Markets with specific deadlines are listed first, with "Always Open" and "Until Filled" markets (if any) at the bottom.
Markets open only to writers in a limited demographic are marked with a [NOTE:] from me, in italics, right after the main header.
There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.
***
30 April 19 -- Geek Out II! -- Qommunicate Publishing
[NOTE: Submissions open to LGBTQ+ writers only.]
Queer Pop Lit & Art
Geek Out! – Queer Pop Lit & Art will be published in print & ebook (compatible with the Amazon Kindle, Barnes & Noble Nook, Kobo, iOS, Android, MacOS, and Windows devices in addition to PDF and other downloadable formats and web-viewable formats.)
Submission Guidelines:
Please read the following submission guidelines carefully before submitting your work to Geek Out. If you have any questions not answered below, please write us at submissions@qommunicatepublishing.com and we will be happy to answer.
Theme:
= Where queer meets geek. Whatever you geek out about, we want to read it!
Genres:
= Genre Fiction (e.g. scifi, fantasy, western, noir, horror)
= Poetry: slam poems and non-traditional formats
= Creative Nonfiction (non-memoir based): opinion essays, topical articles, reviews, comedy
= Comics / Graphic short stories (black & white only)
= Scripts: short stage plays, teleplays, screenplays, video scripts, etc.
Not Looking For:
We are not looking for work in the following genres for this particular publication. (See our other Submission Guidelines homepage for other publications with upcoming deadlines seeking work in these genres.)
= Literary Fiction
= Memoir-based Nonfiction
= Traditional Poetry
Additionally, we rarely accept work in the following genres:
= Erotica*
= Work written for children
( * Look for an upcoming call for submissions for our new adult series “Pan’s Ex: Queer Sex Poetry” – coming soon!)
Length:
= Prose: up to 5,000 words
= Flash Non-fiction: 1 page or less
= Poetry: up to 3 pages (per poem)
= Comics & Scripts: up to 10 pages
= Submissions of longer than 10 pages must be numbered.
Formats:
= All submissions must be typed. No handwritten submissions will be accepted.
= If you send your submission in, please do NOT mail us your only copy of your work. We can not be responsible for returning submissions.
Multiple Submissions
= Multiple submissions (submissions of more than one work) are fine. Send us what you’ve got!
Simultaneous Submissions:
= Simultaneous submissions (submitting work you’ve already submitted–or are planning on submitting–elsewhere) are fine too.
= Please just be sure that if your submission gets accepted elsewhere, you contact us at submissions@qommunicatepublishing.com to withdraw it from consideration for Geek Out!
Reprints:
= Reprints will NOT be considered.
Rights:
= We are seeking First English Anthology Rights and First World Anthology Rights in print and ebook formats.
= NOTE: These rights only allow the material to be used in the anthology and its reprints, and the writer retains all rights to their work not specified here (i.e. in the contract), including copyright to their work.
= We are also seeking, for all material, Non-exclusive Excerpt Rights (for the purposes of promoting the Anthology on the website).
Compensation:
= Contributors will receive $5 per printed page.
[NOTE: There's no way to tell exactly how many cents/word they'll be paying; it depends on the size of the pages, the size of the typeface, and the density of the writing on any given page. (A page with many short lines of dialogue will have a lot fewer words than a page full of long paragraphs of description or narration.) A standard manuscript page is counted as approximately 250 words, which works out to about 2 cents per word. I'm assuming a "printed" page will be less than twice that, which means this market squeaks in just past my guidelines, to give them the benefit of the doubt. Keep this in mind, though, when you decide whether to sub here.]
What to Submit:
= Your submission
= A brief bio telling us something about you and (if applicable) any publishing experience
= At least one form of contact information (phone number, email, or mailing address. Please do not give a social media account handle as your only form of contact information.
= IMPORTANT: Pen names are acceptable. However, for contractual purposes, all submissions must also include the author’s legal name.
Where to Submit:
Submissions may be emailed to us at: submissions@qommunicatepublishing.com or mailed to us at:
Qommunity
201 Lancelot Lane
Becket, MA 01223
AGAIN, MAILED SUBMISSIONS WILL NOT BE RETURNED
Response Time:
= We will respond to all submissions by June 1, 2019.
***
30 April 19 -- Nox Pareidolia -- Nightscape Press
Nox Pareidolia will open to previously unpublished submissions on April 1st and will close to submission at the close of that month.
Payment
Payment will be 6 cents per word. I prefer shorter pieces but I will accept exceptional tales that are longer, however the payment will be capped 6,000 words.
Theme
The theme is heavily inspired by Robert Aickman's fiction. Initially, I envisioned a book of stories where it is ambiguous as to whether the nature of the horror/weird element is supernatural or not. But I've recently decided to make that a more openly interpreted theme of ambiguous horror/weird fiction. Whether it be ambiguously supernatural or whether what exactly has or is happening is ambiguous, or any creative idea playing off of ambiguity could be interesting to see explored. But the element that is ambiguous must be intrinsic to the story.
Formatting
Standard Shunn formatting is just fine, but we're finding more and more that we prefer single spaced manuscripts as we read submissions on our devices. And italics should preferably be italicized and not underlined. Single spaces between sentences is also a huge help when final formatting comes around. That said, we will not reject stories if the formatting isn’t perfect. First and foremost make it readable. And where stories require odd formatting for effect, certainly don’t change that on our account.
***
30 April 19 -- Hatchet Job -- ed. Jerry L. Wheeler; Lethe Press
This horror anthology, to be edited by Jerry L. Wheeler, seeks stories under 10,000 words that involve one of the traditional tropes of campfire tales and slasher films: the axe murderer. Stories need not focus solely on this antagonist, but all stories must somehow involve this threat or concept. Think Angela Carter's "The Fall River Axe Murders." Surprise us by breathing new life into this theme. That said, we anticipate most of the book will be reprints – for which we are offering 2 cents a word. Original work pays 4 cents a word but first query the editor with a synopsis.
Specs? Please submit Word docs only, standard formatting, 12 pt Times Roman to me at pfloydian806@gmail.com, using the title of the anthology as the subject line.
***
30 April 19 -- Common Bonds -- ed. Claudie Arseneault, C. T. Callahan, B. R. Sanders and RoAnna Sylver
[NOTE: Submissions open to LGBTQ+ writers only.]
Common Bonds is an upcoming anthology of speculative short stories and poetry featuring aromantic characters. At the heart of this collection are the bonds that impact our lives from beginning to end: platonic relationships. Whether with family, mentors, friends, colleagues, or found family, these links pepper our lives and their importance is often overlooked. We seek to highlight the various ways platonic relationships can enrich us. Furthermore, we want to explore the way aromantic people often redefine the relative importance of these platonic bonds, centering them in their lives over romantic ones. We dream of sisters on a roadtrip through space, of queerplatonic partners hunting dragons, of an alchemy teacher changing the course of their student's life, and of neighbours supporting each other through the apocalypse.
While it is not a requirement, we are particularly eager to receive submissions from aromantic writers, especially those who sit at the intersection of another marginalization. Regardless of whether they are aromantic, we will be thrilled to consider submissions from marginalized and under-represented groups in speculative fiction, including but not limited to people of colour, Indigenous people, disabled, chronically ill and/or neuroatypical people, as well as LGBTQIAP+ people. You do not have to disclose your marginalizations in the cover letter but are welcome to do so.
We’re looking for short stories between 3,000 to 6,000 words or poems of up to 100 lines. Both original fiction and reprints are welcome. Submissions must have a canon aromantic character and center a non-romantic relationship. This includes non-romantic relationships with a sexual component. While we welcome submissions with darker elements to them, we are ultimately looking for stories give space to the positive impact of these relationships.
Fiction will be paid at a rate of 6¢/word. Reprints will be paid 2¢/word. Poems would be paid a flat rate of $40. All of these are in USD, and these rates reflect the fact we have met our Kickstarter stretch goal to pay our writers better (yay!).
We will ask for worldwide digital and print rights (first exclusive for original pieces, non-exclusive for reprints).
No multiple submissions, although you're welcome to try with another story if a first submission was refused. Simultaneous submissions are allowed, but let us know the story has been submitted elsewhere.
Please send your submissions in .doc, .docx, or .rtf to commonbondsantho@gmail.com with "[SUBMISSION]" in the e-mail title. If the story has an unusual formatting you wish to preserve, you may also include a PDF.
***
14 June 19 -- Across the Universe -- ed. Michael A. Ventrella and Randee Dawn;
The anthology I am co-editing, Across the Universe, is now open for submissions!
Through a Kickstarter campaign, we were able to raise enough to go ahead with this project, and we have confirmations from authors Spider Robinson, David Gerrold, Jonathan Maberry, Alan Goldsher, Cat Rambo, Keith DeCandido, Jody Lynn Nye, Lawrence Watt-Evans and Gail Z. Martin with notes by Janis Ian and Nancy Holder.
We should have room for a few extra stories as well. But only a few.
Book Theme:
The theme of the anthology is "The Beatles – What if?" What if Brian Epstein hadn't managed the band? What if George Harrison hated sitar music? What if Ringo had been the true star of the band all along? What if the Beatles had been aliens? Or magic users? Or zombies? Or American?
Story Concepts: What to Avoid
The confirmed authors have already begun their stories, so please avoid the following ideas:
== Beatles as zombies
== Beatles as super heroes
== Beatles as time travelers
== Beatles as "the Scooby Doo gang"
== Beatles as medieval fantasy adventurers
== Beatles as Tetrad wizards representing the elements
== Beatles as animatronic robots
== Beatles as paranormal investigators
This is not to say that you cannot do a variation on these, but keep in mind that if we get more than one story with the same theme, your chance of having your story accepted is reduced. That said, do not contact us with your idea first. After all, two authors can take the same basic idea and produce completely different stories.
Story Length:
The story should be no more than 4,000 words. This should be sufficient for what should most likely be a somewhat humorous tale. A 'short story' should be defined as not less than 1,000 words for the purpose of this book; we want you to write the story at the length it most makes sense, but we are not publishing drabbles or flash fiction, and prefer stories in the 2,000 – 4,000 range. This is not a strict cut-off, though.
Payment is $200 a story, so there is no advantage to padding your story. Take as many words as you need to make a great story, but if it is too long, it had better be so great that we can't refuse it. A good but padded story may get rejected over a concise, fast-moving one, because we want to fit in as many stories as possible.
No reprints. And only one submission. If you have two stories, send your best.
I’m Unpublished. Can I submit?
Yes! We encourage that. But you will still face the same standards for submissions as the published authors. (Pro tip: Check your spelling and grammar.)
Formatting:
Submit your story in 12-point, Times New Roman/Times Roman font, double-spaced.
If you have questions about other formatting (like setting up the story’s first page, and page numbering), refer to Shunn’s manuscript formatting guide.
The file should be RTF, not Word or DocX or anything else. The first page should be your cover letter – keep it brief – which will include your contact information and a 50-75 word bio. List previous publications or relevant experience in the bio.
Email:
Send your complete story/cover letter to WhatIfBeatlesAnthology@gmail.com – do not send to Michael or Randee personally. Your bio and story should be in the same document. We will accept submissions until June 14. Please continue to check this space for any updates. We will do our best to contact everyone who submits, but if you have not heard from us by August 1, you can safely assume that your story was not accepted.
[NOTE: Click through to the original guidelines page for a lengthy discussion of copyright issues.]
***
1 May 19 -- Tiny Nightmares -- Soft Skull Press
Tiny Nightmares will be a collection of short and terrifying tales of monsters, madness, and nightmares. The anthology follows up on Tiny Crimes, an anthology of short crime fiction featuring stories by Carmen Maria Machado, Yuri Herrera, Brian Evenson, Amelia Gray, and more.
For Tiny Nightmares, we're seeking short stories that play with and expand the boundaries of horror fiction -- think of the stretch of unlit highway between Jordan Peele's Get Out, Samanta Schweblin's Fever Dream, and Stephen King's IT. Stories that turn our understanding of "scary" on its (trembling) head. We're looking for:
== Stories of new monsters, and old ones that scare us in new ways
== Tiny, intimate horrors to make our hair stand on end
== Horror as cultural/political/environmental funhouse mirror
== Subversions of traditional horror tropes
== Something so scary we haven't thought of it yet
Guidelines:
Stories should be under 1200 words.
Stories should be previously unpublished.
Payment will be $100 dollars.
***
30 June 19 -- SNAFU: Last Stand -- ed. Amanda J Spedding, Matthew Summers, and Geoff Brown; Cohesion Press
WHAT WE WANT:
Military action-based last-stand horror, and lots of it.
Think 300, the Alamo, the Battle of Mirbat, the First Battle of Mogadishu, the Battle of Hel, or Custer’s Last Stand (but with unnatural monsters)… anything that can be called a high-action potentially-last stand monster story. For level of unnatural creature we will give priority to, think Dog Soldiers or Aliens. We want lots of monster goodness.
We will also be looking for soldiers, mercs, police, private security/paramilitary. Hell, even a group of bodyguards protecting some arsehole druglord on his jungle property.
Just ensure the last stand aspect is both overt and unique, and don’t forget monsters!
This volume is like the previous volumes squared. All action.
We want extreme action, and it has to be military or paramilitary action.
And to say it again, full action. Nothing less. Hoo-rah!
Introduction by Tim Miller (Deadpool, Terminator, Love, Death & Robots)
Payment: AUD5c/word and one contributor copy in each format released.
Wordcount range: 2,000 – 10,000 words (query for shorter or longer)
No selections will be made until after the period closes.
Projected publication date: Late 2019
Please follow these guidelines when submitting to us:
Please put your full contact details and word count top left of the first page of the manuscript.
Standard submission format, with minimal document formatting.
Courier, Palatino Linotype, or Times New Roman set at 12pt.
Italics as they will appear. No underlining. Double spaced.
Please don’t use TAB or space bar to indent lines. Use ‘styles’ only.
If unsure or using a program that has no styles, DO NOT indent at all. That’s still cool.
SEE HERE FOR MORE INFORMATION ON STYLES
NO SPACE between paragraphs unless a line-break is required. ONE SPACE after full stops.
Please put full contact details on the first page of the manuscript (yes, I said this twice… it’s important).
Send your submission to Geoff Brown at editor@cohesionpress.com as an attachment (.doc/.rtf only)
In the subject line of your email, please put Last Stand: [STORY TITLE] (Replace [STORY TITLE] with your actual story title. Yes, unfortunately I do need to say this)
NO MULTIPLE SUBMISSIONS
NO SIMULTANEOUS SUBMISSIONS
NO REPRINTS
Please include a brief ‘hello, this is who I am’ in your email body as a cover letter.
Blank emails with attachments will be deleted.
For a guide to standard submission format, see: http://www.shunn.net/format/story.html
The only variations to this format are that italics MUST appear as they will be used – no underlining – and again, only one space after a full stop.
Anyone that fails to follow these guidelines will likely see their story used to line kitty litter trays by Deadpool.
***
30 June 19 -- Illicit -- Bronzeville Books
You’ve heard of illicit affairs, illicit sex, and illicit pictures. Bronzeville Books asks why our culture considers so many types of love, sex, and bodies illicit while we don't blink at the truly forbidden – theft, murder, fraud. In Illicit, the first erotic anthology from Bronzeville Books, we’re looking for stories that showcase the beauty of love once considered forbidden alongside actual crimes and criminal behavior. If you've got a kinky bank robber, a queer hitman looking for more than one way to score, or a disabled private eye looking to solve a case and get some lovin' along the way, we want your story. We want people, sex, and bodies not usually seen in mainstream ideas of sex and sexy, and we want tight, fun crime plots. Pro pay. 3,500 words or less.
Simultaneous submissions are accepted but we will not consider multiple submissions under the same name or a pseudonym.
Sex in stories must be consensual, no minors, no animals, no exceptions.
Send submissions to submissions.desk@bronzevillebooks.com with the subject line: ILLICIT SUBMISSION.
See https://www.shunn.net/format/novel.html for formatting instructions.
***
30 June 19 -- Chew on This! -- ed. Robert Essig; Blood Bound Books
Everything that is living EATS! Plants, animals, humans, aliens, monsters, sea creatures, they all eat in one form or another.
For the Chew on This! anthology we are looking for food-related stories, but we need you to dig deeper and get creative when it comes to the substances that keep us alive. Food should be integral to the story in some way, but not the entire focus. The plots can revolve around a wide range of cultures and belief systems, science and superstition, settings in the future or past. Above all we want stories that are macabre, scary, unsettling, and even gross. There's room for every subgenre of horror from quiet and unsettling physiological tales to extreme and bizarro. Well written, imaginative, frightening, and unique perspectives that make readers afraid to visit restaurants, try cuisine in a foreign lands, attempt new cooking recipes, etc.
Food Allergies:
== Cannibal stories- Sure they’re good enough to eat but not for this anthology.
== No zombies, werewolves, vampires, or other well-tread tropes. If it’s off the dollar menu we won’t be ordering.
== Pizza stories. We love a good pie but don’t want past anthology leftovers.
== Predator and prey without any substance. Reasoning is the seasoning!
== Fan fiction. Give us a fresh recipe!
Ingredients:
== Email: chewonthissubmissions@gmail.com
== Subject: Chew on this: Story Title by Author Name
== Length: 3k - 7K
== Multiple Submissions: No
== Simultaneous Submissions: No
== Reprints: No
== Format: Doc or Docx
== Payment: 3 cents per word
***
30 June 19 -- Funny Queer -- Qommunicate Publishing
Seeking humorous original work by and/or about LGBTQ+ people and lives. This is a positive publication celebrating the LGBTQ+ community through the lens of humor. Only pieces supporting this mission will be considered. No homophobic, transphobic or hateful material will be considered.
[NOTE: That "and/or" in the paragraph above is ambiguous. It sounds like they'll consider work from straight/cis writers so long as it's about LGBTQ+ characters. But maybe not. If your straight/cis, you might query before submitting.]
This premiere edition of our first LGBTQ+ humor anthology will be published in print & ebook. It will be made available in paperback on Amazon, the Barnes & Noble website, QommunicatePublishing.com and wherever books are sold (available to booksellers and libraries through Ingram.) Ebook versions will be compatible with the Amazon Kindle, Barnes & Noble Nook, Kobo, iOS, Android, MacOS, and Windows devices in addition to PDF and other downloadable formats and web-viewable formats.
Submission Guidelines
Please read the following submission guidelines carefully before submitting your work to Funny Queer. If you have any questions not answered below, please write us at submissions@qommunicatepublishing.com and we will be happy to answer.
Theme
Humor by and/or about LGBTQ+ people. The only criteria is it makes us laugh!
Genres:
Anything meeting the theme, including:
== Fiction.
== Nonfiction.
== Jokes.
== Comics/graphic shorts (black and white only).
== Poems.
== Short scripts.
We will NOT consider:
== Erotica
== Work written for children
Length:
== Prose: up to 3,500 words
== Poetry: Up to 3 pages
== Comics & Scripts: up to 10 pages
These length recommendations are flexible.
Formats:
== All submissions must be typed. No handwritten submissions will be accepted.
== If you send your submission in, please do NOT mail us your only copy of your work. We can not be responsible for returning submissions.
Multiple Submissions:
== Multiple submissions (submissions of more than one work) are fine. Send us what you’ve got!
Simultaneous Submissions:
== Simultaneous submissions (submitting work you’ve already submitted–or are planning on submitting–elsewhere) are fine too.
== Please just be sure that if your submission gets accepted elsewhere, you contact us at submissions@qommunicatepublishing.com to withdraw it from consideration for More Queer Families: A LGBTQ+ True Stories Anthology.
Reprints:
== Reprints will NOT be considered.
Rights:
== We are seeking First English Anthology Rights and First World Anthology Rights in print and ebook formats.
== NOTE: These rights only allow the material to be used in the anthology and its reprints, and the writer retains all rights to their work not specified here (i.e. in the contract), including copyright to their work.
== We are also seeking, for all material, Non-exclusive Excerpt Rights (for the purposes of promoting the Anthology on the website).
Compensation:
== Contributors will receive, as a humble token of our appreciation, $5 per printed page.
[NOTE: There's no way to tell exactly how many cents/word they'll be paying; it depends on the size of the pages, the size of the typeface, and the density of the writing on any given page. (A page with many short lines of dialogue will have a lot fewer words than a page full of long paragraphs of description or narration.) A standard manuscript page is counted as approximately 250 words, which works out to about 2 cents per word. I'm assuming a "printed" page will be less than twice that, which means this market squeaks in just past my guidelines, to give them the benefit of the doubt. Keep this in mind, though, when you decide whether to sub here.]
What to Submit:
== Your submission
== A brief bio telling us something about you and (if applicable) any publishing experience
== At least one form of contact information (phone number, email, or mailing address. Please do not give a social media account handle as your only form of contact information.
== IMPORTANT: Pen names are acceptable. However, for contractual purposes, all submissions must also include the author’s legal name.
Where to Submit:
Submissions may be emailed to us at: submissions@qommunicatepublishing.com
or mailed to us at:
Qommunity
201 Lancelot Lane
Becket, MA 01223
AGAIN, MAILED SUBMISSIONS WILL NOT BE RETURNED
Response Time:
== We do our best to respond to all submissions within 3 months of receiving them. If you haven’t heard from us in that time, please feel free to reach out.
***
ALWAYS OPEN -- Future Visions Anthology Series -- ed. Brian J Walton; Camton House Publishing
[NOTE: Currently closed to submissions.]
The Future Visions Anthologies is a science fiction anthology series, aiming to deliver excellent and diverse short story collections on a quarterly basis. In the tradition of great television anthology series such as The Twilight Zone, and Black Mirror, the Future Visions Anthologies will broadly explore all genres and traditions of science fiction and speculative fiction, seeking in each story to explore deeply themes that are relevant to a modern audience.
Themes:
What do you hope the future will bring? What are you afraid we may become? How do our visions of the future inform and give shape to the hopes and fears that we have today?
These questions are what defines anthology series like The Twilight Zone and Black Mirror. Rather than mandating a theme for each publication, (one publication for cyborgs, one for time travelers, etc...) I want authors to feel free to explore these larger questions using any and all of the popular science fiction tropes: new technology, exploration, nightmarish dystopians, alien species, baffling utopias, the list goes on...
Diversity:
The Future Visions Anthologies seeks to bring diversity to all aspects of their publications, from the stories and authors we publish, to the themes and genres we explore. All authors may apply regardless of age, race, gender, sexual orientation, religion, or political affiliation.
Terms:
The Future Visions Anthologies seeks to engage authors with fair and equitable terms through participation in the anthologies. The anthologies will be enrolled in Kindle Unlimited for an initial six-month term, during which stories will be exclusive to the anthology. After this, anthologies will continue be available as an ebook (not in KU) for an additional six-month term. During this term, partial publication rights will return to the author to publish as an ebook, except for in KU. After one year, the ebook will be unpublished, returning all rights to the author.
Payment will be based on a profit-share model with a guaranteed minimum payment of $100. Authors will receive royalties during the first six months of membership. At the end of the royalty period, if the author’s royalties do not meet the minimum payment of $100 then the remaining amount will be paid. There is no cap to the amount of royalties that may be earned. Earning reports for the anthology will be provided to all participating authors to ensure complete transparency. Specific terms will be available after initial acceptance of the author’s story.
Submission Guidelines:
== Authors must read and be in agreement with the above before submitting.
== There is no fee to submit.
== Submissions must be original, never before published works.
== Submissions may be set in a larger universe, but should be a complete story; do not send excerpts, parts, or volumes.
== Word Count is 2k-7k words (exceptions for up to one story per anthology can be made).
== Submissions should be written to the best of the author's ability. Professional editing is not required but may help in the consideration of your piece. Camton House Publishing will provide professional editing and proofreading, approved by the author, and a final, edited version will be submitted to the author upon publication.
== Adult language and sexual situations are permitted, but no hate speech, erotica or "X-rated" material.
== Formatting: 12pt Times New Roman font with 1.5-line spacing; 1-inch margins on all sides; no extra spaces between paragraphs; leading indentations, but no tabs.
== Include "Future Visions Short Story Submission" in the header and the following information in the body of the email:
o Author Name
o Story Title
o Word Count
o Brief Bio, written in the third person. 100-300 words.
== Submissions should be submitted in docx format as an attachment.
== Submissions should be emailed to futurevisionssubmissions@gmail.com
Submissions that do not follow the above guidelines will not be considered.
Deadlines:
Submissions are always open. Authors who have submitted will be notified within 4-6 weeks of submission regarding whether their story has been selected.
[Okay, this is different. I'll be treating this one like an "Until Filled" market, in that I'll be checking every month to make sure they're still alive. Unlike a UF, I'll keep posting this so long as it's still alive. (Unless it turns morbid or skeevy, the usual.) Note that this is a royalty split with a guaranteed minimum, which works out to pro rates up to 1666 words, and semi-pro after that. Best practice IMO is to assume that the minimum is all you'll ever get from this market; that way, so long as you do get paid, all your surprises will happy ones.
Interesting business model; it's basically a magazine that's being treated like an antho series, more or less. I'll be keeping an eye on this one, and may revisit the listing in the future.]
***
If you've found this listing useful, and especially if you've sold a story to a market you found here (score!) I'd love to hear about it. You can e-mail me at angiepen at gmail dot com.
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