Hey, all! This one can't wait for next month's anthology post because the submission window is tight.
Cat Rambo is guest editing a special Women Destroy Fantasy issue of Lightspeed Magazine.
WOMEN DESTROY FANTASY! will be a special one-off, guest-edited by former Fantasy Magazine editor Cat Rambo. The issue will contain 8 pieces of fiction (twice the size of a regular issue of an issue of Fantasy back before it was merged into Lightspeed), consisting of 4 original stories and 4 reprints. Cat Rambo will select all 4 of the original stories, and long-time editor of the fantasy half of The Year’s Best Fantasy & Horror, Terri Windling, will select the 4 fantasy reprints. Everything submitted to the Women Destroy Fantasy! issue will also be considered for publication in Lightspeed.
== Who can submit stories for consideration for the special issue? Women.
== How do you define “woman”? A woman is any human being who identifies as one, to whatever degree that they do so.
== What can women submit? Fantasy short stories, 1500-7500 words. Dark fantasy (which normally would be OK to submit to Nightmare, should go here instead for this issue).
== When is the submissions period? Submissions open March 15, 2014, and will close at 11:59:59 p.m. Eastern on March 31, 2014.
== What rights will you be buying? Please see the Lightspeed standard contract templates (Originals | Reprints) for details; this issue will use that same contract template.
== Pay rate? 8 cents/word.
== Response time? Up to 45 days
== Note: Stories submitted to the Women Destroy Fantasy! special issue will also be considered regular issues of Lightspeed as well, if they are not selected for the special issue.
== When will the issue be published? October 2014.
== How do I submit? Submit via the following submissions portal: Women Destroy Fantasy submissions
== What the heck is this about? What do you mean by “destroy”? Read this and just substitute “fantasy” any time it says “science fiction” (more or less).
Sounds like a fun issue.
Angie
Friday, February 28, 2014
Thursday, February 20, 2014
Follow-Up on the Libel of Quoting
I'm ridiculously busy right now so this is going to be short, but Mr. Sean Fodera, referenced in my previous post, has hired a lawyer to tell him that linking to an article that quotes him saying something stupid is not, in fact, a libelous action for which one can be sued. He's posted a very thorough apology to Mary Robinette Kowal in which he also points out that he does not represent his employer (MacMillan) in any way when he says stupid things in public.
There are a few interesting roundaboutations and caveats in said apology, but whatever. I only hope he's learned something, and is planning to duck out of sight for a while.
Angie, who still has about 90 stories to get through by Saturday
There are a few interesting roundaboutations and caveats in said apology, but whatever. I only hope he's learned something, and is planning to duck out of sight for a while.
Angie, who still has about 90 stories to get through by Saturday
Sunday, February 16, 2014
Quoting Now Equals Libel?
So apparently linking to an article where someone is quoted -- with links to the original sources -- as saying something that makes him look like a sexist asshat is now libel. That sounds like fun, so I thought I'd jump on the bandwagon.
Mr. Sean Fodera apparently thinks that any woman who wears attractive clothing can't possibly be a feminist, because (I guess?) in order to qualify for the feminist club, you're required to have nothing but army fatigues three sizes too big, or similar, in your closet. Okay then.
The Daily Dot has a screen grab of this bit from SFF.net, in case it gets deleted.
The whole Dot article is about the latest wave of sexist, racist crap coming out of the old guard SFWA types. It's depressing, but at this point it's really not surprising. What's particularly eyerolly here is Mr. Fodera's belief that this is actionable libel. John Scalzi commented on this, and I see it as a public service to spread it around. Not only to point out the sexist gluteal haberdashery, but to spread the word that no, this is not libel, and threatening to treat it as such just makes one look even more ignorant than the original commentary.
Also, note the Streisand effect in action here. I've never heard of Mr. Fodera before, and I'd wager most folks who read my blog haven't either. Now we've heard of him, and the impression left isn't exactly positive. Good job, Mr. Fodera!
Angie
Mr. Sean Fodera apparently thinks that any woman who wears attractive clothing can't possibly be a feminist, because (I guess?) in order to qualify for the feminist club, you're required to have nothing but army fatigues three sizes too big, or similar, in your closet. Okay then.
It just occurred to me that MRK seems to be deeply involved in this whole anti-sexism matter. I remember seeing her posing with Hines and Scalzi on one of their very scary cover parodies, and I know she chimed in with a snipe at the petition signers on the Radish thread.
I find it very funny and ironic that she would jump on this bandwagon. For a long time, her website featured an array of photos of her in a diaphanous white outfit, posing on a beach. No metal bikinis or such, but they were not innocuous writer headshots either. One of them, with her recumbent on the sand with legs exposed, made her somewhat attractive. I also recall she's fond of wearing tight-fitting gowns and plunging necklines when she attends cons and award ceremonies.
I'll have to add "phony" to "incompetent" and "arrogant" in the mental tags I've assigned her.
The Daily Dot has a screen grab of this bit from SFF.net, in case it gets deleted.
The whole Dot article is about the latest wave of sexist, racist crap coming out of the old guard SFWA types. It's depressing, but at this point it's really not surprising. What's particularly eyerolly here is Mr. Fodera's belief that this is actionable libel. John Scalzi commented on this, and I see it as a public service to spread it around. Not only to point out the sexist gluteal haberdashery, but to spread the word that no, this is not libel, and threatening to treat it as such just makes one look even more ignorant than the original commentary.
Also, note the Streisand effect in action here. I've never heard of Mr. Fodera before, and I'd wager most folks who read my blog haven't either. Now we've heard of him, and the impression left isn't exactly positive. Good job, Mr. Fodera!
Angie
Saturday, February 15, 2014
Anthology Markets
If you've just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn't dated in the same month you're in, click here to make sure you're seeing the most recent one.
Markets with specific deadlines are listed first, "Until Filled" markets are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple antho guidelines on one page, so after you click through you might have to scroll a bit.
Note that the deadline for XIII has been extended.
***
31 March 2014 -- XIII -- Resurrection House
RESURRECTION HOUSE is seeking science fiction, fantasy, horror, and creative non-fiction for a loosely themed anthology to be released in the winter of 2015. Stories should be between 1,000 and 7,000 words, and pay will be 5 cents/word. Reprints are not out of the question, but will be handled on an individual basis. Deadline for submissions is March 13th, 2014.
Stories should be sent as email attachments in either .RTF or .DOC format to xiiisub@resurrectionhouse.com with the word “XIII” somewhere in the subject line.
When Mark Teppo, the founder of Resurrection House, acquired Underland Press, he wanted to start numbering the titles that would be released under the new imprint. Before doing so, he wishes to acknowledge and celebrate What Was and What Will Be. “Thirteen” is the first month of a new yearly cycle, wherein the old skins have been shed and the newborns are still learning to walk. “One” and “Three” make “Four,” which is the number of completion, of coming home, and of realizing the form that has been in process for some time. Nothing is true; everything is possible. And the more things change, the more they stay the same. The thirteenth Tarot card is Death, and he is the symbol of transformation and rebirth.
This is the genesis and root of XIII.
Some broad examples of transformative stories are Gene Wolfe’s Book of the New Sun, Franz Kafka’s Metamorphosis, Darren Aronofsky’s The Fountain, Matt Wagner’s Grendel comic series, and David Lynch’s Lost Highway as well as his Fire, Walk With Me. Also consider the plight of Bottom in A Midsummer Night’s Dream, Innana’s descent into the Underworld, and the stories of Osiris, Tammuz, Adonis, and Attis.
***
31 March 2014 -- Start a Revolution -- ed. Michael Matheson; Exile Editions
The Central Idea:
From green revolutions to anarchist uprisings. From social compacts to social justice movements. Stories that push boundaries and identities. That invoke a rebellious voice. That cry out for tolerance, community, and change.
QUILTBAG stories are about diversity in identity. Sometimes that means focusing on finding oneself. But the movement is so much wider. Identity is communal. Identity is global. And this anthology looks to tell those larger stories. Stories about revolution, rebellion, and reshaping the world, all told from QUILTBAG perspectives.
Stories about quiet revolutions and very public ones. Personal revolutions and global movements.
Some revolutions succeed. Others fail. But in the end it’s the striving for change that matters.
Show us that striving.
Fight the power. Start a revolution.
Summary:
== Length: 2k-10k (under 7.5k preferred)
== Payment: .05/word (and contributor’s copy)
== Rights: First English-Language Rights & Non-exclusive Anthology Rights (Print and eBook)
== Genre: All speculative
== Original fiction only. No reprints.
== Submit To: adarkandterriblebeauty [at] gmail [dot] com
== Subject Line: Start a Revolution: [Story Title], [Last Name]
== Format: Standard Manuscript Format
== File Format: .doc, .docx, or .rtf only
== Cover Letter: Yes. See below.
== Reading Period: Jan. 1, 2014 – Mar. 31, 2014
== All Responses By: Apr. 30, 2014
== Scheduled Release: Spring 2015
Please, no simultaneous submissions. The only exception to this is that you are allowed to submit a story to both Start a Revolution and the $15,000 Vanderbilt/Exile Short Fiction Competition (open until March 10, 2014) sponsored by Exile Quarterly/Exile Editions (see http://www.theexilewriters.com/poetry-and-fiction-competitions/).
You may send multiple submissions over the course of the reading period, but submit only one story at a time. I’ll be rejecting stories over the course of the reading period, so if you receive a rejection before the deadline you may submit another piece.
Also, despite the fact that I’m comfortable with alternate and integrated narrative formats for short fiction, I’m not taking poetry or plays. Short fiction only, please.
Re Cover Letters: Include your name, story title, word count, contact info, a brief bio, and state your nationality (so I can keep track of the 90% Canadian authored content requirement).
Also Re Cover Letters (Optional): One of the things the Ontario Arts Council asks on their grant forms is a set of volunteered information, specifically about self-definition and identity. It helps them figure out what communities and groups they’re already reaching and aiding, and who they need to do more outreach to better aid. And if people are willing, I would like to do something similar here. Specifically, I’d like to compile and share a map of the submissions, if you will. (Both a map for all submissions, and a comparative map for selected stories.) So, please feel free to also note in your cover letter if you consider, or define, yourself as any of the following: an Aboriginal writer, culturally diverse writer, Francophone writer, and/or new generation writer. (Definitions for same below.) Anyone submitting is also welcome to note their gender (be it binary, multiple, undefined, or a lack thereof) and you can also include if you self-define along the lines of QUILTBAG, fluid, pansexual, or otherwise.
And let me reiterate: all of that volunteered information is entirely optional. And if given, it is going to be shared in a strictly anonymous fashion, and only for the purposes of the submissions mapping.
Lastly, if I’ve already read a story of yours elsewhere (say, at Apex), please don’t send it for this call unless I specifically ask to see it. And if you have questions relating to the anthology, please ask them in the Comments.
[NOTE: There's more info on the guidelines page; definitely click through and read.]
***
31 March 2014 -- Unidentified Funny Objects 3 -- ed. Alex Shvartsman
SUBMISSIONS FOR UFO3 OPEN ON MARCH 1. ANY SUBMISSIONS RECEIVED BEFORE THIS DATE WILL BE DELETED UNREAD.
WHAT WE WANT:
We’re looking for speculative stories with a strong humor element. Think Resnick and Sheckley, Fredric Brown and Douglas Adams. We welcome quality flash fiction and non-traditional narratives. Take chances, try something new, just make sure that your story is funny.
Puns and stories that are little more than vehicles for delivering a punch line at the end aren’t likely to win us over.
Most submissions we’ve received in the past are rejected because they aren’t particularly funny. For this anthology we’re looking for humor, not just lighthearted, optimistic stories. Ask yourself if your story might make the reader laugh out loud, and submit if the answer is yes.
The best way to learn what we like is to read a previous volume volume. You can buy it here and also read the online stories for free.
LENGTH: 500-6000 words.
PAYMENT: $0.05 per word + contributor copy. Payment will be made upon acceptance. Our preferred method of payment is via PayPal, but you may request a check.
FORMAT: RTF or DOC. Standard Manuscript Format or something close to it (We won’t take points off if you prefer Courier to Times New Roman or some such), except please remove your name and any other identifying information from the manuscript as all submissions are read “blind”.
SEND TO: E-mail submissions as an attachment to: ufoeditors @ gmail dot com
Format the subject line as follows: Submission: by (Approx. Length)
Example: Submission: You Bet by Alex Shvartsman (2000 words)
POLICIES & RESPONSE TIME: No reprints, multiple or simultaneous submissions please. Do not send us any story we already considered for a previous UFO volume. We will respond to all subs within 30 days. If you don’t hear by then please check your spam folder, then query at the same e-mail address with the word QUERY in the subject of the e-mail.
If your story is rejected before April 1 you may send another, but we will only consider up to two submissions per author. (To clarify, send the second ONLY after the first one is rejected). If your second submission is rejected, we will ask you to wait until next year, when we’re reading for UFO4.
SUBMISSION WINDOW: March 1, 2014 through March 31, 2014.
RIGHTS SOUGHT: First Worldwide print and electronic English Language rights. Exclusivity for 90 days from date of release. Non-exclusive rights to keep the anthology in print across different publishing platforms afterward. Preview sample contract.
[NOTE: Click through for info on their selection process, and a FAQ.]
***
15 April 2014 -- Intelligence -- Third Flatiron Anthologies
Stories could include AIs, the Singularity, military/industrial/political intelligence, nonhuman/uplifted or hybrid/human species, extreme thinking (ESP/telekinesis), ethical hacking.
Third Flatiron Publishing is an e-publishing venture based in Boulder, Colorado. We are looking for submissions to our quarterly themed online anthologies. Our focus is on science fiction and fantasy and anthropological fiction. We’re looking for tightly plotted tales in out-of-the-ordinary scenarios.
Please send us short stories that revolve around age-old questions and have something illuminating to tell us as human beings. Fantastical situations and creatures, exciting dialog, irony, mild horror, and wry humor are all welcome. Stories should be between 1,500 and 3,000 words. Inquire if longer.
Role models for the type of fiction we want include Kurt Vonnegut, Arthur C. Clarke, Dan Simmons, Connie Willis, Vernor Vinge, and Ken Kesey. We want to showcase some of the best new shorts available today.
Click through to the "Submissions" tab for preferred formats, etc.
For each anthology, we will also accept a few very short humor pieces on the order of the "Shouts and Murmurs" feature in The New Yorker Magazine (600 words or so). These can be written from a first-person perspective or can be mini-essays that tell people what they ought to do, how to do something better, or explain why something is like it is, humorously. An SF/Fantasy bent is preferred.
Your story must be original work, with the digital rights unencumbered. Accepted stories will be paid at the flat rate of 3 cents per word (U.S.), in return for the digital rights to the story. All other rights will remain with the author. We no longer offer royalties. If your story is selected as the lead story, we will pay a flat rate of 5 cents per word, in return for the permission to podcast or give the story away as a free sample portion of the anthology.
Third Flatiron will price and market your story to various e-publishing venues. We will format the story for the most popular electronic readers and platforms. You agree that we may distribute a sample (portion of the story) to potential customers.
For non-U.S. submissions, we prefer to pay via PayPal, if you have such an account.
Authors selected for publication will also be entitled to one free online copy of the anthology.
***
30 April 2014 -- Spindles -- ed. Raechel Henderson; Eggplant Literary Productions
Spindles word limit = 5,000
Payment = 5 cents per word; 2.5 cents per word for reprints
Rights bought: First World English-language Rights
Multiple submissions welcome
No simultaneous submissions
Stories should follow the standard fairy tale structure, but can be placed in any time period. We’ll only be publishing one version of each story (so one Cinderella, on Snow White, etc.) so authors are encouraged to submit as many different stories as they want. We are looking for fairy tales from all over the world; not just Grimm and Anderson.
Please send fiction submissions to submissions@eggplantproductions.com.
Send submissions in the body of the e-mail. No attachments!
[NOTE: there are lots of great questions and answers on the comments under the guidelines post, so click through and read if you're thinking of subbing here.]
***
UNTIL FILLED -- Thresholds -- Dreadful Cafe ** First Posted December 2013
We cross boundaries every day - the door to a room, a crack in a sidewalk, the border of a city.
The stories in Thresholds will take the reader to another time, into the dark, into the arms of a lover, to another world, or to the dark recesses of the mind.
Are you ready?
Sometimes strange, always original, the stories we publish are of the highest production standards, from thrilling premise all the way to professional editing.
We are now soliciting query letters (fiction) and samples (art) for Thresholds, our second anthology of art and fiction. All genres are eligible, but preference is given to works that cross more than one and which reflect the flavor and theme described above.
For FICTION:
Manuscripts must be between 1,000 and 25,000 words and not previously published by anyone but the author. Self-published works are accepted and encouraged!
Please refer to our Submission Guidelines.
Upon acceptance of your completed manuscript, Dreadful Cafe pays for non-exclusive, unlimited, 5-year publishing rights on the following schedule:
== Short Stories (1,000-7,000 words) — $125
== Novelettes (7,001-13,000 words) — $250
== Novellas (13,001-25,000 words) — Negotiable
Estimated Publication: Late Spring/Early Summer 2014
[Click through for more info.]
Markets with specific deadlines are listed first, "Until Filled" markets are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple antho guidelines on one page, so after you click through you might have to scroll a bit.
Note that the deadline for XIII has been extended.
***
31 March 2014 -- XIII -- Resurrection House
RESURRECTION HOUSE is seeking science fiction, fantasy, horror, and creative non-fiction for a loosely themed anthology to be released in the winter of 2015. Stories should be between 1,000 and 7,000 words, and pay will be 5 cents/word. Reprints are not out of the question, but will be handled on an individual basis. Deadline for submissions is March 13th, 2014.
Stories should be sent as email attachments in either .RTF or .DOC format to xiiisub@resurrectionhouse.com with the word “XIII” somewhere in the subject line.
When Mark Teppo, the founder of Resurrection House, acquired Underland Press, he wanted to start numbering the titles that would be released under the new imprint. Before doing so, he wishes to acknowledge and celebrate What Was and What Will Be. “Thirteen” is the first month of a new yearly cycle, wherein the old skins have been shed and the newborns are still learning to walk. “One” and “Three” make “Four,” which is the number of completion, of coming home, and of realizing the form that has been in process for some time. Nothing is true; everything is possible. And the more things change, the more they stay the same. The thirteenth Tarot card is Death, and he is the symbol of transformation and rebirth.
This is the genesis and root of XIII.
Some broad examples of transformative stories are Gene Wolfe’s Book of the New Sun, Franz Kafka’s Metamorphosis, Darren Aronofsky’s The Fountain, Matt Wagner’s Grendel comic series, and David Lynch’s Lost Highway as well as his Fire, Walk With Me. Also consider the plight of Bottom in A Midsummer Night’s Dream, Innana’s descent into the Underworld, and the stories of Osiris, Tammuz, Adonis, and Attis.
***
31 March 2014 -- Start a Revolution -- ed. Michael Matheson; Exile Editions
The Central Idea:
From green revolutions to anarchist uprisings. From social compacts to social justice movements. Stories that push boundaries and identities. That invoke a rebellious voice. That cry out for tolerance, community, and change.
QUILTBAG stories are about diversity in identity. Sometimes that means focusing on finding oneself. But the movement is so much wider. Identity is communal. Identity is global. And this anthology looks to tell those larger stories. Stories about revolution, rebellion, and reshaping the world, all told from QUILTBAG perspectives.
Stories about quiet revolutions and very public ones. Personal revolutions and global movements.
Some revolutions succeed. Others fail. But in the end it’s the striving for change that matters.
Show us that striving.
Fight the power. Start a revolution.
Summary:
== Length: 2k-10k (under 7.5k preferred)
== Payment: .05/word (and contributor’s copy)
== Rights: First English-Language Rights & Non-exclusive Anthology Rights (Print and eBook)
== Genre: All speculative
== Original fiction only. No reprints.
== Submit To: adarkandterriblebeauty [at] gmail [dot] com
== Subject Line: Start a Revolution: [Story Title], [Last Name]
== Format: Standard Manuscript Format
== File Format: .doc, .docx, or .rtf only
== Cover Letter: Yes. See below.
== Reading Period: Jan. 1, 2014 – Mar. 31, 2014
== All Responses By: Apr. 30, 2014
== Scheduled Release: Spring 2015
Please, no simultaneous submissions. The only exception to this is that you are allowed to submit a story to both Start a Revolution and the $15,000 Vanderbilt/Exile Short Fiction Competition (open until March 10, 2014) sponsored by Exile Quarterly/Exile Editions (see http://www.theexilewriters.com/poetry-and-fiction-competitions/).
You may send multiple submissions over the course of the reading period, but submit only one story at a time. I’ll be rejecting stories over the course of the reading period, so if you receive a rejection before the deadline you may submit another piece.
Also, despite the fact that I’m comfortable with alternate and integrated narrative formats for short fiction, I’m not taking poetry or plays. Short fiction only, please.
Re Cover Letters: Include your name, story title, word count, contact info, a brief bio, and state your nationality (so I can keep track of the 90% Canadian authored content requirement).
Also Re Cover Letters (Optional): One of the things the Ontario Arts Council asks on their grant forms is a set of volunteered information, specifically about self-definition and identity. It helps them figure out what communities and groups they’re already reaching and aiding, and who they need to do more outreach to better aid. And if people are willing, I would like to do something similar here. Specifically, I’d like to compile and share a map of the submissions, if you will. (Both a map for all submissions, and a comparative map for selected stories.) So, please feel free to also note in your cover letter if you consider, or define, yourself as any of the following: an Aboriginal writer, culturally diverse writer, Francophone writer, and/or new generation writer. (Definitions for same below.) Anyone submitting is also welcome to note their gender (be it binary, multiple, undefined, or a lack thereof) and you can also include if you self-define along the lines of QUILTBAG, fluid, pansexual, or otherwise.
And let me reiterate: all of that volunteered information is entirely optional. And if given, it is going to be shared in a strictly anonymous fashion, and only for the purposes of the submissions mapping.
Lastly, if I’ve already read a story of yours elsewhere (say, at Apex), please don’t send it for this call unless I specifically ask to see it. And if you have questions relating to the anthology, please ask them in the Comments.
[NOTE: There's more info on the guidelines page; definitely click through and read.]
***
31 March 2014 -- Unidentified Funny Objects 3 -- ed. Alex Shvartsman
SUBMISSIONS FOR UFO3 OPEN ON MARCH 1. ANY SUBMISSIONS RECEIVED BEFORE THIS DATE WILL BE DELETED UNREAD.
WHAT WE WANT:
We’re looking for speculative stories with a strong humor element. Think Resnick and Sheckley, Fredric Brown and Douglas Adams. We welcome quality flash fiction and non-traditional narratives. Take chances, try something new, just make sure that your story is funny.
Puns and stories that are little more than vehicles for delivering a punch line at the end aren’t likely to win us over.
Most submissions we’ve received in the past are rejected because they aren’t particularly funny. For this anthology we’re looking for humor, not just lighthearted, optimistic stories. Ask yourself if your story might make the reader laugh out loud, and submit if the answer is yes.
The best way to learn what we like is to read a previous volume volume. You can buy it here and also read the online stories for free.
LENGTH: 500-6000 words.
PAYMENT: $0.05 per word + contributor copy. Payment will be made upon acceptance. Our preferred method of payment is via PayPal, but you may request a check.
FORMAT: RTF or DOC. Standard Manuscript Format or something close to it (We won’t take points off if you prefer Courier to Times New Roman or some such), except please remove your name and any other identifying information from the manuscript as all submissions are read “blind”.
SEND TO: E-mail submissions as an attachment to: ufoeditors @ gmail dot com
Format the subject line as follows: Submission:
Example: Submission: You Bet by Alex Shvartsman (2000 words)
POLICIES & RESPONSE TIME: No reprints, multiple or simultaneous submissions please. Do not send us any story we already considered for a previous UFO volume. We will respond to all subs within 30 days. If you don’t hear by then please check your spam folder, then query at the same e-mail address with the word QUERY in the subject of the e-mail.
If your story is rejected before April 1 you may send another, but we will only consider up to two submissions per author. (To clarify, send the second ONLY after the first one is rejected). If your second submission is rejected, we will ask you to wait until next year, when we’re reading for UFO4.
SUBMISSION WINDOW: March 1, 2014 through March 31, 2014.
RIGHTS SOUGHT: First Worldwide print and electronic English Language rights. Exclusivity for 90 days from date of release. Non-exclusive rights to keep the anthology in print across different publishing platforms afterward. Preview sample contract.
[NOTE: Click through for info on their selection process, and a FAQ.]
***
15 April 2014 -- Intelligence -- Third Flatiron Anthologies
Stories could include AIs, the Singularity, military/industrial/political intelligence, nonhuman/uplifted or hybrid/human species, extreme thinking (ESP/telekinesis), ethical hacking.
Third Flatiron Publishing is an e-publishing venture based in Boulder, Colorado. We are looking for submissions to our quarterly themed online anthologies. Our focus is on science fiction and fantasy and anthropological fiction. We’re looking for tightly plotted tales in out-of-the-ordinary scenarios.
Please send us short stories that revolve around age-old questions and have something illuminating to tell us as human beings. Fantastical situations and creatures, exciting dialog, irony, mild horror, and wry humor are all welcome. Stories should be between 1,500 and 3,000 words. Inquire if longer.
Role models for the type of fiction we want include Kurt Vonnegut, Arthur C. Clarke, Dan Simmons, Connie Willis, Vernor Vinge, and Ken Kesey. We want to showcase some of the best new shorts available today.
Click through to the "Submissions" tab for preferred formats, etc.
For each anthology, we will also accept a few very short humor pieces on the order of the "Shouts and Murmurs" feature in The New Yorker Magazine (600 words or so). These can be written from a first-person perspective or can be mini-essays that tell people what they ought to do, how to do something better, or explain why something is like it is, humorously. An SF/Fantasy bent is preferred.
Your story must be original work, with the digital rights unencumbered. Accepted stories will be paid at the flat rate of 3 cents per word (U.S.), in return for the digital rights to the story. All other rights will remain with the author. We no longer offer royalties. If your story is selected as the lead story, we will pay a flat rate of 5 cents per word, in return for the permission to podcast or give the story away as a free sample portion of the anthology.
Third Flatiron will price and market your story to various e-publishing venues. We will format the story for the most popular electronic readers and platforms. You agree that we may distribute a sample (portion of the story) to potential customers.
For non-U.S. submissions, we prefer to pay via PayPal, if you have such an account.
Authors selected for publication will also be entitled to one free online copy of the anthology.
***
30 April 2014 -- Spindles -- ed. Raechel Henderson; Eggplant Literary Productions
Spindles word limit = 5,000
Payment = 5 cents per word; 2.5 cents per word for reprints
Rights bought: First World English-language Rights
Multiple submissions welcome
No simultaneous submissions
Stories should follow the standard fairy tale structure, but can be placed in any time period. We’ll only be publishing one version of each story (so one Cinderella, on Snow White, etc.) so authors are encouraged to submit as many different stories as they want. We are looking for fairy tales from all over the world; not just Grimm and Anderson.
Please send fiction submissions to submissions@eggplantproductions.com.
Send submissions in the body of the e-mail. No attachments!
[NOTE: there are lots of great questions and answers on the comments under the guidelines post, so click through and read if you're thinking of subbing here.]
***
UNTIL FILLED -- Thresholds -- Dreadful Cafe ** First Posted December 2013
We cross boundaries every day - the door to a room, a crack in a sidewalk, the border of a city.
The stories in Thresholds will take the reader to another time, into the dark, into the arms of a lover, to another world, or to the dark recesses of the mind.
Are you ready?
Sometimes strange, always original, the stories we publish are of the highest production standards, from thrilling premise all the way to professional editing.
We are now soliciting query letters (fiction) and samples (art) for Thresholds, our second anthology of art and fiction. All genres are eligible, but preference is given to works that cross more than one and which reflect the flavor and theme described above.
For FICTION:
Manuscripts must be between 1,000 and 25,000 words and not previously published by anyone but the author. Self-published works are accepted and encouraged!
Please refer to our Submission Guidelines.
Upon acceptance of your completed manuscript, Dreadful Cafe pays for non-exclusive, unlimited, 5-year publishing rights on the following schedule:
== Short Stories (1,000-7,000 words) — $125
== Novelettes (7,001-13,000 words) — $250
== Novellas (13,001-25,000 words) — Negotiable
Estimated Publication: Late Spring/Early Summer 2014
[Click through for more info.]
Sunday, February 2, 2014
But It's Groundhog Day...?
So I'm sitting here working on a story (which is due in by midnight) and I hear this hollow, distant boom from outside. Weird. Sounds like a fireworks type rocket going off, but there's only one, so I figure it must be a car backfiring or something. About ten minutes later there's another one. Then a few minutes after that, another one.
Then a few minutes ago it sounded like Fourth of July outside and I'm all o_O because it's NOT Fourth of July. :/ I go call downstairs to Jim, "Did Groundhog Day become a fireworks holiday when I wasn't listening?" Because this is seriously weird, like, Twilight Zone type weird.
Jim calls back, "It's the Superbowl. Seattle probably won."
Ahh.
Can you tell I'm not any kind of a football fan? I vaguely remember hearing that Seattle was playing, but giving no damns, I let it slip out of my head. I guess the city fathers care more than I do, if they spent the money on a fireworks show. [wry smile]
I suppose my city winning the Superbowl is somewhat more likely than my city deciding to set off fireworks for Groundhog Day.
Yay Seattle?
Angie, going back to writing
Then a few minutes ago it sounded like Fourth of July outside and I'm all o_O because it's NOT Fourth of July. :/ I go call downstairs to Jim, "Did Groundhog Day become a fireworks holiday when I wasn't listening?" Because this is seriously weird, like, Twilight Zone type weird.
Jim calls back, "It's the Superbowl. Seattle probably won."
Ahh.
Can you tell I'm not any kind of a football fan? I vaguely remember hearing that Seattle was playing, but giving no damns, I let it slip out of my head. I guess the city fathers care more than I do, if they spent the money on a fireworks show. [wry smile]
I suppose my city winning the Superbowl is somewhat more likely than my city deciding to set off fireworks for Groundhog Day.
Yay Seattle?
Angie, going back to writing
Subscribe to:
Posts (Atom)