Examples of Blasphemy: The term blasphemy refers to saying something about God that is disrespectful. It can also refer to degrading religious concepts or literature. Blasphemy can be included in speech, an act, writing, music, or art.

Blasphemy in Everyday Life:

== Some consider rapper Kanye West's album name "Yeezus" and his consideration of himself as equal to Jesus to be blasphemous.
== Burning a religious document such as the Bible or the Qu'ran is considered blasphemy.
== Vandalizing a church is a form of blasphemy.
== Worshipping Satan is blasphemous.
== Committing suicide is a form of blasphemy.
== To state that God is unkind, unjust or cruel is a blasphemous.
== Artist Andres Serrano created what he called artwork by submerging a plastic replica of the crucified Jesus Christ in a container of his own urine and photographing it as a means, he stated, of exposing the ills of religion. However, this 1987 piece of work was considered highly blasphemous and was destroyed in 2011 during protests in France. The name of the work was Piss Christ.
== In the popular television show, Sex and the City, one episode featured what some considered to be blasphemous artwork. The episode revolved largely around a painting of a woman, crucified as Jesus Christ was, featured in a New York gallery.
== Pastor Terry Jones is the head of a church in Florida who, in 2010, is considered blasphemous of Islamic religion due to his suggestion to hold a "Burn the Qu'ran Day," his publication of a book entitled Islam Is of the Devil, and his purveyorship of shirts and cups that spread the same message.
== The animated American television show, The Simpsons, has been taken to task for blasphemy after broadcasting episodes in which the devil purportedly was bullying God, amongst various other perceived blasphemies.
== Also under fire for broadcasting blasphemous language is the American animated comedy, Family Guy. Known for its offbeat humor, Family Guy featured Jesus in one particular episode that painted Him in a perverted manner, causing a firestorm of protest.
== Islam's Prophet Mohammad is often the source of blasphemy. His image, according to Islamic law, is not to be printed yet many cartoonists and others around the world have been considered blasphemous for doing so. In 2006, Norwegian and Danish newspapers faced serious backlash and threats of retribution from Islamic nations for printing cartoons that featured Prophet Mohammad. While the act of printing the cartoons, themselves, would have been considered blasphemy unto itself, the cartoons also featured the Prophet in poses that were considered "unflattering," particularly one in which the Prophet's image was made to look like a terrorist.
== In 2010, American animated comedy South Park, also produced images of the Prophet Mohammad in an episode that featured the Prophet as a bear mascot. Angered by the perceived blasphemy, one Islamic website threatened the producers of the show for what they deemed as a high level of disrespect for the Prophet.

Now you have seen many different examples of blasphemy.

***

31 July 19 -- Monsters in Spaaaace! -- The Dragon's Roost Press

[NOTE: The deadline for this book is 31 July OR UNTIL FILLED. If you have a great idea for a story, don't procrastinate in writing and subbing, or you might find that they've closed the book early, or that they've already accepted too many stories about the monster you've chosen.]

2019 marks the 40th anniversary of one of the greatest horror movies of all time: Alien. Yes, it is a horror movie, but set in space. There are also plans for a new branch of the military -- in space.

We’ve explored loneliness, isolation, and solitude in our first anthology. We Put the Love Back in Lovecraft in our second anthology. We explored the creatures of cryptozoology in our recent pair of anthologies. Now we will go where all good series eventually go...

...to space.

What We Want:

Finely crafted works of Dark Speculative fiction which feature one (or more) classic monsters. Vampires, mummies, creatures built from dead body parts, lycanthropes, mad scientists, and zombies -- yes, even zombies -- but we want to see them in space.

We want to see these creatures floating around in zero g, attacking astronauts and colonists, and generally menacing those brave enough to go beyond the confines of our pale blue dot.

Each story must take place somewhere other than the Earth. It can happen on a spaceship, on a colony, on a new terraformed planet. There should be humans involved, but they do not have to be the protagonists.

Each story must also feature (at least) one classic monster. We are looking for new takes on the old classics. Feel free to explore, but they should still be recognizable to the average reader.

What We Don’t Want:

Actual characters from other books or films. As much as we love the idea of Dracula in Space, we are pretty sure that Universal owns the rights to that particular vampire. The vampire doesn’t have to be Dracula in particular (for example: Bubba Ho-Tep has a great mummy, but not THE mummy).

We don’t like being sued.

Retreads of Alien/Aliens/etc. We love the Xenomorph, but we are looking for new interpretations of old monsters. The Xeno is only 40. That’s not old.

On a related note, stories where small bands of humans have to fend off a horde of creatures are going to be a hard sell. We love Aliens, but it’s really more of a sci-fi action movie. We’re looking for horror. We want you to evoke that sense of fear that will make us want to turn on a light and pull the covers up.

Important Note: We are looking for monsterial diversity. In other words, we don’t want a whole anthology filled with the same creatures. Two of the same may work, but not more than that. The earlier you submit, the earlier you can nail down that monster.

The Specifics: We are looking for short fiction up to 6,000 words. While we prefer original material, we will consider reprints. Please query before submitting reprints (editor@thedragonsroost.net). Naturally, we will only consider stories which you retain the rights to. Please provide original publication information for all reprints. Fan Fiction, Slash Fiction, and any other material containing characters or setting which you did not create, are not acceptable. Submissions should follow standard format. For an example of what we are looking for in terms of formatting, please visit link. The only addendum to this is that the editor prefers Times New Roman.

Please edit your material carefully. Common spelling errors (they’re/their/there, your/you’re) may be acceptable in social media posts, but not in works submitted for publication.

Word (.doc/.docx) format is preferred, but we will also accept submissions in Open Office (.odt), Pages (pages), and Rich Text Format (.rtf). Send your stories to submissions@thedragonsroost.net. In the subject line of your e-mail list "Monster in Space," the title of your story, and your last name. For example:

Monsters in Space / Really Awesome Story / I. M. N. Alien

E-mails which do not follow this format will be deleted unread.

Provide a short (500 words or less) biography in the body of your e-mail. Also, feel free to describe why you chose the particular monster that you did.

We are looking for North American Print and Digital Rights. Rights revert back to the author upon publication. Submissions accepted until 31 July 2019 or until filled. Our previous anthologies have each closed to submissions a month or more before the deadline. For this book, we are only looking for 13 - 15 stories. Don’t delay, start writing today!

Please wait four weeks before querying.

Multiple submissions are OK, but please wait until you have received a response on your first piece before submitting your second. Simultaneous submissions: no.

Estimated publication date Fall 2019 via POD (KDP) and on various digital formats.

At this time payment is three cents per word ($0.03/word) plus one contributor’s copy and one digital version in the format of the author’s choosing. We will be running a crowd sourcing campaign with the goal of providing higher monetary recompense to our authors. As with our previous anthologies, this is a charity anthology to raise money for the canine rescue organization Last Day Dog Rescue.

Note to New Authors: Most publications seek First North American Rights. While you may be able to sell your story again as a reprint, publication in this anthology may limit your story’s future marketability and may affect the amount of money you will be able to receive from other markets. Please take this into consideration before submitting.

***

10 August 19 -- Longevity -- Third Flatiron

NOTE: reading period opens 10 July. Don't submit before that date.

Legends tell of people who lived a long time, like Methuselah. Some are just lucky (Lazarus Long), some have it thrust upon them (Lestat), some just naturally come by it (cats and bristlecone pines), and some rightfully earn their immortality (Shakespeare). Is life extension possible via diets or genetic manipulation, and will there be side effects? Give us your speculative take (SF/F/H) on longevity and how it is achieved.

Reading period: July 10 - August 10, 2019
Publication date: October 15, 2019

Stories should be submitted in either Microsoft Word (using double spacing), RTF, or plain text. They should be between 1,500 and 3,000 words. Flash humor pieces (Grins and Gurgles) should be short, around 600 words.

Please don't send simultaneous or multiple submissions. If a story has been rejected, you can then send another (limit 2 per reading period).

Submit by email to:

flatsubmit@thirdflatiron.com

either as an attachment (Word, RTF) or in the body of the mail (text).

In the Subject: line of the email, please put:

flatsubmit:Title_of_Your_Work

to avoid being deemed a canned meat product based on ham.

If the work is for the humor section, please note that in the body of your email. A brief bio and a one- or two-sentence synopsis in the body of your email would also be helpful to us.

Use the following template (basically, follow William Shunn's Standard Manuscript Format):

Your Name

Address (mailing)

Email address

Word count

[10 blank lines]

Title

Byline

Body of story

--------

Our response time is expected to be about 8 weeks (or less if the writer deadline is coming up soon).

REMUNERATION

As of: November 1, 2016

Your story must be original work, with the digital rights unencumbered. Accepted stories will be paid at the flat rate of 6 cents per word (U.S./SFWA professional rate), in return for the first publication rights to the story for six months after publication. All other rights will remain with the author. We no longer offer royalties. If your story is selected as the lead story, we request permission to podcast the story as a free sample portion of the anthology. We welcome new writers.

Third Flatiron will price and market your story to various e-publishing venues. We will format the story for the most popular electronic readers and platforms. You agree that we may distribute a sample (portion of the story) to potential customers.

For non-U.S. submissions, we prefer to pay via PayPal, if you have such an account.

Most books (except "year's best" collections) will be available for sale in trade paperback.

Authors selected for publication will also be entitled to one free online copy of the anthology.

***

31 August 19 -- Little Girl Lost -- ed. Ronald Linson and Deirdre J. Owen; Mannison Press

[NOTE: The deadline for this book is 31 August OR WHEN FILLED. If you want to submit a story, don't wait until the last minute or you might find it's closed early.]

Publication format: print (POD), digital

Word count for submissions: 2,000-7,500 (with exception; see below)

Compensation: authors will receive a free contributor copy (print and digital) as well as a modest monetary compensation; details below.

LITTLE GIRL LOST: THIRTEEN TALES OF YOUTH DISRUPTED will be an anthology of original stories centering around the idea of the lives of young girls being disrupted in some way. It could be through vanishing mysteriously, experiencing a life-altering event, or… ? We are seeking well-written, imaginative tales that explore this idea to its fullest. Use your own interpretation as to the meaning of ‘lost.’ Surprise us!

We are seeking original, previously unpublished stories of the highest quality between 2,000 and 7,500 words. We are willing to look at stories up to (but not exceeding) 10,000 words, but they are less likely to be accepted. There are a few slots open for reprints, however (see "Reprints" below).

GENRE: Your story can be in any genre so long as it fits the theme of the anthology, with the firm exception of erotica/pornography.

Subjects we WILL NOT accept include (but are not limited to):

== Erotica or pornography
== Pedophilia or bestiality
== Depictions of rape
== Graphic descriptions of sexual activity involving persons under the age of eighteen (18)
== Gratuitous or excessive violence or gore
== Racism, bigotry, or slander towards anyone
== Fan Fiction

(If you are unsure whether your story crosses any lines, please feel free to submit it anyway. Decisions will be made on a case by case basis.)

SUBMITTING: Please send your submission to mannisonpress@gmail.com as an attachment. The subject line must read: "LGL [title of story], [your name]"

In the body of the email, please provide a brief cover letter which must include your name, pen name (if you use one), the title of your story, the word count, and a short bio.

Stories should be carefully edited and polished. Excessive amounts of typos and grammatical errors will count against you.

No multiple or simultaneous submissions. However, once you have received a response you are welcome to submit another story.

Submissions must be in English.

REPRINTS: We have a few slots available for reprints. If you have a story that you feel would be a good fit for LITTLE GIRL LOST that was previously published, please submit it. Simply note that it is a reprint in your cover letter, tell us when and where it was previously published, and confirm that you retain all rights to the work.

FORMAT: Manuscripts should be sent as an email attachment. Please submit your work in .doc, .docx, or .rtf format, 12 point font, Times New Roman or Garamond, and double spaced. Please put your name, contact information, and the word count at the top of the first page. DO NOT paste your story into the body of the email; this will result in an immediate rejection.

PUBLICATION: Print on Demand and ebook formats will be published via KDP (including expanded distribution) and Smashwords. Kindle Select will not be enabled to allow for multi-platform publication. Our goal for publication is mid-October 2019.

RESPONSE TIME: We will respond to all submissions within three to four weeks of receipt. If you do not receive a response after six weeks, please send your inquiry to mannisonpress@gmail.com with "QUERY" and your story title in the subject line.

(If you do not receive acknowledgement of your submission within 48 hours, please check your junk mail folder. If you still have not received confirmation of receipt, please feel free to reach out to us at the email above or through our Contact page.)

COMPENSATION: Authors will receive free contributor copies (one print and one digital) and a payment as yet to be determined. Monetary compensation will be dependent upon the outcome of the crowdfunding campaign associated with the project. Our tentative crowdfunding goal is to be able to pay our authors $0.02/word (two cents per word, USD). If we exceed our crowdfunding goals, this rate will increase accordingly. Payment will be issued upon publication.

Our tentative goal for the crowdfunding campaign is currently $1,500 (USD). This may increase if there is sufficient public interest in the project prior to the launch of the campaign. Mannison Press will allocate 80% of the crowdfunding proceeds for author compensation. The remaining 20% will go toward fulfilling supporter rewards and to cover production costs. Updates will be posted to keep our prospective contributors informed.

As the editors of Little Girl Lost, Ronald Linson and Deidre J Owen will each be contributing a story of their own to the anthology. However, they will not be claiming any author compensation from the proceeds of the crowdfunding campaign.

RIGHTS AND EXCLUSIVITY: Authors must hold all rights to their work at the time of submission. Mannison Press will ask for worldwide first print and first digital rights, exclusive for six months; rights shall be reverted back to the author six months after initial publication. Mannison Press then retains continuing rights to print the anthology, but authors are welcome to publish their story in other markets moving forward (with the understanding that the anthology may still be in print with Mannison Press).

If you have any questions, please feel free to contact us at mannisonpress@gmail.com.

***

If you've found this listing useful, and especially if you've sold a story to a market you found here (score!) I'd love to hear about it. You can e-mail me at angiepen at gmail dot com.

If you'd like to support these listings in a more concrete way, here are a couple of ways to do it:

Become a Patron!

Wednesday, May 15, 2019

Anthology Markets

If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one. If you want to get an e-mail notification when the listing is posted, get the list a week early, or get a full listing of everything I've found (as opposed to the two months' worth I post here) a week early, you can support my Patreon.

Markets with specific deadlines are listed first, with "Always Open" and "Until Filled" markets (if any) at the bottom.

Markets open only to writers in a limited demographic are marked with a [NOTE:] from me, in italics, right after the main header.

There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

NOTE: I've seen reports from various places that Future Visions has been unresponsive or mostly so for a while. Current mean average waiting time for pending submissions on Duotrope is 213 days, and the median is 240, with over 50% of submissions in the last 12 months reported as either "Never Responded" or "Withdrawn." ("Withdrawn" usually means the writer got tired of waiting.) This was always kind of experimental, so I'm removing it from the listing. It's closed to submissions right now anyway; if they can clear out their backlog and improve their processes, I'll consider including it again. Until then, it's just dead space, so it's gone.

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3 June 19 -- Recognize Fascism! -- Crossed Genres

Submissions are now open for our second micro-anthology, Recognize Fascism!

There will be a short crowdfunding project, and assuming it’s successful, we will publish Recognize Fascism! in fall of 2019.

FICTION SUBMISSION GUIDELINES

We’re looking for personal stories of the moment when people see the fascism in front of them for what it is, accept it as real, and make the choice to fight it. Who are the canaries in the coal mine? When can the long-hidden voice no longer be ignored?

== Word Count: 250-5000 (FIRM)
== .doc, .docx or .rtf files only
== Times New Roman or Arial font preferred
== Name, contact information and submission word count on the first page
== No simultaneous submissions. No reprints.

PAY RATE & RIGHTS

Pay will be $0.08 per word (possibly more, depending on crowdfunded stretch goals). Authors will also receive a gratis print and ebook copy of the anthology.

Crossed Genres takes first worldwide English-language ebook and print rights, exclusively for one (1) year, and non-exclusively for an additional four (4) years. There will be an option to extend the non-exclusive rights for additional compensation.

[NOTE: Click through to submit; the submissions form is at the bottom of the guidelines page.]

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14 June 19 -- Across the Universe -- ed. Michael A. Ventrella and Randee Dawn

The anthology I am co-editing, Across the Universe, is now open for submissions!

Through a Kickstarter campaign, we were able to raise enough to go ahead with this project, and we have confirmations from authors Spider Robinson, David Gerrold, Jonathan Maberry, Alan Goldsher, Cat Rambo, Keith DeCandido, Jody Lynn Nye, Lawrence Watt-Evans and Gail Z. Martin with notes by Janis Ian and Nancy Holder.

We should have room for a few extra stories as well. But only a few.

Book Theme:

The theme of the anthology is "The Beatles – What if?" What if Brian Epstein hadn't managed the band? What if George Harrison hated sitar music? What if Ringo had been the true star of the band all along? What if the Beatles had been aliens? Or magic users? Or zombies? Or American?

Story Concepts: What to Avoid

The confirmed authors have already begun their stories, so please avoid the following ideas:

== Beatles as zombies
== Beatles as super heroes
== Beatles as time travelers
== Beatles as "the Scooby Doo gang"
== Beatles as medieval fantasy adventurers
== Beatles as Tetrad wizards representing the elements
== Beatles as animatronic robots
== Beatles as paranormal investigators

This is not to say that you cannot do a variation on these, but keep in mind that if we get more than one story with the same theme, your chance of having your story accepted is reduced. That said, do not contact us with your idea first. After all, two authors can take the same basic idea and produce completely different stories.

Story Length:

The story should be no more than 4,000 words. This should be sufficient for what should most likely be a somewhat humorous tale. A 'short story' should be defined as not less than 1,000 words for the purpose of this book; we want you to write the story at the length it most makes sense, but we are not publishing drabbles or flash fiction, and prefer stories in the 2,000 – 4,000 range. This is not a strict cut-off, though.

Payment is $200 a story, so there is no advantage to padding your story. Take as many words as you need to make a great story, but if it is too long, it had better be so great that we can't refuse it. A good but padded story may get rejected over a concise, fast-moving one, because we want to fit in as many stories as possible.

No reprints. And only one submission. If you have two stories, send your best.

I’m Unpublished. Can I submit?

Yes! We encourage that. But you will still face the same standards for submissions as the published authors. (Pro tip: Check your spelling and grammar.)

Formatting:

Submit your story in 12-point, Times New Roman/Times Roman font, double-spaced.

If you have questions about other formatting (like setting up the story’s first page, and page numbering), refer to Shunn’s manuscript formatting guide.

The file should be RTF, not Word or DocX or anything else. The first page should be your cover letter – keep it brief – which will include your contact information and a 50-75 word bio. List previous publications or relevant experience in the bio.

Email:

Send your complete story/cover letter to WhatIfBeatlesAnthology@gmail.com – do not send to Michael or Randee personally. Your bio and story should be in the same document. We will accept submissions until June 14. Please continue to check this space for any updates. We will do our best to contact everyone who submits, but if you have not heard from us by August 1, you can safely assume that your story was not accepted.

[NOTE: Click through to the original guidelines page for a lengthy discussion of copyright issues.]

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30 June 19 -- SNAFU: Last Stand -- ed. Amanda J Spedding, Matthew Summers, and Geoff Brown; Cohesion Press

WHAT WE WANT:

Military action-based last-stand horror, and lots of it.

Think 300, the Alamo, the Battle of Mirbat, the First Battle of Mogadishu, the Battle of Hel, or Custer’s Last Stand (but with unnatural monsters)… anything that can be called a high-action potentially-last stand monster story. For level of unnatural creature we will give priority to, think Dog Soldiers or Aliens. We want lots of monster goodness.

We will also be looking for soldiers, mercs, police, private security/paramilitary. Hell, even a group of bodyguards protecting some arsehole druglord on his jungle property.

Just ensure the last stand aspect is both overt and unique, and don’t forget monsters!

This volume is like the previous volumes squared. All action.

We want extreme action, and it has to be military or paramilitary action.

And to say it again, full action. Nothing less. Hoo-rah!

Introduction by Tim Miller (Deadpool, Terminator, Love, Death & Robots)

Payment: AUD5c/word and one contributor copy in each format released.

Wordcount range: 2,000 – 10,000 words (query for shorter or longer)

Submissions open April 1 2019.
Closing date is June 30th 2019
Anything submitted outside this period will be deleted without being read or replied to.

No selections will be made until after the period closes.
Projected publication date: Late 2019

Please follow these guidelines when submitting to us:

Please put your full contact details and word count top left of the first page of the manuscript.

Standard submission format, with minimal document formatting.

Courier, Palatino Linotype, or Times New Roman set at 12pt.

Italics as they will appear. No underlining. Double spaced.

Please don’t use TAB or space bar to indent lines. Use ‘styles’ only.

If unsure or using a program that has no styles, DO NOT indent at all. That’s still cool.

SEE HERE FOR MORE INFORMATION ON STYLES

NO SPACE between paragraphs unless a line-break is required. ONE SPACE after full stops.

Please put full contact details on the first page of the manuscript (yes, I said this twice… it’s important).

Send your submission to Geoff Brown at editor@cohesionpress.com as an attachment (.doc/.rtf only)

In the subject line of your email, please put Last Stand: [STORY TITLE] (Replace [STORY TITLE] with your actual story title. Yes, unfortunately I do need to say this)

NO MULTIPLE SUBMISSIONS
NO SIMULTANEOUS SUBMISSIONS
NO REPRINTS

Please include a brief ‘hello, this is who I am’ in your email body as a cover letter.

Blank emails with attachments will be deleted.

For a guide to standard submission format, see: http://www.shunn.net/format/story.html

The only variations to this format are that italics MUST appear as they will be used – no underlining – and again, only one space after a full stop.

Anyone that fails to follow these guidelines will likely see their story used to line kitty litter trays by Deadpool.

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30 June 19 -- Illicit -- Bronzeville Books

You’ve heard of illicit affairs, illicit sex, and illicit pictures. Bronzeville Books asks why our culture considers so many types of love, sex, and bodies illicit while we don't blink at the truly forbidden – theft, murder, fraud. In Illicit, the first erotic anthology from Bronzeville Books, we’re looking for stories that showcase the beauty of love once considered forbidden alongside actual crimes and criminal behavior. If you've got a kinky bank robber, a queer hitman looking for more than one way to score, or a disabled private eye looking to solve a case and get some lovin' along the way, we want your story. We want people, sex, and bodies not usually seen in mainstream ideas of sex and sexy, and we want tight, fun crime plots. Pro pay. 3,500 words or less.

Simultaneous submissions are accepted but we will not consider multiple submissions under the same name or a pseudonym.

Sex in stories must be consensual, no minors, no animals, no exceptions.

Send submissions to submissions.desk@bronzevillebooks.com with the subject line: ILLICIT SUBMISSION.

See https://www.shunn.net/format/novel.html for formatting instructions.

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30 June 19 -- Chew on This! -- ed. Robert Essig; Blood Bound Books

Everything that is living EATS! Plants, animals, humans, aliens, monsters, sea creatures, they all eat in one form or another.

For the Chew on This! anthology we are looking for food-related stories, but we need you to dig deeper and get creative when it comes to the substances that keep us alive. Food should be integral to the story in some way, but not the entire focus. The plots can revolve around a wide range of cultures and belief systems, science and superstition, settings in the future or past. Above all we want stories that are macabre, scary, unsettling, and even gross. There's room for every subgenre of horror from quiet and unsettling physiological tales to extreme and bizarro. Well written, imaginative, frightening, and unique perspectives that make readers afraid to visit restaurants, try cuisine in a foreign lands, attempt new cooking recipes, etc.

Food Allergies:

== Cannibal stories- Sure they’re good enough to eat but not for this anthology.

== No zombies, werewolves, vampires, or other well-tread tropes. If it’s off the dollar menu we won’t be ordering.

== Pizza stories. We love a good pie but don’t want past anthology leftovers.

== Predator and prey without any substance. Reasoning is the seasoning!

== Fan fiction. Give us a fresh recipe!

Ingredients:

== Email: chewonthissubmissions@gmail.com

== Subject: Chew on this: Story Title by Author Name

== Length: 3k - 7K

== Multiple Submissions: No

== Simultaneous Submissions: No

== Reprints: No

== Format: Doc or Docx

== Payment: 3 cents per word

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30 June 19 -- Funny Queer -- Qommunicate Publishing

Seeking humorous original work by and/or about LGBTQ+ people and lives. This is a positive publication celebrating the LGBTQ+ community through the lens of humor. Only pieces supporting this mission will be considered. No homophobic, transphobic or hateful material will be considered.

[NOTE: That "and/or" in the paragraph above is ambiguous. It sounds like they'll consider work from straight/cis writers so long as it's about LGBTQ+ characters. But maybe not. If you're straight/cis, you might query before submitting.]

This premiere edition of our first LGBTQ+ humor anthology will be published in print & ebook. It will be made available in paperback on Amazon, the Barnes & Noble website, QommunicatePublishing.com and wherever books are sold (available to booksellers and libraries through Ingram.) Ebook versions will be compatible with the Amazon Kindle, Barnes & Noble Nook, Kobo, iOS, Android, MacOS, and Windows devices in addition to PDF and other downloadable formats and web-viewable formats.
Submission Guidelines

Please read the following submission guidelines carefully before submitting your work to Funny Queer. If you have any questions not answered below, please write us at submissions@qommunicatepublishing.com and we will be happy to answer.
Theme

Humor by and/or about LGBTQ+ people. The only criteria is it makes us laugh!

Genres:

Anything meeting the theme, including:

== Fiction.
== Nonfiction.
== Jokes.
== Comics/graphic shorts (black and white only).
== Poems.
== Short scripts.

We will NOT consider:

== Erotica
== Work written for children

Length:

== Prose: up to 3,500 words
== Poetry: Up to 3 pages
== Comics & Scripts: up to 10 pages

These length recommendations are flexible.

Formats:

== All submissions must be typed. No handwritten submissions will be accepted.
== If you send your submission in, please do NOT mail us your only copy of your work. We can not be responsible for returning submissions.

Multiple Submissions:

== Multiple submissions (submissions of more than one work) are fine. Send us what you’ve got!

Simultaneous Submissions:

== Simultaneous submissions (submitting work you’ve already submitted–or are planning on submitting–elsewhere) are fine too.
== Please just be sure that if your submission gets accepted elsewhere, you contact us at submissions@qommunicatepublishing.com to withdraw it from consideration for More Queer Families: A LGBTQ+ True Stories Anthology.

Reprints:

== Reprints will NOT be considered.

Rights:

== We are seeking First English Anthology Rights and First World Anthology Rights in print and ebook formats.
== NOTE: These rights only allow the material to be used in the anthology and its reprints, and the writer retains all rights to their work not specified here (i.e. in the contract), including copyright to their work.
== We are also seeking, for all material, Non-exclusive Excerpt Rights (for the purposes of promoting the Anthology on the website).

Compensation:

== Contributors will receive, as a humble token of our appreciation, $5 per printed page.

[NOTE: There's no way to tell exactly how many cents/word they'll be paying; it depends on the size of the pages, the size of the typeface, and the density of the writing on any given page. (A page with many short lines of dialogue will have a lot fewer words than a page full of long paragraphs of description or narration.) A standard manuscript page is counted as approximately 250 words, which works out to about 2 cents per word. I'm assuming a "printed" page will be less than twice that, which means this market squeaks in just past my guidelines, to give them the benefit of the doubt. Keep this in mind, though, when you decide whether to sub here.]

What to Submit:

== Your submission
== A brief bio telling us something about you and (if applicable) any publishing experience
== At least one form of contact information (phone number, email, or mailing address. Please do not give a social media account handle as your only form of contact information.
== IMPORTANT: Pen names are acceptable. However, for contractual purposes, all submissions must also include the author’s legal name.

Where to Submit:

Submissions may be emailed to us at: submissions@qommunicatepublishing.com

or mailed to us at:
Qommunity
201 Lancelot Lane
Becket, MA 01223

AGAIN, MAILED SUBMISSIONS WILL NOT BE RETURNED

Response Time:

== We do our best to respond to all submissions within 3 months of receiving them. If you haven’t heard from us in that time, please feel free to reach out.

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30 July 19 -- Not Far From Roswell -- ed. Kelly A. Harmon and Vonnie Winslow Crist; Pole to Pole Publishing

[NOTE: The deadline for this book is 30 July OR WHEN FILLED. If you want to submit, don't wait till the last minute.]

Pole to Pole Publishing is seeking short, original fiction for its upcoming anthology, Not Far from Roswell, to be published October 2019.

Not Far From Roswell will contain dark stories of aliens, alien abduction, alien experimentation, cows, paranormal investigation and more -- let your imagination be your guide. We may also include one or two humorous pieces as long as the material is dark.

Update: We're looking for more stories that take place on Earth and have a strong connection to Roswell.

Stories should be 3,000-5,000 words (firm).

Hard Sells:

Profane and vulgar language. Because we market to both adult and YA readers, if you use an F-Bomb, and we accept your story, we’ll probably ask you to change it.

First person and Present Tense. We’ve published both: when the stories were very, very good. We want to let you know up front that we’re going to reject this most of the time. It’s just not our preference.

Excessive Gore and/or violence. Blood and guts are fine—as long as they’re part of the story and not the story itself.

Sex. See above about marketing to a wider audience.

Edition and Rights:

Not Far From Roswell will be published in electronic and trade paperback in English. We are asking for exclusive, worldwide rights to your work for both electronic and print for six months only, and a non-exclusive right to keep your story in the anthology after that. The anthology may be included with other "Dark Stories Anthologies" in bundles.

Payment: Payment is 2¢ per word, paid at publication, via PayPal only.

If you do not have a PayPal account, please do not submit your work.

Authors will also receive one copy of both the electronic and paperback versions of the anthology. (Authors can buy additional books at a discount.)

What We Don’t Want:

No rape, torture, etc. of children. No animal abuse. No stories with characters from a copyrighted world that belongs to someone else. No reprints. No Poetry. Only one story from each author will be considered.

Formatting:

No tabs. Please format the document with a first line indent.

Curly quotes, please—no straight quotes.

If you’re not sure if your story is suitable, don’t query; just go ahead and submit, and let our editors decide. (Word count is firm, however.)

Deadline: July 30, 2019, or until filled. Be aware that all of our anthologies have filled before the deadline, so don’t wait until the last minute to submit.

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31 July 19 -- Blasphemous Rumors -- ed. David Barnett and Regina Garza Mitchell; Necro Publications

Blasphemous Rumors is a themed anthology of religious horror stories edited by David Barnett and Regina Garza Mitchell. We are seeking dark short stories that focus on religion or spirituality, stories that may be considered blasphemous by the standards of your religion of choice. We are looking for quality dark fiction, not hate-filled rants against religion.

Technical Details: Stories should be formatted in standard manuscript submission format. Stories should be no longer than 5000 words and should be original. Reprints are not accepted. We will not accept simultaneous or multiple submissions.

PAYMENT: $.03 per word up to 5000 words plus two copies of the trade paperback.

Stories should be submitted as an attachment to: blasphemoussubs@gmail.com

Examples of Blasphemy: The term blasphemy refers to saying something about God that is disrespectful. It can also refer to degrading religious concepts or literature. Blasphemy can be included in speech, an act, writing, music, or art.

Blasphemy in Everyday Life:

== Some consider rapper Kanye West's album name "Yeezus" and his consideration of himself as equal to Jesus to be blasphemous.
== Burning a religious document such as the Bible or the Qu'ran is considered blasphemy.
== Vandalizing a church is a form of blasphemy.
== Worshipping Satan is blasphemous.
== Committing suicide is a form of blasphemy.
== To state that God is unkind, unjust or cruel is a blasphemous.
== Artist Andres Serrano created what he called artwork by submerging a plastic replica of the crucified Jesus Christ in a container of his own urine and photographing it as a means, he stated, of exposing the ills of religion. However, this 1987 piece of work was considered highly blasphemous and was destroyed in 2011 during protests in France. The name of the work was Piss Christ.
== In the popular television show, Sex and the City, one episode featured what some considered to be blasphemous artwork. The episode revolved largely around a painting of a woman, crucified as Jesus Christ was, featured in a New York gallery.
== Pastor Terry Jones is the head of a church in Florida who, in 2010, is considered blasphemous of Islamic religion due to his suggestion to hold a "Burn the Qu'ran Day," his publication of a book entitled Islam Is of the Devil, and his purveyorship of shirts and cups that spread the same message.
== The animated American television show, The Simpsons, has been taken to task for blasphemy after broadcasting episodes in which the devil purportedly was bullying God, amongst various other perceived blasphemies.
== Also under fire for broadcasting blasphemous language is the American animated comedy, Family Guy. Known for its offbeat humor, Family Guy featured Jesus in one particular episode that painted Him in a perverted manner, causing a firestorm of protest.
== Islam's Prophet Mohammad is often the source of blasphemy. His image, according to Islamic law, is not to be printed yet many cartoonists and others around the world have been considered blasphemous for doing so. In 2006, Norwegian and Danish newspapers faced serious backlash and threats of retribution from Islamic nations for printing cartoons that featured Prophet Mohammad. While the act of printing the cartoons, themselves, would have been considered blasphemy unto itself, the cartoons also featured the Prophet in poses that were considered "unflattering," particularly one in which the Prophet's image was made to look like a terrorist.
== In 2010, American animated comedy South Park, also produced images of the Prophet Mohammad in an episode that featured the Prophet as a bear mascot. Angered by the perceived blasphemy, one Islamic website threatened the producers of the show for what they deemed as a high level of disrespect for the Prophet.

Now you have seen many different examples of blasphemy.

***

31 July 19 -- Monsters in Spaaaace! -- The Dragon's Roost Press

[NOTE: The deadline for this book is 31 July OR UNTIL FILLED. If you have a great idea for a story, don't procrastinate in writing and subbing, or you might find that they've closed the book early, or that they've already accepted too many stories about the monster you've chosen.]

2019 marks the 40th anniversary of one of the greatest horror movies of all time: Alien. Yes, it is a horror movie, but set in space. There are also plans for a new branch of the military -- in space.

We’ve explored loneliness, isolation, and solitude in our first anthology. We Put the Love Back in Lovecraft in our second anthology. We explored the creatures of cryptozoology in our recent pair of anthologies. Now we will go where all good series eventually go...

...to space.

What We Want:

Finely crafted works of Dark Speculative fiction which feature one (or more) classic monsters. Vampires, mummies, creatures built from dead body parts, lycanthropes, mad scientists, and zombies -- yes, even zombies -- but we want to see them in space.

We want to see these creatures floating around in zero g, attacking astronauts and colonists, and generally menacing those brave enough to go beyond the confines of our pale blue dot.

Each story must take place somewhere other than the Earth. It can happen on a spaceship, on a colony, on a new terraformed planet. There should be humans involved, but they do not have to be the protagonists.

Each story must also feature (at least) one classic monster. We are looking for new takes on the old classics. Feel free to explore, but they should still be recognizable to the average reader.

What We Don’t Want:

Actual characters from other books or films. As much as we love the idea of Dracula in Space, we are pretty sure that Universal owns the rights to that particular vampire. The vampire doesn’t have to be Dracula in particular (for example: Bubba Ho-Tep has a great mummy, but not THE mummy).

We don’t like being sued.

Retreads of Alien/Aliens/etc. We love the Xenomorph, but we are looking for new interpretations of old monsters. The Xeno is only 40. That’s not old.

On a related note, stories where small bands of humans have to fend off a horde of creatures are going to be a hard sell. We love Aliens, but it’s really more of a sci-fi action movie. We’re looking for horror. We want you to evoke that sense of fear that will make us want to turn on a light and pull the covers up.

Important Note: We are looking for monsterial diversity. In other words, we don’t want a whole anthology filled with the same creatures. Two of the same may work, but not more than that. The earlier you submit, the earlier you can nail down that monster.

The Specifics: We are looking for short fiction up to 6,000 words. While we prefer original material, we will consider reprints. Please query before submitting reprints (editor@thedragonsroost.net). Naturally, we will only consider stories which you retain the rights to. Please provide original publication information for all reprints. Fan Fiction, Slash Fiction, and any other material containing characters or setting which you did not create, are not acceptable. Submissions should follow standard format. For an example of what we are looking for in terms of formatting, please visit link. The only addendum to this is that the editor prefers Times New Roman.

Please edit your material carefully. Common spelling errors (they’re/their/there, your/you’re) may be acceptable in social media posts, but not in works submitted for publication.

Word (.doc/.docx) format is preferred, but we will also accept submissions in Open Office (.odt), Pages (pages), and Rich Text Format (.rtf). Send your stories to submissions@thedragonsroost.net. In the subject line of your e-mail list "Monster in Space," the title of your story, and your last name. For example:

Monsters in Space / Really Awesome Story / I. M. N. Alien

E-mails which do not follow this format will be deleted unread.

Provide a short (500 words or less) biography in the body of your e-mail. Also, feel free to describe why you chose the particular monster that you did.

We are looking for North American Print and Digital Rights. Rights revert back to the author upon publication. Submissions accepted until 31 July 2019 or until filled. Our previous anthologies have each closed to submissions a month or more before the deadline. For this book, we are only looking for 13 - 15 stories. Don’t delay, start writing today!

Please wait four weeks before querying.

Multiple submissions are OK, but please wait until you have received a response on your first piece before submitting your second. Simultaneous submissions: no.

Estimated publication date Fall 2019 via POD (KDP) and on various digital formats.

At this time payment is three cents per word ($0.03/word) plus one contributor’s copy and one digital version in the format of the author’s choosing. We will be running a crowd sourcing campaign with the goal of providing higher monetary recompense to our authors. As with our previous anthologies, this is a charity anthology to raise money for the canine rescue organization Last Day Dog Rescue.

Note to New Authors: Most publications seek First North American Rights. While you may be able to sell your story again as a reprint, publication in this anthology may limit your story’s future marketability and may affect the amount of money you will be able to receive from other markets. Please take this into consideration before submitting.

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If you've found this listing useful, and especially if you've sold a story to a market you found here (score!) I'd love to hear about it. You can e-mail me at angiepen at gmail dot com.

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